Real-to-Reel: Social Indexicality, Sonic Materiality, and Literary Media Theory in Eduardo Costa’s Tape Works
This article develops a linguistic media theory that brings together Peircean materialist indexicality from Barthes, Bazin, Doane, Krauss, and others with linguistic anthropologist Michael Silverstein’s nonreferential (social) indexicality. Following Argentine sound artist Eduardo Costa’s practice w...
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Veröffentlicht in: | Representations (Berkeley, Calif.) Calif.), 2017-12, Vol.137 (137), p.143-166 |
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description | This article develops a linguistic media theory that brings together Peircean materialist indexicality from Barthes, Bazin, Doane, Krauss, and others with linguistic anthropologist Michael Silverstein’s nonreferential (social) indexicality. Following Argentine sound artist Eduardo Costa’s practice with tape recording, the article challenges critical theory to account for the sonic meaning at play in pragmatic (nonsemantic) communication related to gender, race, and diasporic community. More than a mere supplement or limit, material sonic media expand aesthetic representation, and media archaeology opens new possibilities to intervene in language politics. |
doi_str_mv | 10.1525/rep.2017.137.7.143 |
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source | Jstor Complete Legacy; Worldwide Political Science Abstracts |
subjects | Aesthetics Archaeology Costa, Eduardo Critical theory Cultural anthropology Deixis Diaspora Interpersonal communication Linguistics Mass media Mass media images Media Politics Pragmatics Pragmatism Race Representation Theoretical linguistics |
title | Real-to-Reel: Social Indexicality, Sonic Materiality, and Literary Media Theory in Eduardo Costa’s Tape Works |
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