Palatal Sound: a comprehensive model of vocal tract articulation

Palatal Sound is a model of vocal tract articulation influenced by physiologic and acoustic analysis of the voice. Specifically, the term articulation refers to all movement within the vocal tract that results in open, filter-like sonorities, as well as in turbulent to absolute airflow modification....

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Organised sound : an international journal of music technology 1999-08, Vol.4 (2), p.93-110
1. Verfasser: EDGERTON, MICHAEL EDWARD
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 110
container_issue 2
container_start_page 93
container_title Organised sound : an international journal of music technology
container_volume 4
creator EDGERTON, MICHAEL EDWARD
description Palatal Sound is a model of vocal tract articulation influenced by physiologic and acoustic analysis of the voice. Specifically, the term articulation refers to all movement within the vocal tract that results in open, filter-like sonorities, as well as in turbulent to absolute airflow modification. This model presents a complete mapping of place within the vocal tract that features flexibility across different vocal tract sizes and proportions. The principles behind this comprehensive mapping of acoustic and physical sound production techniques should not be foreign to those persons who create, combine, design, model or research sound. Therefore, this model might suggest avenues of sound exploration regardless of media or application. This text first presents a brief overview of the current trends of oral modification using vowels, followed by an introduction to and acoustic analyses of the comprehensive vocal tract model as applied to open-like sonorities. This model is then expanded through the presentation of other methods of open-like behaviours. Following the discussion of open sonorities, turbulent-like behaviours are discussed by first identifying the use of language-based fricatives and stops. After this (re-)exposition, the comprehensive model is applied to turbulent structures through examples and acoustic analyses. Finally, these turbulent methods are completed by additional, complementary methods of vocal tract turbulence. The intentions of this paper are: (i) to document this model clearly, (ii) to identify differences between speech and song articulatory behaviour and that of this comprehensive model with the aid of selected acoustic analyses, (iii) to suggest that this model renders valuable scientific information about the limits of vocal tract physiology, and (iv) to propose the practical use of this model by composers and performers.
doi_str_mv 10.1017/S1355771899002058
format Article
fullrecord <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_journals_1683833144</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><cupid>10_1017_S1355771899002058</cupid><sourcerecordid>1552603</sourcerecordid><originalsourceid>FETCH-LOGICAL-c209t-49fa3fc4789cf44a4e64308ca6db3646c6f828d241e61c49e6f6de360f1295213</originalsourceid><addsrcrecordid>eNp1kE1LAzEQhoMoWKs_wFvA82omX5t4UopfUFConpc0m-iW3U1Ndgv-e1PagyA9zcA8zzvwInQJ5BoIlDcLYEKUJSitCaFEqCM0AS51oUCw47znc7G9n6KzlFYkQ1SwCbp7M60ZTIsXYezrW2ywDd06ui_Xp2bjcBdq1-Lg8SbYTA3R2AGbODR2zF4T-nN04k2b3MV-TtHH48P77LmYvz69zO7nhaVEDwXX3jBveam09Zwb7iRnRFkj6yWTXFrpFVU15eAkWK6d9LJ2TBIPVAsKbIqudrnrGL5Hl4ZqFcbY55cVSMUUY8B5pvBBSggqCcsI7BAbQ0rR-Wodm87EnwpIte2y-tdldtjeMd0yNvWn-5N70PoFR7V0IQ</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1552603</pqid></control><display><type>article</type><title>Palatal Sound: a comprehensive model of vocal tract articulation</title><source>Periodicals Index Online</source><source>Cambridge University Press Journals Complete</source><creator>EDGERTON, MICHAEL EDWARD</creator><creatorcontrib>EDGERTON, MICHAEL EDWARD</creatorcontrib><description>Palatal Sound is a model of vocal tract articulation influenced by physiologic and acoustic analysis of the voice. Specifically, the term articulation refers to all movement within the vocal tract that results in open, filter-like sonorities, as well as in turbulent to absolute airflow modification. This model presents a complete mapping of place within the vocal tract that features flexibility across different vocal tract sizes and proportions. The principles behind this comprehensive mapping of acoustic and physical sound production techniques should not be foreign to those persons who create, combine, design, model or research sound. Therefore, this model might suggest avenues of sound exploration regardless of media or application. This text first presents a brief overview of the current trends of oral modification using vowels, followed by an introduction to and acoustic analyses of the comprehensive vocal tract model as applied to open-like sonorities. This model is then expanded through the presentation of other methods of open-like behaviours. Following the discussion of open sonorities, turbulent-like behaviours are discussed by first identifying the use of language-based fricatives and stops. After this (re-)exposition, the comprehensive model is applied to turbulent structures through examples and acoustic analyses. Finally, these turbulent methods are completed by additional, complementary methods of vocal tract turbulence. The intentions of this paper are: (i) to document this model clearly, (ii) to identify differences between speech and song articulatory behaviour and that of this comprehensive model with the aid of selected acoustic analyses, (iii) to suggest that this model renders valuable scientific information about the limits of vocal tract physiology, and (iv) to propose the practical use of this model by composers and performers.</description><identifier>ISSN: 1355-7718</identifier><identifier>EISSN: 1469-8153</identifier><identifier>DOI: 10.1017/S1355771899002058</identifier><language>eng</language><publisher>Cambridge: Cambridge University Press</publisher><subject>Acoustics ; Physiology ; Sound Analysis ; Voice ; Voice Training</subject><ispartof>Organised sound : an international journal of music technology, 1999-08, Vol.4 (2), p.93-110</ispartof><rights>1999 Cambridge University Press</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktohtml>$$Uhttps://www.cambridge.org/core/product/identifier/S1355771899002058/type/journal_article$$EHTML$$P50$$Gcambridge$$H</linktohtml><link.rule.ids>164,315,781,785,27871,27926,27927,55630</link.rule.ids></links><search><creatorcontrib>EDGERTON, MICHAEL EDWARD</creatorcontrib><title>Palatal Sound: a comprehensive model of vocal tract articulation</title><title>Organised sound : an international journal of music technology</title><addtitle>Org. Sound</addtitle><description>Palatal Sound is a model of vocal tract articulation influenced by physiologic and acoustic analysis of the voice. Specifically, the term articulation refers to all movement within the vocal tract that results in open, filter-like sonorities, as well as in turbulent to absolute airflow modification. This model presents a complete mapping of place within the vocal tract that features flexibility across different vocal tract sizes and proportions. The principles behind this comprehensive mapping of acoustic and physical sound production techniques should not be foreign to those persons who create, combine, design, model or research sound. Therefore, this model might suggest avenues of sound exploration regardless of media or application. This text first presents a brief overview of the current trends of oral modification using vowels, followed by an introduction to and acoustic analyses of the comprehensive vocal tract model as applied to open-like sonorities. This model is then expanded through the presentation of other methods of open-like behaviours. Following the discussion of open sonorities, turbulent-like behaviours are discussed by first identifying the use of language-based fricatives and stops. After this (re-)exposition, the comprehensive model is applied to turbulent structures through examples and acoustic analyses. Finally, these turbulent methods are completed by additional, complementary methods of vocal tract turbulence. The intentions of this paper are: (i) to document this model clearly, (ii) to identify differences between speech and song articulatory behaviour and that of this comprehensive model with the aid of selected acoustic analyses, (iii) to suggest that this model renders valuable scientific information about the limits of vocal tract physiology, and (iv) to propose the practical use of this model by composers and performers.</description><subject>Acoustics</subject><subject>Physiology</subject><subject>Sound Analysis</subject><subject>Voice</subject><subject>Voice Training</subject><issn>1355-7718</issn><issn>1469-8153</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1999</creationdate><recordtype>article</recordtype><sourceid>K30</sourceid><recordid>eNp1kE1LAzEQhoMoWKs_wFvA82omX5t4UopfUFConpc0m-iW3U1Ndgv-e1PagyA9zcA8zzvwInQJ5BoIlDcLYEKUJSitCaFEqCM0AS51oUCw47znc7G9n6KzlFYkQ1SwCbp7M60ZTIsXYezrW2ywDd06ui_Xp2bjcBdq1-Lg8SbYTA3R2AGbODR2zF4T-nN04k2b3MV-TtHH48P77LmYvz69zO7nhaVEDwXX3jBveam09Zwb7iRnRFkj6yWTXFrpFVU15eAkWK6d9LJ2TBIPVAsKbIqudrnrGL5Hl4ZqFcbY55cVSMUUY8B5pvBBSggqCcsI7BAbQ0rR-Wodm87EnwpIte2y-tdldtjeMd0yNvWn-5N70PoFR7V0IQ</recordid><startdate>19990801</startdate><enddate>19990801</enddate><creator>EDGERTON, MICHAEL EDWARD</creator><general>Cambridge University Press</general><general>Cambridge :Cambridge University Press,1996</general><scope>AAYXX</scope><scope>CITATION</scope><scope>JQ2</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope><scope>SPJJO</scope></search><sort><creationdate>19990801</creationdate><title>Palatal Sound: a comprehensive model of vocal tract articulation</title><author>EDGERTON, MICHAEL EDWARD</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c209t-49fa3fc4789cf44a4e64308ca6db3646c6f828d241e61c49e6f6de360f1295213</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1999</creationdate><topic>Acoustics</topic><topic>Physiology</topic><topic>Sound Analysis</topic><topic>Voice</topic><topic>Voice Training</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>EDGERTON, MICHAEL EDWARD</creatorcontrib><collection>CrossRef</collection><collection>ProQuest Computer Science Collection</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access &amp; Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access &amp; Build (Plan A) - APAC</collection><collection>Primary Sources Access &amp; Build (Plan A) - Canada</collection><collection>Primary Sources Access &amp; Build (Plan A) - West</collection><collection>Primary Sources Access &amp; Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access &amp; Build (Plan A) - Midwest</collection><collection>Primary Sources Access &amp; Build (Plan A) - North Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - Northeast</collection><collection>Primary Sources Access &amp; Build (Plan A) - South Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><collection>Periodicals Index Online Segment 48</collection><jtitle>Organised sound : an international journal of music technology</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>EDGERTON, MICHAEL EDWARD</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Palatal Sound: a comprehensive model of vocal tract articulation</atitle><jtitle>Organised sound : an international journal of music technology</jtitle><addtitle>Org. Sound</addtitle><date>1999-08-01</date><risdate>1999</risdate><volume>4</volume><issue>2</issue><spage>93</spage><epage>110</epage><pages>93-110</pages><issn>1355-7718</issn><eissn>1469-8153</eissn><abstract>Palatal Sound is a model of vocal tract articulation influenced by physiologic and acoustic analysis of the voice. Specifically, the term articulation refers to all movement within the vocal tract that results in open, filter-like sonorities, as well as in turbulent to absolute airflow modification. This model presents a complete mapping of place within the vocal tract that features flexibility across different vocal tract sizes and proportions. The principles behind this comprehensive mapping of acoustic and physical sound production techniques should not be foreign to those persons who create, combine, design, model or research sound. Therefore, this model might suggest avenues of sound exploration regardless of media or application. This text first presents a brief overview of the current trends of oral modification using vowels, followed by an introduction to and acoustic analyses of the comprehensive vocal tract model as applied to open-like sonorities. This model is then expanded through the presentation of other methods of open-like behaviours. Following the discussion of open sonorities, turbulent-like behaviours are discussed by first identifying the use of language-based fricatives and stops. After this (re-)exposition, the comprehensive model is applied to turbulent structures through examples and acoustic analyses. Finally, these turbulent methods are completed by additional, complementary methods of vocal tract turbulence. The intentions of this paper are: (i) to document this model clearly, (ii) to identify differences between speech and song articulatory behaviour and that of this comprehensive model with the aid of selected acoustic analyses, (iii) to suggest that this model renders valuable scientific information about the limits of vocal tract physiology, and (iv) to propose the practical use of this model by composers and performers.</abstract><cop>Cambridge</cop><pub>Cambridge University Press</pub><doi>10.1017/S1355771899002058</doi><tpages>18</tpages></addata></record>
fulltext fulltext
identifier ISSN: 1355-7718
ispartof Organised sound : an international journal of music technology, 1999-08, Vol.4 (2), p.93-110
issn 1355-7718
1469-8153
language eng
recordid cdi_proquest_journals_1683833144
source Periodicals Index Online; Cambridge University Press Journals Complete
subjects Acoustics
Physiology
Sound Analysis
Voice
Voice Training
title Palatal Sound: a comprehensive model of vocal tract articulation
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-18T11%3A19%3A22IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Palatal%20Sound:%20a%20comprehensive%20model%20of%20vocal%20tract%20articulation&rft.jtitle=Organised%20sound%20:%20an%20international%20journal%20of%20music%20technology&rft.au=EDGERTON,%20MICHAEL%20EDWARD&rft.date=1999-08-01&rft.volume=4&rft.issue=2&rft.spage=93&rft.epage=110&rft.pages=93-110&rft.issn=1355-7718&rft.eissn=1469-8153&rft_id=info:doi/10.1017/S1355771899002058&rft_dat=%3Cproquest_cross%3E1552603%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1552603&rft_id=info:pmid/&rft_cupid=10_1017_S1355771899002058&rfr_iscdi=true