Mapping the soundscape: church music in English towns, 1450–1550
Topography and its metaphors have long dominated the historiography of towns and they continue to do so in the modern renaissance of what might be called ‘urban musicology’. Maps, plans and townscapes – likewise ‘soundscapes’ – have proved valuable in representing the diversity and disposition of ac...
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| Veröffentlicht in: | Early music history 2000-01, Vol.19, p.1-46 |
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| container_title | Early music history |
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| creator | Burgess, Clive Wathey, Andrew |
| description | Topography and its metaphors have long dominated the historiography of towns and they continue to do so in the modern renaissance of what might be called ‘urban musicology’. Maps, plans and townscapes – likewise ‘soundscapes’ – have proved valuable in representing the diversity and disposition of activity, alongside the interplay of time and space and of private and public spheres. Yet at the same time a number of implications present in these constructs have yet to be fully explored, with consequences in turn for the ways in which we theorise the structures and dynamics of musical cultures. In this article we propose a redrafting of the institutional and historiographic ‘map’ of church music in English towns during the century or so before the Reformation. This serves as a preliminary to two larger questions, to be more fully investigated elsewhere but inevitably also touched upon here. |
| doi_str_mv | 10.1017/S0261127900001959 |
| format | Article |
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| ispartof | Early music history, 2000-01, Vol.19, p.1-46 |
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| source | Jstor Complete Legacy; Periodicals Index Online; Cambridge University Press Journals Complete |
| subjects | 15th century 16th century Cathedrals Church Music Cities Historiography Liturgy Medieval music Medieval Period Musical register Musicology Polyphonic Music Polyphony Priests Reformation Religious buildings Renaissance music Singers Social Influences Vocal Music |
| title | Mapping the soundscape: church music in English towns, 1450–1550 |
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