THE OBIDIL AND THE MAN OF GLASS: Denarration, Genesis and Cognition in Beckett’s Molloy, Malone meurt / Malone Dies and L’Innommable / The Unnamable

THE OBIDIL AND THE MAN OF GLASS: Denarration, Genesis and Cognition in Beckett’s Molloy, Malone meurt / Malone Dies and L’Innommable / The Unnamable

The research hypothesis of this essay is that Beckett's practice of "denarration" (Richardson 2001) is not only relevant to narratology, but also has a genetic and a cognitive dimension. The manuscripts of Molloy, Malone meurt and L'Innommable are examined to show how both the sy...

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Veröffentlicht in:Revisiting Molloy, Malone meurt / Malone Dies and L’Innommable / The Unnamable Malone meurt / Malone Dies and L’Innommable / The Unnamable, 2014, Vol.26, p.1-15
1. Verfasser: Van Hulle, Dirk
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Sprache:eng
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Beckett, Samuel (1906-1989)
British & Irish literature
Irish literature
McHale, Brian
REVISITING "MOLLOY, MALONE MEURT / MALONE DIES" AND "L'INNOMMABLE / THE UNNAMABLE"
Swift, Jonathan (1667-1745)
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description The research hypothesis of this essay is that Beckett's practice of "denarration" (Richardson 2001) is not only relevant to narratology, but also has a genetic and a cognitive dimension. The manuscripts of Molloy, Malone meurt and L'Innommable are examined to show how both the synchronie and the diachronic structures of these texts play a role in Beckett's inquiry into the human mind and how the techniques of dis- and denarration are deployed to challenge old models of the mind and intimate more recent cognitive theories that consider the mechanics of the mind in terms of narrative intelligence.
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identifier ISSN: 0927-3131
ispartof Revisiting Molloy, Malone meurt / Malone Dies and L’Innommable / The Unnamable, 2014, Vol.26, p.1-15
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source JSTOR Archive Collection A-Z Listing
subjects Beckett, Samuel (1906-1989)
British & Irish literature
Irish literature
McHale, Brian
REVISITING "MOLLOY, MALONE MEURT / MALONE DIES" AND "L'INNOMMABLE / THE UNNAMABLE"
Swift, Jonathan (1667-1745)
title THE OBIDIL AND THE MAN OF GLASS: Denarration, Genesis and Cognition in Beckett’s Molloy, Malone meurt / Malone Dies and L’Innommable / The Unnamable
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