Palatal Sound: a comprehensive model of vocal tract articulation
Palatal Sound is a model of vocal tract articulation influenced by physiologic and acoustic analysis of the voice. Specifically, the term articulation refers to all movement within the vocal tract that results in open, filter-like sonorities, as well as in turbulent to absolute airflow modification....
Gespeichert in:
Veröffentlicht in: | Organised sound : an international journal of music technology 1999-08, Vol.4 (2), p.93-110 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 110 |
---|---|
container_issue | 2 |
container_start_page | 93 |
container_title | Organised sound : an international journal of music technology |
container_volume | 4 |
creator | EDGERTON, MICHAEL EDWARD |
description | Palatal Sound is a model of vocal tract articulation influenced by
physiologic and acoustic analysis of the voice. Specifically, the term
articulation refers to all movement within the vocal tract that results
in open, filter-like sonorities, as well as in turbulent to absolute
airflow modification. This model presents a complete mapping of place
within the vocal tract that features flexibility across different vocal
tract sizes and proportions. The principles behind this comprehensive
mapping of acoustic and physical sound production techniques should not
be foreign to those persons who create, combine, design, model or research
sound. Therefore, this model might suggest avenues of sound exploration
regardless of media or application. This text first presents a brief
overview of the current trends of oral modification using vowels, followed
by an introduction to and acoustic analyses of the comprehensive vocal
tract model as applied to open-like sonorities. This model is then expanded
through the presentation of other methods of open-like behaviours. Following
the discussion of open sonorities, turbulent-like behaviours are discussed
by first identifying the use of language-based fricatives and stops. After
this (re-)exposition, the comprehensive model is applied to turbulent
structures through examples and acoustic analyses. Finally, these turbulent
methods are completed by additional, complementary methods of vocal tract
turbulence. The intentions of this paper are: (i) to document this model
clearly, (ii) to identify differences between speech and song articulatory
behaviour and that of this comprehensive model with the aid of selected
acoustic analyses, (iii) to suggest that this model renders valuable
scientific information about the limits of vocal tract physiology, and
(iv) to propose the practical use of this model by composers and
performers. |
doi_str_mv | 10.1017/S1355771899002058 |
format | Article |
fullrecord | <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_journals_1683833144</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><cupid>10_1017_S1355771899002058</cupid><sourcerecordid>1552603</sourcerecordid><originalsourceid>FETCH-LOGICAL-c209t-49fa3fc4789cf44a4e64308ca6db3646c6f828d241e61c49e6f6de360f1295213</originalsourceid><addsrcrecordid>eNp1kE1LAzEQhoMoWKs_wFvA82omX5t4UopfUFConpc0m-iW3U1Ndgv-e1PagyA9zcA8zzvwInQJ5BoIlDcLYEKUJSitCaFEqCM0AS51oUCw47znc7G9n6KzlFYkQ1SwCbp7M60ZTIsXYezrW2ywDd06ui_Xp2bjcBdq1-Lg8SbYTA3R2AGbODR2zF4T-nN04k2b3MV-TtHH48P77LmYvz69zO7nhaVEDwXX3jBveam09Zwb7iRnRFkj6yWTXFrpFVU15eAkWK6d9LJ2TBIPVAsKbIqudrnrGL5Hl4ZqFcbY55cVSMUUY8B5pvBBSggqCcsI7BAbQ0rR-Wodm87EnwpIte2y-tdldtjeMd0yNvWn-5N70PoFR7V0IQ</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1552603</pqid></control><display><type>article</type><title>Palatal Sound: a comprehensive model of vocal tract articulation</title><source>Periodicals Index Online</source><source>Cambridge University Press Journals Complete</source><creator>EDGERTON, MICHAEL EDWARD</creator><creatorcontrib>EDGERTON, MICHAEL EDWARD</creatorcontrib><description>Palatal Sound is a model of vocal tract articulation influenced by
physiologic and acoustic analysis of the voice. Specifically, the term
articulation refers to all movement within the vocal tract that results
in open, filter-like sonorities, as well as in turbulent to absolute
airflow modification. This model presents a complete mapping of place
within the vocal tract that features flexibility across different vocal
tract sizes and proportions. The principles behind this comprehensive
mapping of acoustic and physical sound production techniques should not
be foreign to those persons who create, combine, design, model or research
sound. Therefore, this model might suggest avenues of sound exploration
regardless of media or application. This text first presents a brief
overview of the current trends of oral modification using vowels, followed
by an introduction to and acoustic analyses of the comprehensive vocal
tract model as applied to open-like sonorities. This model is then expanded
through the presentation of other methods of open-like behaviours. Following
the discussion of open sonorities, turbulent-like behaviours are discussed
by first identifying the use of language-based fricatives and stops. After
this (re-)exposition, the comprehensive model is applied to turbulent
structures through examples and acoustic analyses. Finally, these turbulent
methods are completed by additional, complementary methods of vocal tract
turbulence. The intentions of this paper are: (i) to document this model
clearly, (ii) to identify differences between speech and song articulatory
behaviour and that of this comprehensive model with the aid of selected
acoustic analyses, (iii) to suggest that this model renders valuable
scientific information about the limits of vocal tract physiology, and
(iv) to propose the practical use of this model by composers and
performers.</description><identifier>ISSN: 1355-7718</identifier><identifier>EISSN: 1469-8153</identifier><identifier>DOI: 10.1017/S1355771899002058</identifier><language>eng</language><publisher>Cambridge: Cambridge University Press</publisher><subject>Acoustics ; Physiology ; Sound Analysis ; Voice ; Voice Training</subject><ispartof>Organised sound : an international journal of music technology, 1999-08, Vol.4 (2), p.93-110</ispartof><rights>1999 Cambridge University Press</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktohtml>$$Uhttps://www.cambridge.org/core/product/identifier/S1355771899002058/type/journal_article$$EHTML$$P50$$Gcambridge$$H</linktohtml><link.rule.ids>164,315,781,785,27871,27926,27927,55630</link.rule.ids></links><search><creatorcontrib>EDGERTON, MICHAEL EDWARD</creatorcontrib><title>Palatal Sound: a comprehensive model of vocal tract articulation</title><title>Organised sound : an international journal of music technology</title><addtitle>Org. Sound</addtitle><description>Palatal Sound is a model of vocal tract articulation influenced by
physiologic and acoustic analysis of the voice. Specifically, the term
articulation refers to all movement within the vocal tract that results
in open, filter-like sonorities, as well as in turbulent to absolute
airflow modification. This model presents a complete mapping of place
within the vocal tract that features flexibility across different vocal
tract sizes and proportions. The principles behind this comprehensive
mapping of acoustic and physical sound production techniques should not
be foreign to those persons who create, combine, design, model or research
sound. Therefore, this model might suggest avenues of sound exploration
regardless of media or application. This text first presents a brief
overview of the current trends of oral modification using vowels, followed
by an introduction to and acoustic analyses of the comprehensive vocal
tract model as applied to open-like sonorities. This model is then expanded
through the presentation of other methods of open-like behaviours. Following
the discussion of open sonorities, turbulent-like behaviours are discussed
by first identifying the use of language-based fricatives and stops. After
this (re-)exposition, the comprehensive model is applied to turbulent
structures through examples and acoustic analyses. Finally, these turbulent
methods are completed by additional, complementary methods of vocal tract
turbulence. The intentions of this paper are: (i) to document this model
clearly, (ii) to identify differences between speech and song articulatory
behaviour and that of this comprehensive model with the aid of selected
acoustic analyses, (iii) to suggest that this model renders valuable
scientific information about the limits of vocal tract physiology, and
(iv) to propose the practical use of this model by composers and
performers.</description><subject>Acoustics</subject><subject>Physiology</subject><subject>Sound Analysis</subject><subject>Voice</subject><subject>Voice Training</subject><issn>1355-7718</issn><issn>1469-8153</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1999</creationdate><recordtype>article</recordtype><sourceid>K30</sourceid><recordid>eNp1kE1LAzEQhoMoWKs_wFvA82omX5t4UopfUFConpc0m-iW3U1Ndgv-e1PagyA9zcA8zzvwInQJ5BoIlDcLYEKUJSitCaFEqCM0AS51oUCw47znc7G9n6KzlFYkQ1SwCbp7M60ZTIsXYezrW2ywDd06ui_Xp2bjcBdq1-Lg8SbYTA3R2AGbODR2zF4T-nN04k2b3MV-TtHH48P77LmYvz69zO7nhaVEDwXX3jBveam09Zwb7iRnRFkj6yWTXFrpFVU15eAkWK6d9LJ2TBIPVAsKbIqudrnrGL5Hl4ZqFcbY55cVSMUUY8B5pvBBSggqCcsI7BAbQ0rR-Wodm87EnwpIte2y-tdldtjeMd0yNvWn-5N70PoFR7V0IQ</recordid><startdate>19990801</startdate><enddate>19990801</enddate><creator>EDGERTON, MICHAEL EDWARD</creator><general>Cambridge University Press</general><general>Cambridge :Cambridge University Press,1996</general><scope>AAYXX</scope><scope>CITATION</scope><scope>JQ2</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope><scope>SPJJO</scope></search><sort><creationdate>19990801</creationdate><title>Palatal Sound: a comprehensive model of vocal tract articulation</title><author>EDGERTON, MICHAEL EDWARD</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c209t-49fa3fc4789cf44a4e64308ca6db3646c6f828d241e61c49e6f6de360f1295213</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1999</creationdate><topic>Acoustics</topic><topic>Physiology</topic><topic>Sound Analysis</topic><topic>Voice</topic><topic>Voice Training</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>EDGERTON, MICHAEL EDWARD</creatorcontrib><collection>CrossRef</collection><collection>ProQuest Computer Science Collection</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access & Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access & Build (Plan A) - APAC</collection><collection>Primary Sources Access & Build (Plan A) - Canada</collection><collection>Primary Sources Access & Build (Plan A) - West</collection><collection>Primary Sources Access & Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - Midwest</collection><collection>Primary Sources Access & Build (Plan A) - North Central</collection><collection>Primary Sources Access & Build (Plan A) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><collection>Periodicals Index Online Segment 48</collection><jtitle>Organised sound : an international journal of music technology</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>EDGERTON, MICHAEL EDWARD</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Palatal Sound: a comprehensive model of vocal tract articulation</atitle><jtitle>Organised sound : an international journal of music technology</jtitle><addtitle>Org. Sound</addtitle><date>1999-08-01</date><risdate>1999</risdate><volume>4</volume><issue>2</issue><spage>93</spage><epage>110</epage><pages>93-110</pages><issn>1355-7718</issn><eissn>1469-8153</eissn><abstract>Palatal Sound is a model of vocal tract articulation influenced by
physiologic and acoustic analysis of the voice. Specifically, the term
articulation refers to all movement within the vocal tract that results
in open, filter-like sonorities, as well as in turbulent to absolute
airflow modification. This model presents a complete mapping of place
within the vocal tract that features flexibility across different vocal
tract sizes and proportions. The principles behind this comprehensive
mapping of acoustic and physical sound production techniques should not
be foreign to those persons who create, combine, design, model or research
sound. Therefore, this model might suggest avenues of sound exploration
regardless of media or application. This text first presents a brief
overview of the current trends of oral modification using vowels, followed
by an introduction to and acoustic analyses of the comprehensive vocal
tract model as applied to open-like sonorities. This model is then expanded
through the presentation of other methods of open-like behaviours. Following
the discussion of open sonorities, turbulent-like behaviours are discussed
by first identifying the use of language-based fricatives and stops. After
this (re-)exposition, the comprehensive model is applied to turbulent
structures through examples and acoustic analyses. Finally, these turbulent
methods are completed by additional, complementary methods of vocal tract
turbulence. The intentions of this paper are: (i) to document this model
clearly, (ii) to identify differences between speech and song articulatory
behaviour and that of this comprehensive model with the aid of selected
acoustic analyses, (iii) to suggest that this model renders valuable
scientific information about the limits of vocal tract physiology, and
(iv) to propose the practical use of this model by composers and
performers.</abstract><cop>Cambridge</cop><pub>Cambridge University Press</pub><doi>10.1017/S1355771899002058</doi><tpages>18</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 1355-7718 |
ispartof | Organised sound : an international journal of music technology, 1999-08, Vol.4 (2), p.93-110 |
issn | 1355-7718 1469-8153 |
language | eng |
recordid | cdi_proquest_journals_1683833144 |
source | Periodicals Index Online; Cambridge University Press Journals Complete |
subjects | Acoustics Physiology Sound Analysis Voice Voice Training |
title | Palatal Sound: a comprehensive model of vocal tract articulation |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-18T11%3A19%3A22IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Palatal%20Sound:%20a%20comprehensive%20model%20of%20vocal%20tract%20articulation&rft.jtitle=Organised%20sound%20:%20an%20international%20journal%20of%20music%20technology&rft.au=EDGERTON,%20MICHAEL%20EDWARD&rft.date=1999-08-01&rft.volume=4&rft.issue=2&rft.spage=93&rft.epage=110&rft.pages=93-110&rft.issn=1355-7718&rft.eissn=1469-8153&rft_id=info:doi/10.1017/S1355771899002058&rft_dat=%3Cproquest_cross%3E1552603%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1552603&rft_id=info:pmid/&rft_cupid=10_1017_S1355771899002058&rfr_iscdi=true |