Concepts of Harmony and Prolongation in Schoenberg's Op. 19/2
The study discusses whether prolongational organization occurs in Schoenberg's op. 19/2. The four conditions of prolongation postulated by Joseph Straus are adopted as the basis of the discussion, but the method of identifying harmonies with pitch-class sets is rejected. This is justified partl...
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| Veröffentlicht in: | Music theory spectrum 1999-10, Vol.21 (2), p.230-259 |
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| creator | Vaisala, Olli |
| description | The study discusses whether prolongational organization occurs in Schoenberg's op. 19/2. The four conditions of prolongation postulated by Joseph Straus are adopted as the basis of the discussion, but the method of identifying harmonies with pitch-class sets is rejected. This is justified partly on perceptual grounds. Using a conception of intervals and harmonies with restricted octave equivalence, an analysis is presented showing a structure in which the four conditions are fulfilled to a significant degree. Additional examples showing comparable organization in Schoenberg's op. 11 are presented. |
| doi_str_mv | 10.1525/mts.1999.21.2.02a00040 |
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| fulltext | fulltext |
| identifier | ISSN: 0195-6167 |
| ispartof | Music theory spectrum, 1999-10, Vol.21 (2), p.230-259 |
| issn | 0195-6167 1533-8339 |
| language | eng |
| recordid | cdi_proquest_journals_1839917592 |
| source | Periodicals Index Online; JSTOR Archive Collection A-Z Listing; Oxford University Press Journals All Titles (1996-Current) |
| subjects | Analysis Atonal Music Composers Composing Compositional Techniques Dissonant intervals Harmony Lerdahl, Fred Music theory Musical chords Musical consonance Musical dissonance Musical intervals Musical Works Pitch set theory Schoenberg, Arnold Serialism Sound pitch Straus, Joseph N Tonal harmony Tonal theory Travis, Roy Twelve-Tone Music |
| title | Concepts of Harmony and Prolongation in Schoenberg's Op. 19/2 |
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