Painting Ethics: Death, Love, and Moral Vision in the Mahāparinibbāna
This essay draws on Kenneth George's ethnographic study of the Indonesian painter Abdul Djalil Pirous and his art, as well as Pirous's own characterizations of his paintings as "spiritual notes," to theorize and examine how paintings serve as ethical media. The essay offers a pro...
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Veröffentlicht in: | The Journal of religious ethics 2016-03, Vol.44 (1), p.17-50 |
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Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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