Negotiating Theatrical Modernism in the Arab World
Although unquestionably profoundly influenced by European discussions and experiments in theatrical modernism, the Arab world of the nineteenth and twentieth centuries reacted to these discussions and experiments within the context of its own internal tensions and concerns, among them the introducti...
Gespeichert in:
Veröffentlicht in: | Theatre journal (Washington, D.C.) D.C.), 2013-12, Vol.65 (4), p.523-535 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 535 |
---|---|
container_issue | 4 |
container_start_page | 523 |
container_title | Theatre journal (Washington, D.C.) |
container_volume | 65 |
creator | Carlson, Marvin |
description | Although unquestionably profoundly influenced by European discussions and experiments in theatrical modernism, the Arab world of the nineteenth and twentieth centuries reacted to these discussions and experiments within the context of its own internal tensions and concerns, among them the introduction into that world of theatre practice in the European mode in general. The pioneers of a European-style theatre in Lebanon and Egypt prepared the way for the Arab dramatists who are generally considered to be the major representatives of dramatic modernism, Tawfiq al-Hakim and Alfred Farag of Egypt and Sa'dallah Wannous of Syria. The implications of theatrical modernism, especially in Egypt as the leading force in modern Arabic theatre, are suggested through the contributions of such authors. |
doi_str_mv | 10.1353/tj.2013.0126 |
format | Article |
fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_1510694958</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>24580425</jstor_id><sourcerecordid>24580425</sourcerecordid><originalsourceid>FETCH-LOGICAL-c358t-a30f12387d14e35b68b83cc8629fe222c29e114e0634fda5c05f94a1b24f83cf3</originalsourceid><addsrcrecordid>eNp9kD1PwzAQhi0EEqWwsSJFYiXFPtuJPVYVX1KBgSLYLMex20RtUmx34N_jqKhs3HLDPe970oPQJcETQjm9je0EMKETTKA4QiOCRZFTCp_HaISJhByEgFN0FkKL0wgmRghe7LKPjY5Nt8wWK6ujb4xeZ899bX3XhE3WdFlc2WzqdZV99H5dn6MTp9fBXvzuMXq_v1vMHvP568PTbDrPDeUi5ppiR4CKsibMUl4VohLUGFGAdBYADEhL0gkXlLlac4O5k0yTCphLoKNjdL3v3fr-a2dDVG2_8116qQgnuJBMcvEvxcpSllAWLFE3e8r4PgRvndr6ZqP9tyJYDe5UbNXgTg3uEs4Opa01cbML9q-XUwZSqLfB76CXUJZ0ckixq32sDbH3hxfAuMAMOP0BhMZ4kA</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1477972764</pqid></control><display><type>article</type><title>Negotiating Theatrical Modernism in the Arab World</title><source>Jstor Complete Legacy</source><creator>Carlson, Marvin</creator><creatorcontrib>Carlson, Marvin</creatorcontrib><description>Although unquestionably profoundly influenced by European discussions and experiments in theatrical modernism, the Arab world of the nineteenth and twentieth centuries reacted to these discussions and experiments within the context of its own internal tensions and concerns, among them the introduction into that world of theatre practice in the European mode in general. The pioneers of a European-style theatre in Lebanon and Egypt prepared the way for the Arab dramatists who are generally considered to be the major representatives of dramatic modernism, Tawfiq al-Hakim and Alfred Farag of Egypt and Sa'dallah Wannous of Syria. The implications of theatrical modernism, especially in Egypt as the leading force in modern Arabic theatre, are suggested through the contributions of such authors.</description><identifier>ISSN: 0192-2882</identifier><identifier>ISSN: 1086-332X</identifier><identifier>EISSN: 1086-332X</identifier><identifier>DOI: 10.1353/tj.2013.0126</identifier><language>eng</language><publisher>Baltimore: The Johns Hopkins University Press</publisher><subject>19th century ; 20th century ; Al-Hakim, Tawfiq ; Arab drama ; Carlson, Marvin ; Drama ; Dramatists ; Egyptian theater ; Farag, Alfred ; Ibsen, Henrik (1828-1906) ; Lebanese theater ; Modernism ; Negotiation ; Norwegian literature ; SPECIAL-ISSUE ESSAYS ; Theater ; Wannus, Saadallah</subject><ispartof>Theatre journal (Washington, D.C.), 2013-12, Vol.65 (4), p.523-535</ispartof><rights>2014 The Johns Hopkins University Press</rights><rights>Copyright © The Johns Hopkins University Press.</rights><rights>Copyright Johns Hopkins University Press Dec 2013</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c358t-a30f12387d14e35b68b83cc8629fe222c29e114e0634fda5c05f94a1b24f83cf3</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/24580425$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/24580425$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,776,780,799,27903,27904,57995,58228</link.rule.ids></links><search><creatorcontrib>Carlson, Marvin</creatorcontrib><title>Negotiating Theatrical Modernism in the Arab World</title><title>Theatre journal (Washington, D.C.)</title><description>Although unquestionably profoundly influenced by European discussions and experiments in theatrical modernism, the Arab world of the nineteenth and twentieth centuries reacted to these discussions and experiments within the context of its own internal tensions and concerns, among them the introduction into that world of theatre practice in the European mode in general. The pioneers of a European-style theatre in Lebanon and Egypt prepared the way for the Arab dramatists who are generally considered to be the major representatives of dramatic modernism, Tawfiq al-Hakim and Alfred Farag of Egypt and Sa'dallah Wannous of Syria. The implications of theatrical modernism, especially in Egypt as the leading force in modern Arabic theatre, are suggested through the contributions of such authors.</description><subject>19th century</subject><subject>20th century</subject><subject>Al-Hakim, Tawfiq</subject><subject>Arab drama</subject><subject>Carlson, Marvin</subject><subject>Drama</subject><subject>Dramatists</subject><subject>Egyptian theater</subject><subject>Farag, Alfred</subject><subject>Ibsen, Henrik (1828-1906)</subject><subject>Lebanese theater</subject><subject>Modernism</subject><subject>Negotiation</subject><subject>Norwegian literature</subject><subject>SPECIAL-ISSUE ESSAYS</subject><subject>Theater</subject><subject>Wannus, Saadallah</subject><issn>0192-2882</issn><issn>1086-332X</issn><issn>1086-332X</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2013</creationdate><recordtype>article</recordtype><sourceid>AVQMV</sourceid><sourceid>BENPR</sourceid><sourceid>DJMCT</sourceid><sourceid>GUQSH</sourceid><sourceid>M2O</sourceid><sourceid>PAF</sourceid><sourceid>PQLNA</sourceid><sourceid>PROLI</sourceid><recordid>eNp9kD1PwzAQhi0EEqWwsSJFYiXFPtuJPVYVX1KBgSLYLMex20RtUmx34N_jqKhs3HLDPe970oPQJcETQjm9je0EMKETTKA4QiOCRZFTCp_HaISJhByEgFN0FkKL0wgmRghe7LKPjY5Nt8wWK6ujb4xeZ899bX3XhE3WdFlc2WzqdZV99H5dn6MTp9fBXvzuMXq_v1vMHvP568PTbDrPDeUi5ppiR4CKsibMUl4VohLUGFGAdBYADEhL0gkXlLlac4O5k0yTCphLoKNjdL3v3fr-a2dDVG2_8116qQgnuJBMcvEvxcpSllAWLFE3e8r4PgRvndr6ZqP9tyJYDe5UbNXgTg3uEs4Opa01cbML9q-XUwZSqLfB76CXUJZ0ckixq32sDbH3hxfAuMAMOP0BhMZ4kA</recordid><startdate>20131201</startdate><enddate>20131201</enddate><creator>Carlson, Marvin</creator><general>The Johns Hopkins University Press</general><general>Johns Hopkins University Press</general><scope>AAYXX</scope><scope>CITATION</scope><scope>7XB</scope><scope>A3F</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AVQMV</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>CLO</scope><scope>DJMCT</scope><scope>DWQXO</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>LIQON</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PAF</scope><scope>PPXUT</scope><scope>PQEST</scope><scope>PQLNA</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PROLI</scope><scope>Q9U</scope><scope>S0X</scope></search><sort><creationdate>20131201</creationdate><title>Negotiating Theatrical Modernism in the Arab World</title><author>Carlson, Marvin</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c358t-a30f12387d14e35b68b83cc8629fe222c29e114e0634fda5c05f94a1b24f83cf3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2013</creationdate><topic>19th century</topic><topic>20th century</topic><topic>Al-Hakim, Tawfiq</topic><topic>Arab drama</topic><topic>Carlson, Marvin</topic><topic>Drama</topic><topic>Dramatists</topic><topic>Egyptian theater</topic><topic>Farag, Alfred</topic><topic>Ibsen, Henrik (1828-1906)</topic><topic>Lebanese theater</topic><topic>Modernism</topic><topic>Negotiation</topic><topic>Norwegian literature</topic><topic>SPECIAL-ISSUE ESSAYS</topic><topic>Theater</topic><topic>Wannus, Saadallah</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Carlson, Marvin</creatorcontrib><collection>CrossRef</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>Performing Arts Periodicals Database</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>Literature Online Core (LION Core) (legacy)</collection><collection>Music & Performing Arts Collection</collection><collection>ProQuest Central Korea</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>ProQuest One Literature - U.S. Customers Only</collection><collection>Research Library</collection><collection>Research Library (Corporate)</collection><collection>ProQuest Learning: Literature</collection><collection>Literature Online Premium (LION Premium) (legacy)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>Literature Online (LION) - US Customers Only</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>Literature Online (LION)</collection><collection>ProQuest Central Basic</collection><collection>SIRS Editorial</collection><jtitle>Theatre journal (Washington, D.C.)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Carlson, Marvin</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Negotiating Theatrical Modernism in the Arab World</atitle><jtitle>Theatre journal (Washington, D.C.)</jtitle><date>2013-12-01</date><risdate>2013</risdate><volume>65</volume><issue>4</issue><spage>523</spage><epage>535</epage><pages>523-535</pages><issn>0192-2882</issn><issn>1086-332X</issn><eissn>1086-332X</eissn><abstract>Although unquestionably profoundly influenced by European discussions and experiments in theatrical modernism, the Arab world of the nineteenth and twentieth centuries reacted to these discussions and experiments within the context of its own internal tensions and concerns, among them the introduction into that world of theatre practice in the European mode in general. The pioneers of a European-style theatre in Lebanon and Egypt prepared the way for the Arab dramatists who are generally considered to be the major representatives of dramatic modernism, Tawfiq al-Hakim and Alfred Farag of Egypt and Sa'dallah Wannous of Syria. The implications of theatrical modernism, especially in Egypt as the leading force in modern Arabic theatre, are suggested through the contributions of such authors.</abstract><cop>Baltimore</cop><pub>The Johns Hopkins University Press</pub><doi>10.1353/tj.2013.0126</doi><tpages>13</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0192-2882 |
ispartof | Theatre journal (Washington, D.C.), 2013-12, Vol.65 (4), p.523-535 |
issn | 0192-2882 1086-332X 1086-332X |
language | eng |
recordid | cdi_proquest_journals_1510694958 |
source | Jstor Complete Legacy |
subjects | 19th century 20th century Al-Hakim, Tawfiq Arab drama Carlson, Marvin Drama Dramatists Egyptian theater Farag, Alfred Ibsen, Henrik (1828-1906) Lebanese theater Modernism Negotiation Norwegian literature SPECIAL-ISSUE ESSAYS Theater Wannus, Saadallah |
title | Negotiating Theatrical Modernism in the Arab World |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-28T06%3A43%3A56IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Negotiating%20Theatrical%20Modernism%20in%20the%20Arab%20World&rft.jtitle=Theatre%20journal%20(Washington,%20D.C.)&rft.au=Carlson,%20Marvin&rft.date=2013-12-01&rft.volume=65&rft.issue=4&rft.spage=523&rft.epage=535&rft.pages=523-535&rft.issn=0192-2882&rft.eissn=1086-332X&rft_id=info:doi/10.1353/tj.2013.0126&rft_dat=%3Cjstor_proqu%3E24580425%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1477972764&rft_id=info:pmid/&rft_jstor_id=24580425&rfr_iscdi=true |