CONTRAPUNTEO DE LOS ORISHAS Y DE LOS ALDEANOS: EL HIP HOP CUBANO DENTRO Y FUERA DE LA REVOLUCIÓN/Counterpoint of Los Orishas and Los Aldeanos: Cuban hip hop in and outside the Revolution
Este extracto recuerda a la canción del mismo nombre del conocido rapero norteamericano Nas (Illmatic, 1994) y también la canción «Steve Biko (Stir it Up)» del grupo norteamericano A Tribe Called Quest (Midnight Marauders, 1993). Te quiero Habana, The rhythm pumpin' in my heart, In La Rosa we d...
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| Veröffentlicht in: | 1616 2014-01, Vol.4, p.201 |
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| creator | Hankin, Charlie D |
| description | Este extracto recuerda a la canción del mismo nombre del conocido rapero norteamericano Nas (Illmatic, 1994) y también la canción «Steve Biko (Stir it Up)» del grupo norteamericano A Tribe Called Quest (Midnight Marauders, 1993). Te quiero Habana, The rhythm pumpin' in my heart, In La Rosa we dance to the tempo of love, boy. Music, Space and Place: Popular Music and Cultural Identity. The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture. |
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Te quiero Habana, The rhythm pumpin' in my heart, In La Rosa we dance to the tempo of love, boy. Music, Space and Place: Popular Music and Cultural Identity. The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture.</abstract><cop>Salamanca</cop><pub>Ediciones Universidad de Salamanca</pub><oa>free_for_read</oa></addata></record> |
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| ispartof | 1616, 2014-01, Vol.4, p.201 |
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| language | spa |
| recordid | cdi_proquest_journals_1691987410 |
| source | DOAJ Directory of Open Access Journals |
| subjects | Cosmopolitanism Digital music Hip hop culture Popular music Rap music |
| title | CONTRAPUNTEO DE LOS ORISHAS Y DE LOS ALDEANOS: EL HIP HOP CUBANO DENTRO Y FUERA DE LA REVOLUCIÓN/Counterpoint of Los Orishas and Los Aldeanos: Cuban hip hop in and outside the Revolution |
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