The Critical Conservationist: George Gibson and Patterns of Vernacular Resistance 1

The Critical Conservationist: George Gibson and Patterns of Vernacular Resistance 1

This article examines how an eastern Kentucky banjo player harnesses a range of vernacular initiatives to criticize and counter unwelcome outside incursions. Musician George Gibson feels his native region has been "culturally strip-mined" by revivalists and scholars, while corporate manage...

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Veröffentlicht in:Western folklore 2017-01, Vol.76 (1), p.5
1. Verfasser: Hopkin, Rachel
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Sprache:eng
Schlagworte:
Activists
Colloquial language
Cultural heritage
Material culture
Music
Musical performances
Musicians & conductors
Nostalgia
Pedagogy
Ratliff, Brett
Singers
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description This article examines how an eastern Kentucky banjo player harnesses a range of vernacular initiatives to criticize and counter unwelcome outside incursions. Musician George Gibson feels his native region has been "culturally strip-mined" by revivalists and scholars, while corporate management of natural resources has left local people exploited. Employing a multi-pronged approach that includes music, pedagogy, historical research, and environmental protection, Gibson works to combat these external forces in a manner that draws on a number of pre-existing local traditions.
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subjects Activists
Colloquial language
Cultural heritage
Material culture
Music
Musical performances
Musicians & conductors
Nostalgia
Pedagogy
Ratliff, Brett
Singers
title The Critical Conservationist: George Gibson and Patterns of Vernacular Resistance 1
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