"Honnêtes gens," Amateur Musicianship, and the "East Air" in France: The Case of Francesco Corbetta's Royal Guitars
This essay argues that seventeenth-century French guitarists calibrated their compositions to the requirements of "honnêtes gens," amateur musicians who wished to appear at ease during musical performance. The guitarists' stylistic development, traced in this essay, tended toward the...
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| Veröffentlicht in: | Journal of seventeenth-century music 2014-01, Vol.20 |
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| creator | Bane, Michael A |
| description | This essay argues that seventeenth-century French guitarists calibrated their compositions to the requirements of "honnêtes gens," amateur musicians who wished to appear at ease during musical performance. The guitarists' stylistic development, traced in this essay, tended toward the production of easy arrangements of fashionable music. Francesco Corbetta, who published two collections of guitar music in Paris, both titled "La guitarre royalle," also participated in this development. The first "Guitarre royalle," published in 1671, contains music of greater technical difficulty than the second, published in 1674. The blunted technical demands of the second publication reflect Corbetta's accommodation of "honnêtes gens." |
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| ispartof | Journal of seventeenth-century music, 2014-01, Vol.20 |
| issn | 1089-747X 1089-747X |
| language | eng |
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| source | Elektronische Zeitschriftenbibliothek - Frei zugängliche E-Journals |
| subjects | 17th century Amateur musicians Arrangements (Musical works) French Music Guitarists Music Collections |
| title | "Honnêtes gens," Amateur Musicianship, and the "East Air" in France: The Case of Francesco Corbetta's Royal Guitars |
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