Interview with Boris Charmatz
DRJ: It has now been five years since your manifesto “For a Dancing Museum” first appeared. As is well known, this manifesto led you to become director of the Centre chorégraphique national de Rennes et de Bretagne (2009). Do you believe you have achieved the goals you stated as crucial for a dancin...
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| Veröffentlicht in: | Dance research journal 2014-12, Vol.46 (3), p.49-52 |
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| container_title | Dance research journal |
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| creator | Charmatz, Boris |
| description | DRJ: It has now been five years since your manifesto “For a Dancing Museum” first appeared. As is well known, this manifesto led you to become director of the Centre chorégraphique national de Rennes et de Bretagne (2009). Do you believe you have achieved the goals you stated as crucial for a dancing museum, i.e., to displace the idea of “Center” from the institution; to dismantle the “nationalism” always lurking under the adjectival “national”; to move the focus from the noun “Dance” to the actioning of the verb “Dancing” in defining this museum? |
| doi_str_mv | 10.1017/S0149767714000540 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0149-7677 |
| ispartof | Dance research journal, 2014-12, Vol.46 (3), p.49-52 |
| issn | 0149-7677 1940-509X |
| language | eng |
| recordid | cdi_proquest_journals_1661105283 |
| source | JSTOR Archive Collection A-Z Listing; Cambridge University Press Journals Complete |
| subjects | Art exhibitions Art museums Charmatz, Boris Choreography Curators Dance Dance history Dance museums Dancers & choreographers Dialogues Museology Museum exhibits Museums Visual arts |
| title | Interview with Boris Charmatz |
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