Book Review: Music and the Southern Belle: From Accomplished Lady to Confederate Composer; Music, Women, and Pianos in Antebellum Bethlehem, Pennsylvania: The Moravian Young Ladies' Seminary

[...]she explains that the level of difficulty of the music that southern belles often played in private spaces contradicted the societal prejudice against highly technical musical displays by women, and that this repertory was beyond the abilities of most amateur musicians.3As the author notes, the...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Journal of the Society for American Music 2014, Vol.8 (2), p.253
Hauptverfasser: Goren, Yael Bitrán, Preston, Katherine K, Katz, Mark
Format: Review
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page
container_issue 2
container_start_page 253
container_title Journal of the Society for American Music
container_volume 8
creator Goren, Yael Bitrán
Preston, Katherine K
Katz, Mark
description [...]she explains that the level of difficulty of the music that southern belles often played in private spaces contradicted the societal prejudice against highly technical musical displays by women, and that this repertory was beyond the abilities of most amateur musicians.3As the author notes, the hand crossing, large registral leaps, stark dynamic contrasts, and other technical challenges in pieces such as Theodor von la Hache's Freedom's Tear Reverie "challenge the propriety and docile nature of the southern belle's behavior" (101), as described by etiquette manuals. Jewel Smith's Music, Women, and Pianos in Antebellum Bethlehem, Pennsylvania: The Moravian Young Ladies' Seminary is related in title and theme to Arthur Loesser's classic study Men, Women and Pianos: A Social History.4The book is also a socio-musical history, in this case of one of the oldest educational institutions for women in the United States.
doi_str_mv 10.1017/S1752196314000091
format Review
fullrecord <record><control><sourceid>proquest</sourceid><recordid>TN_cdi_proquest_journals_1535990094</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>3335623331</sourcerecordid><originalsourceid>FETCH-proquest_journals_15359900943</originalsourceid><addsrcrecordid>eNqNkE1PwkAQhjdGE_HjB3ibxIOXol1LKa0nIBAPkhAhMZ7ISge72J2pu20Nf87f5qLGs3N538zHM5MR4kKG1zKUyc1CJvGtTPuR7IU-UnkgOvtUV6aJPPzz_ehYnDi3DcO4NxikHfE5Yn6DR2w1fmQwa5xeg6Ic6gJhwY0XSzDCssQMppYNDNdrNlWpXYE5PKh8BzXDmGmDOVpVo_emYof27ocWwBMbpOCbOteK2IEmGFKNLx7bGE-vixILNAHMkcjtylaRVhks_Q0ztqr1U_DMDb3uF2p0V7BAo0nZ3Zk42qjS4fmvnorL6WQ5vu9Wlt8bdPVqy40lX1rJOIrT1L-mF_2v6wvP82wB</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>review</recordtype><pqid>1535990094</pqid></control><display><type>review</type><title>Book Review: Music and the Southern Belle: From Accomplished Lady to Confederate Composer; Music, Women, and Pianos in Antebellum Bethlehem, Pennsylvania: The Moravian Young Ladies' Seminary</title><source>Cambridge University Press Journals Complete</source><creator>Goren, Yael Bitrán ; Preston, Katherine K ; Katz, Mark</creator><creatorcontrib>Goren, Yael Bitrán ; Preston, Katherine K ; Katz, Mark</creatorcontrib><description>[...]she explains that the level of difficulty of the music that southern belles often played in private spaces contradicted the societal prejudice against highly technical musical displays by women, and that this repertory was beyond the abilities of most amateur musicians.3As the author notes, the hand crossing, large registral leaps, stark dynamic contrasts, and other technical challenges in pieces such as Theodor von la Hache's Freedom's Tear Reverie "challenge the propriety and docile nature of the southern belle's behavior" (101), as described by etiquette manuals. Jewel Smith's Music, Women, and Pianos in Antebellum Bethlehem, Pennsylvania: The Moravian Young Ladies' Seminary is related in title and theme to Arthur Loesser's classic study Men, Women and Pianos: A Social History.4The book is also a socio-musical history, in this case of one of the oldest educational institutions for women in the United States.</description><identifier>ISSN: 1752-1963</identifier><identifier>EISSN: 1752-1971</identifier><identifier>DOI: 10.1017/S1752196314000091</identifier><language>eng</language><publisher>Cambridge: Cambridge University Press</publisher><subject>Civil war ; Etiquette ; Music ; Music education ; Musicians &amp; conductors ; Piano ; Politeness ; Social history ; Society ; Studies ; Victorian period ; Women</subject><ispartof>Journal of the Society for American Music, 2014, Vol.8 (2), p.253</ispartof><rights>Copyright © The Society for American Music 2014</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>313,777,781,789,27903,27906</link.rule.ids></links><search><creatorcontrib>Goren, Yael Bitrán</creatorcontrib><creatorcontrib>Preston, Katherine K</creatorcontrib><creatorcontrib>Katz, Mark</creatorcontrib><title>Book Review: Music and the Southern Belle: From Accomplished Lady to Confederate Composer; Music, Women, and Pianos in Antebellum Bethlehem, Pennsylvania: The Moravian Young Ladies' Seminary</title><title>Journal of the Society for American Music</title><description>[...]she explains that the level of difficulty of the music that southern belles often played in private spaces contradicted the societal prejudice against highly technical musical displays by women, and that this repertory was beyond the abilities of most amateur musicians.3As the author notes, the hand crossing, large registral leaps, stark dynamic contrasts, and other technical challenges in pieces such as Theodor von la Hache's Freedom's Tear Reverie "challenge the propriety and docile nature of the southern belle's behavior" (101), as described by etiquette manuals. Jewel Smith's Music, Women, and Pianos in Antebellum Bethlehem, Pennsylvania: The Moravian Young Ladies' Seminary is related in title and theme to Arthur Loesser's classic study Men, Women and Pianos: A Social History.4The book is also a socio-musical history, in this case of one of the oldest educational institutions for women in the United States.</description><subject>Civil war</subject><subject>Etiquette</subject><subject>Music</subject><subject>Music education</subject><subject>Musicians &amp; conductors</subject><subject>Piano</subject><subject>Politeness</subject><subject>Social history</subject><subject>Society</subject><subject>Studies</subject><subject>Victorian period</subject><subject>Women</subject><issn>1752-1963</issn><issn>1752-1971</issn><fulltext>true</fulltext><rsrctype>review</rsrctype><creationdate>2014</creationdate><recordtype>review</recordtype><sourceid>A3D</sourceid><sourceid>AIMQZ</sourceid><sourceid>AVQMV</sourceid><sourceid>DJMCT</sourceid><recordid>eNqNkE1PwkAQhjdGE_HjB3ibxIOXol1LKa0nIBAPkhAhMZ7ISge72J2pu20Nf87f5qLGs3N538zHM5MR4kKG1zKUyc1CJvGtTPuR7IU-UnkgOvtUV6aJPPzz_ehYnDi3DcO4NxikHfE5Yn6DR2w1fmQwa5xeg6Ic6gJhwY0XSzDCssQMppYNDNdrNlWpXYE5PKh8BzXDmGmDOVpVo_emYof27ocWwBMbpOCbOteK2IEmGFKNLx7bGE-vixILNAHMkcjtylaRVhks_Q0ztqr1U_DMDb3uF2p0V7BAo0nZ3Zk42qjS4fmvnorL6WQ5vu9Wlt8bdPVqy40lX1rJOIrT1L-mF_2v6wvP82wB</recordid><startdate>20140501</startdate><enddate>20140501</enddate><creator>Goren, Yael Bitrán</creator><creator>Preston, Katherine K</creator><creator>Katz, Mark</creator><general>Cambridge University Press</general><scope>A3D</scope><scope>AIMQZ</scope><scope>AVQMV</scope><scope>DJMCT</scope><scope>GB0</scope><scope>LIQON</scope></search><sort><creationdate>20140501</creationdate><title>Book Review: Music and the Southern Belle: From Accomplished Lady to Confederate Composer; Music, Women, and Pianos in Antebellum Bethlehem, Pennsylvania: The Moravian Young Ladies' Seminary</title><author>Goren, Yael Bitrán ; Preston, Katherine K ; Katz, Mark</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-proquest_journals_15359900943</frbrgroupid><rsrctype>reviews</rsrctype><prefilter>reviews</prefilter><language>eng</language><creationdate>2014</creationdate><topic>Civil war</topic><topic>Etiquette</topic><topic>Music</topic><topic>Music education</topic><topic>Musicians &amp; conductors</topic><topic>Piano</topic><topic>Politeness</topic><topic>Social history</topic><topic>Society</topic><topic>Studies</topic><topic>Victorian period</topic><topic>Women</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Goren, Yael Bitrán</creatorcontrib><creatorcontrib>Preston, Katherine K</creatorcontrib><creatorcontrib>Katz, Mark</creatorcontrib><collection>Music Periodicals Database</collection><collection>ProQuest One Literature</collection><collection>Arts Premium Collection</collection><collection>Music &amp; Performing Arts Collection</collection><collection>DELNET Social Sciences &amp; Humanities Collection</collection><collection>ProQuest One Literature - U.S. Customers Only</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Goren, Yael Bitrán</au><au>Preston, Katherine K</au><au>Katz, Mark</au><format>journal</format><genre>article</genre><ristype>GEN</ristype><atitle>Book Review: Music and the Southern Belle: From Accomplished Lady to Confederate Composer; Music, Women, and Pianos in Antebellum Bethlehem, Pennsylvania: The Moravian Young Ladies' Seminary</atitle><jtitle>Journal of the Society for American Music</jtitle><date>2014-05-01</date><risdate>2014</risdate><volume>8</volume><issue>2</issue><spage>253</spage><pages>253-</pages><issn>1752-1963</issn><eissn>1752-1971</eissn><abstract>[...]she explains that the level of difficulty of the music that southern belles often played in private spaces contradicted the societal prejudice against highly technical musical displays by women, and that this repertory was beyond the abilities of most amateur musicians.3As the author notes, the hand crossing, large registral leaps, stark dynamic contrasts, and other technical challenges in pieces such as Theodor von la Hache's Freedom's Tear Reverie "challenge the propriety and docile nature of the southern belle's behavior" (101), as described by etiquette manuals. Jewel Smith's Music, Women, and Pianos in Antebellum Bethlehem, Pennsylvania: The Moravian Young Ladies' Seminary is related in title and theme to Arthur Loesser's classic study Men, Women and Pianos: A Social History.4The book is also a socio-musical history, in this case of one of the oldest educational institutions for women in the United States.</abstract><cop>Cambridge</cop><pub>Cambridge University Press</pub><doi>10.1017/S1752196314000091</doi></addata></record>
fulltext fulltext
identifier ISSN: 1752-1963
ispartof Journal of the Society for American Music, 2014, Vol.8 (2), p.253
issn 1752-1963
1752-1971
language eng
recordid cdi_proquest_journals_1535990094
source Cambridge University Press Journals Complete
subjects Civil war
Etiquette
Music
Music education
Musicians & conductors
Piano
Politeness
Social history
Society
Studies
Victorian period
Women
title Book Review: Music and the Southern Belle: From Accomplished Lady to Confederate Composer; Music, Women, and Pianos in Antebellum Bethlehem, Pennsylvania: The Moravian Young Ladies' Seminary
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-20T02%3A24%3A36IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Book%20Review:%20Music%20and%20the%20Southern%20Belle:%20From%20Accomplished%20Lady%20to%20Confederate%20Composer;%20Music,%20Women,%20and%20Pianos%20in%20Antebellum%20Bethlehem,%20Pennsylvania:%20The%20Moravian%20Young%20Ladies'%20Seminary&rft.jtitle=Journal%20of%20the%20Society%20for%20American%20Music&rft.au=Goren,%20Yael%20Bitr%C3%A1n&rft.date=2014-05-01&rft.volume=8&rft.issue=2&rft.spage=253&rft.pages=253-&rft.issn=1752-1963&rft.eissn=1752-1971&rft_id=info:doi/10.1017/S1752196314000091&rft_dat=%3Cproquest%3E3335623331%3C/proquest%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1535990094&rft_id=info:pmid/&rfr_iscdi=true