Das frühexpressionistische "Gesamtkunstwerk" als Traumspiel bei Kokoschka, Pappenheim und Schönberg

Das frühexpressionistische "Gesamtkunstwerk" als Traumspiel bei Kokoschka, Pappenheim und Schönberg

Both Kokoschka's Mörder, Hoffnung der Frauen and Schoenberg's operas Erwartung (libretto: Marie Pappenheim) and Die glückliche Hand take up Wagner's concept of a "Total Work of Art". Their myth elaborates on the tragic antagonism of the sexes according to turn-of-the-century...

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Veröffentlicht in:Arcadia 2002-01, Vol.37 (2), p.269
1. Verfasser: Anglet, Andreas
Format: Artikel
Sprache:ger
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Adorno, Theodor Wiesengrund (1903-1969)
Drama
Historical text analysis
Mythology
Semiotics
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description Both Kokoschka's Mörder, Hoffnung der Frauen and Schoenberg's operas Erwartung (libretto: Marie Pappenheim) and Die glückliche Hand take up Wagner's concept of a "Total Work of Art". Their myth elaborates on the tragic antagonism of the sexes according to turn-of-the-century psychological theories, replacing Wagner's mythological drama by a dream play. While they widen the dramaturgical and medial dimensions, they paradoxically reduce and concentrate the plot along the lines of a one-act play. The three works develop different models for integrating the semiotic systems into a "Total Work of Art". [PUBLICATION ABSTRACT]
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subjects Adorno, Theodor Wiesengrund (1903-1969)
Drama
Historical text analysis
Mythology
Semiotics
title Das frühexpressionistische "Gesamtkunstwerk" als Traumspiel bei Kokoschka, Pappenheim und Schönberg
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