Not Being Able to Work That Way as an Endangered Ability—Jack Smith,Das Kapital: Volumes I, II, and III
Objects, Commodities There is an anticapitalist theory of art implicit in many artistic practices that identifies the locus of capitalism and the cultural industry aesthetically within the objects, which in this discourse are defined as fetishes. In this critique, artworks exaggerate or enhance the...
Gespeichert in:
| Veröffentlicht in: | Criticism (Detroit) 2014, Vol.56 (2), p.267-278 |
|---|---|
| Hauptverfasser: | , , , |
| Format: | Artikel |
| Sprache: | eng |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
| container_end_page | 278 |
|---|---|
| container_issue | 2 |
| container_start_page | 267 |
| container_title | Criticism (Detroit) |
| container_volume | 56 |
| creator | Diederichsen, Diedrich Hendrickson, Daniel Heidenreich, Nanna Ziemons, Ulrich |
| description | Objects, Commodities There is an anticapitalist theory of art implicit in many artistic practices that identifies the locus of capitalism and the cultural industry aesthetically within the objects, which in this discourse are defined as fetishes. In this critique, artworks exaggerate or enhance the negation of use value and the dominance of exchange value in regular commodities until the status of a fetish is reached, which becomes something like the absolute and religious other of use value. |
| doi_str_mv | 10.13110/criticism.56.2.0267 |
| format | Article |
| fullrecord | <record><control><sourceid>gale_proqu</sourceid><recordid>TN_cdi_proquest_journals_1627674087</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><galeid>A405694681</galeid><jstor_id>10.13110/criticism.56.2.0267</jstor_id><sourcerecordid>A405694681</sourcerecordid><originalsourceid>FETCH-LOGICAL-c353t-645189a733c46a7328fbe7231e322f4c759b2999e48ff781c2c42a3c5f9a4a1d3</originalsourceid><addsrcrecordid>eNqNkc1uEzEUhS0EEqHwBiwsse2kvv4dswuhQKCiixa6tBzHkzqdGae2I5FdH4In5ElwCKJbFtbZfMf3SB9Cr4FMgQGQM5dCCS7kYSrklE4JleoJmoBgsiGM06doQghAA6LVz9GLnDeEkFaCnqDwNRb8zodxjWfL3uMS8U1Md_j61hZ8Y_fYZmxHfD6u7Lj2ya8qFvpQ9r8efn627g5fDaHcnr6v2Be7DcX2b_H32O8Gn_HiFC_qs-Oq5uIletbZPvtXf_MEfftwfj3_1FxcflzMZxeNY4KVRnIBrbaKMcdlDdp2S68oA88o7bhTQi-p1trztutUC446Ti1zotOWW1ixE_Tm-O82xfudz8Vs4i6N9aQBSZVUnLSqUs2RWtvemzC6OBb_o7jY937tTV00vzQzToTUXLZQeX7kXYo5J9-ZbQqDTXsDxPyRYP5JMEIaag4SHmt1zMa7Muyyf9wjhKICzNVB1METcFrFSF1rcKxtconp_079BpunmnA</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1627674087</pqid></control><display><type>article</type><title>Not Being Able to Work That Way as an Endangered Ability—Jack Smith,Das Kapital: Volumes I, II, and III</title><source>Jstor Complete Legacy</source><creator>Diederichsen, Diedrich ; Hendrickson, Daniel ; Heidenreich, Nanna ; Ziemons, Ulrich</creator><creatorcontrib>Diederichsen, Diedrich ; Hendrickson, Daniel ; Heidenreich, Nanna ; Ziemons, Ulrich</creatorcontrib><description>Objects, Commodities There is an anticapitalist theory of art implicit in many artistic practices that identifies the locus of capitalism and the cultural industry aesthetically within the objects, which in this discourse are defined as fetishes. In this critique, artworks exaggerate or enhance the negation of use value and the dominance of exchange value in regular commodities until the status of a fetish is reached, which becomes something like the absolute and religious other of use value.</description><identifier>ISSN: 0011-1589</identifier><identifier>EISSN: 1536-0342</identifier><identifier>DOI: 10.13110/criticism.56.2.0267</identifier><identifier>CODEN: CRITB3</identifier><language>eng</language><publisher>Detroit: Wayne State University Press</publisher><subject>Business ; Capitalism ; Commodities ; Cultural identity ; Ethical aspects ; Marxist criticism ; Materialism ; Modernist art ; Movies ; Musical aesthetics ; Musical performance ; Negation ; Normativity ; Political art ; Political aspects ; Politics in art ; Queer culture ; Social aspects ; Theater ; Use value ; Visual arts</subject><ispartof>Criticism (Detroit), 2014, Vol.56 (2), p.267-278</ispartof><rights>Copyright 2014 Wayne State University Press</rights><rights>Copyright © 2008 Wayne State University Press.</rights><rights>Copyright Wayne State University Press Spring 2014</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780,799,4009,27902,27903,27904</link.rule.ids></links><search><creatorcontrib>Diederichsen, Diedrich</creatorcontrib><creatorcontrib>Hendrickson, Daniel</creatorcontrib><creatorcontrib>Heidenreich, Nanna</creatorcontrib><creatorcontrib>Ziemons, Ulrich</creatorcontrib><title>Not Being Able to Work That Way as an Endangered Ability—Jack Smith,Das Kapital: Volumes I, II, and III</title><title>Criticism (Detroit)</title><addtitle>Criticism</addtitle><description>Objects, Commodities There is an anticapitalist theory of art implicit in many artistic practices that identifies the locus of capitalism and the cultural industry aesthetically within the objects, which in this discourse are defined as fetishes. In this critique, artworks exaggerate or enhance the negation of use value and the dominance of exchange value in regular commodities until the status of a fetish is reached, which becomes something like the absolute and religious other of use value.</description><subject>Business</subject><subject>Capitalism</subject><subject>Commodities</subject><subject>Cultural identity</subject><subject>Ethical aspects</subject><subject>Marxist criticism</subject><subject>Materialism</subject><subject>Modernist art</subject><subject>Movies</subject><subject>Musical aesthetics</subject><subject>Musical performance</subject><subject>Negation</subject><subject>Normativity</subject><subject>Political art</subject><subject>Political aspects</subject><subject>Politics in art</subject><subject>Queer culture</subject><subject>Social aspects</subject><subject>Theater</subject><subject>Use value</subject><subject>Visual arts</subject><issn>0011-1589</issn><issn>1536-0342</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2014</creationdate><recordtype>article</recordtype><sourceid>8G5</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AIMQZ</sourceid><sourceid>AVQMV</sourceid><sourceid>AZQEC</sourceid><sourceid>BEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DWQXO</sourceid><sourceid>GNUQQ</sourceid><sourceid>GUQSH</sourceid><sourceid>K50</sourceid><sourceid>M1D</sourceid><sourceid>M2O</sourceid><sourceid>PAF</sourceid><sourceid>PQLNA</sourceid><sourceid>PROLI</sourceid><recordid>eNqNkc1uEzEUhS0EEqHwBiwsse2kvv4dswuhQKCiixa6tBzHkzqdGae2I5FdH4In5ElwCKJbFtbZfMf3SB9Cr4FMgQGQM5dCCS7kYSrklE4JleoJmoBgsiGM06doQghAA6LVz9GLnDeEkFaCnqDwNRb8zodxjWfL3uMS8U1Md_j61hZ8Y_fYZmxHfD6u7Lj2ya8qFvpQ9r8efn627g5fDaHcnr6v2Be7DcX2b_H32O8Gn_HiFC_qs-Oq5uIletbZPvtXf_MEfftwfj3_1FxcflzMZxeNY4KVRnIBrbaKMcdlDdp2S68oA88o7bhTQi-p1trztutUC446Ti1zotOWW1ixE_Tm-O82xfudz8Vs4i6N9aQBSZVUnLSqUs2RWtvemzC6OBb_o7jY937tTV00vzQzToTUXLZQeX7kXYo5J9-ZbQqDTXsDxPyRYP5JMEIaag4SHmt1zMa7Muyyf9wjhKICzNVB1METcFrFSF1rcKxtconp_079BpunmnA</recordid><startdate>2014</startdate><enddate>2014</enddate><creator>Diederichsen, Diedrich</creator><creator>Hendrickson, Daniel</creator><creator>Heidenreich, Nanna</creator><creator>Ziemons, Ulrich</creator><general>Wayne State University Press</general><scope>AAYXX</scope><scope>CITATION</scope><scope>3V.</scope><scope>4T-</scope><scope>4U-</scope><scope>7XB</scope><scope>8FK</scope><scope>8G5</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AVQMV</scope><scope>AZQEC</scope><scope>BEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>CLO</scope><scope>DWQXO</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>K50</scope><scope>LIQON</scope><scope>M1D</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PAF</scope><scope>PPXUT</scope><scope>PQEST</scope><scope>PQLNA</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PROLI</scope><scope>Q9U</scope><scope>S0X</scope></search><sort><creationdate>2014</creationdate><title>Not Being Able to Work That Way as an Endangered Ability—Jack Smith,Das Kapital: Volumes I, II, and III</title><author>Diederichsen, Diedrich ; Hendrickson, Daniel ; Heidenreich, Nanna ; Ziemons, Ulrich</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c353t-645189a733c46a7328fbe7231e322f4c759b2999e48ff781c2c42a3c5f9a4a1d3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2014</creationdate><topic>Business</topic><topic>Capitalism</topic><topic>Commodities</topic><topic>Cultural identity</topic><topic>Ethical aspects</topic><topic>Marxist criticism</topic><topic>Materialism</topic><topic>Modernist art</topic><topic>Movies</topic><topic>Musical aesthetics</topic><topic>Musical performance</topic><topic>Negation</topic><topic>Normativity</topic><topic>Political art</topic><topic>Political aspects</topic><topic>Politics in art</topic><topic>Queer culture</topic><topic>Social aspects</topic><topic>Theater</topic><topic>Use value</topic><topic>Visual arts</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Diederichsen, Diedrich</creatorcontrib><creatorcontrib>Hendrickson, Daniel</creatorcontrib><creatorcontrib>Heidenreich, Nanna</creatorcontrib><creatorcontrib>Ziemons, Ulrich</creatorcontrib><collection>CrossRef</collection><collection>ProQuest Central (Corporate)</collection><collection>Docstoc</collection><collection>University Readers</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Research Library (Alumni Edition)</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central Essentials</collection><collection>eLibrary</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>Literature Online Core (LION Core) (legacy)</collection><collection>ProQuest Central Korea</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>Art, Design & Architecture Collection</collection><collection>ProQuest One Literature - U.S. Customers Only</collection><collection>Arts & Humanities Database</collection><collection>Research Library</collection><collection>Research Library (Corporate)</collection><collection>ProQuest Learning: Literature</collection><collection>Literature Online Premium (LION Premium) (legacy)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>Literature Online (LION) - US Customers Only</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>Literature Online (LION)</collection><collection>ProQuest Central Basic</collection><collection>SIRS Editorial</collection><jtitle>Criticism (Detroit)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Diederichsen, Diedrich</au><au>Hendrickson, Daniel</au><au>Heidenreich, Nanna</au><au>Ziemons, Ulrich</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Not Being Able to Work That Way as an Endangered Ability—Jack Smith,Das Kapital: Volumes I, II, and III</atitle><jtitle>Criticism (Detroit)</jtitle><addtitle>Criticism</addtitle><date>2014</date><risdate>2014</risdate><volume>56</volume><issue>2</issue><spage>267</spage><epage>278</epage><pages>267-278</pages><issn>0011-1589</issn><eissn>1536-0342</eissn><coden>CRITB3</coden><abstract>Objects, Commodities There is an anticapitalist theory of art implicit in many artistic practices that identifies the locus of capitalism and the cultural industry aesthetically within the objects, which in this discourse are defined as fetishes. In this critique, artworks exaggerate or enhance the negation of use value and the dominance of exchange value in regular commodities until the status of a fetish is reached, which becomes something like the absolute and religious other of use value.</abstract><cop>Detroit</cop><pub>Wayne State University Press</pub><doi>10.13110/criticism.56.2.0267</doi><tpages>12</tpages></addata></record> |
| fulltext | fulltext |
| identifier | ISSN: 0011-1589 |
| ispartof | Criticism (Detroit), 2014, Vol.56 (2), p.267-278 |
| issn | 0011-1589 1536-0342 |
| language | eng |
| recordid | cdi_proquest_journals_1627674087 |
| source | Jstor Complete Legacy |
| subjects | Business Capitalism Commodities Cultural identity Ethical aspects Marxist criticism Materialism Modernist art Movies Musical aesthetics Musical performance Negation Normativity Political art Political aspects Politics in art Queer culture Social aspects Theater Use value Visual arts |
| title | Not Being Able to Work That Way as an Endangered Ability—Jack Smith,Das Kapital: Volumes I, II, and III |
| url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-22T05%3A24%3A24IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Not%20Being%20Able%20to%20Work%20That%20Way%20as%20an%20Endangered%20Ability%E2%80%94Jack%20Smith,Das%20Kapital:%20Volumes%20I,%20II,%20and%20III&rft.jtitle=Criticism%20(Detroit)&rft.au=Diederichsen,%20Diedrich&rft.date=2014&rft.volume=56&rft.issue=2&rft.spage=267&rft.epage=278&rft.pages=267-278&rft.issn=0011-1589&rft.eissn=1536-0342&rft.coden=CRITB3&rft_id=info:doi/10.13110/criticism.56.2.0267&rft_dat=%3Cgale_proqu%3EA405694681%3C/gale_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1627674087&rft_id=info:pmid/&rft_galeid=A405694681&rft_jstor_id=10.13110/criticism.56.2.0267&rfr_iscdi=true |