La modernité de la tradition: Une analyse de la géométrie culturelle dans « Nous, les premières nations », Musée de la civilisation, Québec 1

Here the author proposes a structural analysis of the exhibition through its geometrical forms : lines, circles and triangles. The circular form of the narrative is crossed by the linear geometric perspective which highlights the dynamic relations in western concepts such as the state, market, globa...

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Veröffentlicht in:Recherches amérindiennes au Québec 2005-05, Vol.35 (2), p.49
1. Verfasser: Sabev, Dessislav
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description Here the author proposes a structural analysis of the exhibition through its geometrical forms : lines, circles and triangles. The circular form of the narrative is crossed by the linear geometric perspective which highlights the dynamic relations in western concepts such as the state, market, globalization and cyber space. The material objects occupancy of the exhibition space creates a particular meaning in the same way that the people's occupancy of a territory produces the community's ethnohistorical narrative. FITZGERALD, W. R., 1996 : « Contact, Contraction and the Little Ice Age: Neutral Iroquoian Transformation, AD 1450-1650 », in L. Turgeon, D. Delâge, R. Ouellet (dir.,) Cultural Transfer, America and Europe: 500 Years of Interculturation.
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issn 0318-4137
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source Érudit (Freely Accessible); Alma/SFX Local Collection
subjects Collaboration
Culture
Inuit
Traditions
title La modernité de la tradition: Une analyse de la géométrie culturelle dans « Nous, les premières nations », Musée de la civilisation, Québec 1
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