“Meanwhile, Let’s Go Back in Time”: Allegory, Actuality, and History in Robert Ashley’s Television Opera Trilogy
Forged from bits and pieces of over 100 operas drawn from the standard repertory and arranged by chance procedures, carried out with the aid of a computer, the Europeras themselves might be taken as a sign of the transition from an anxiety-ridden modernism that would negate history to an irreverent...
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Veröffentlicht in: | The Opera quarterly 2014-03, Vol.30 (1), p.5-48 |
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Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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