Musical Descriptions and Sensations: the Presence of Music in English Romantic Poetry
This paper examines a few characteristic examples of how the musical lexical field and auditory sensations at large are treated by the main English Romantic poets in the context of a renewed confidence in subjective perception. It aims at showing that musical sensations are part of the Romantic visi...
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| Veröffentlicht in: | Etudes anglaises 2014-10, Vol.67 (4), p.470 |
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| container_title | Etudes anglaises |
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| creator | Téchéné, Claire |
| description | This paper examines a few characteristic examples of how the musical lexical field and auditory sensations at large are treated by the main English Romantic poets in the context of a renewed confidence in subjective perception. It aims at showing that musical sensations are part of the Romantic vision of the world (nostalgia for a forsaken harmony, quest for a transparent meaning) and that music stands both as a paradigm and a counter-model for poetic expression. |
| doi_str_mv | 10.3917/etan.674.0470 |
| format | Article |
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| ispartof | Etudes anglaises, 2014-10, Vol.67 (4), p.470 |
| issn | 0014-195X 1965-0159 |
| language | eng |
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| source | Elektronische Zeitschriftenbibliothek - Frei zugängliche E-Journals; Cairn.info Free Access Journals-Revues en accès libre |
| subjects | English Literary criticism Music Poetry Poets Romance literature |
| title | Musical Descriptions and Sensations: the Presence of Music in English Romantic Poetry |
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