Editorial Comment: Possible Worlds
The performances that she discusses explored literal worlds, such as basements and rooftops, as well as the intersection of two-dimensional cinematic and the three-dimensional theatrical spatialities, and the opportunities that the televisual realm's chromakey technology brought into the theatr...
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| Veröffentlicht in: | Theatre journal (Washington, D.C.) D.C.), 2015-12, Vol.67 (4), p.ix-xii |
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| container_end_page | xii |
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| container_issue | 4 |
| container_start_page | ix |
| container_title | Theatre journal (Washington, D.C.) |
| container_volume | 67 |
| creator | Tompkins, Joanne |
| description | The performances that she discusses explored literal worlds, such as basements and rooftops, as well as the intersection of two-dimensional cinematic and the three-dimensional theatrical spatialities, and the opportunities that the televisual realm's chromakey technology brought into the theatrical environment.\n Evans's essay articulates "distance" in a different way than one normally measures how long it takes to get from one geographical point to another. [...]Evans notes that You Are Dead. |
| doi_str_mv | 10.1353/tj.2015.0140 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0192-2882 |
| ispartof | Theatre journal (Washington, D.C.), 2015-12, Vol.67 (4), p.ix-xii |
| issn | 0192-2882 1086-332X 1086-332X |
| language | eng |
| recordid | cdi_proquest_journals_1862301302 |
| source | JSTOR Archive Collection A-Z Listing |
| subjects | Essays Geography Investigations Multimedia Theater |
| title | Editorial Comment: Possible Worlds |
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