Context and Creativity: William Grant Still in Los Angeles

Since New York and the East Coast were, in his opinion, stifling, Los Angeles became the most ideal urban city in the United States for him to live, initially because of work opportunities (i.e., Hollywood) and social environment, but also he loved the physical setting. Since Los Angeles has been on...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Black music research journal 2011-03, Vol.31 (1), p.1-27
1. Verfasser: DjeDje, Jacqueline Cogdell
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 27
container_issue 1
container_start_page 1
container_title Black music research journal
container_volume 31
creator DjeDje, Jacqueline Cogdell
description Since New York and the East Coast were, in his opinion, stifling, Los Angeles became the most ideal urban city in the United States for him to live, initially because of work opportunities (i.e., Hollywood) and social environment, but also he loved the physical setting. Since Los Angeles has been one of most culturally diverse cities in United States, if not the world, since its founding, the city provided a context for him to enlarge the vocabulary of idioms he chose for composi- tions.
doi_str_mv 10.5406/blacmusiresej.31.1.0001
format Article
fullrecord <record><control><sourceid>gale_proqu</sourceid><recordid>TN_cdi_proquest_journals_1425870814</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><galeid>A264092906</galeid><jstor_id>10.5406/blacmusiresej.31.1.0001</jstor_id><sourcerecordid>A264092906</sourcerecordid><originalsourceid>FETCH-LOGICAL-c548t-9035797e7837c3fe296072c40bc74eaa715e3664ab78decd5ecc383157f138193</originalsourceid><addsrcrecordid>eNqNks1qGzEURkVJoE7SZ-hAV13MRHf0N5OdMakTMO3CLV0KWb5jNIw1qSSH5O0r4xBj8CJoISTO0RUfHyFfgVaCU3m7Gozd7qILGLGvGFRQUUrhE5lAy2UJEsQFmdBayZJJKj6Tqxj7DLCmhgm5m40-4UsqjF8Xs4AmuWeXXu-Kv24YnNkW82B8KpYpHwvni8UYi6nf4IDxhlx2Zoj45W2_Jn9-3P-ePZSLX_PH2XRRWsGbVLaUCdUqVA1TlnVYt5Kq2nK6soqjMQoEMim5WalmjXYt0FrWMBCqy3-Ell2Tb4d3n8L4b4cx6X7cBZ9HauC1aBRtgB-pjRlQO9-NKeRgXLR6WktO27qlMlPlGWqDHoMZRo-dy9cnfHWGz2uNW2fPCt9PBHuId2N2MerH5c8Ps818ccqqA2vDGGPATj8FtzXhVQPV-x7okx5oBhr0vgfZ5O_x9WhTZvCYIBc0B6iX-67sqwIA2arFUetjGsOHp_0HHVfGaw</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1425870814</pqid></control><display><type>article</type><title>Context and Creativity: William Grant Still in Los Angeles</title><source>JSTOR Archive Collection A-Z Listing</source><creator>DjeDje, Jacqueline Cogdell</creator><creatorcontrib>DjeDje, Jacqueline Cogdell</creatorcontrib><description>Since New York and the East Coast were, in his opinion, stifling, Los Angeles became the most ideal urban city in the United States for him to live, initially because of work opportunities (i.e., Hollywood) and social environment, but also he loved the physical setting. Since Los Angeles has been one of most culturally diverse cities in United States, if not the world, since its founding, the city provided a context for him to enlarge the vocabulary of idioms he chose for composi- tions.</description><identifier>ISSN: 0276-3605</identifier><identifier>EISSN: 1946-1615</identifier><identifier>DOI: 10.5406/blacmusiresej.31.1.0001</identifier><language>eng</language><publisher>Chicago: University of Illinois Press</publisher><subject>African American culture ; African American market ; African music ; Art music ; Black communities ; Cities ; Composers ; Context ; Creativity ; Idioms ; Multiculturalism &amp; pluralism ; Music ; Music composition ; Musical performance ; Musicians ; Musicians &amp; conductors ; Publishing industry ; R&amp;D ; Research &amp; development ; Still, William Grant (1895-1978)</subject><ispartof>Black music research journal, 2011-03, Vol.31 (1), p.1-27</ispartof><rights>Copyright 2011 by the Board of Trustees of the University of Illinois</rights><rights>COPYRIGHT 2011 Center For Black Music Research</rights><rights>Copyright Center for Black Music Research Spring 2011</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c548t-9035797e7837c3fe296072c40bc74eaa715e3664ab78decd5ecc383157f138193</citedby><cites>FETCH-LOGICAL-c548t-9035797e7837c3fe296072c40bc74eaa715e3664ab78decd5ecc383157f138193</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,780,784,803,27923,27924</link.rule.ids></links><search><creatorcontrib>DjeDje, Jacqueline Cogdell</creatorcontrib><title>Context and Creativity: William Grant Still in Los Angeles</title><title>Black music research journal</title><description>Since New York and the East Coast were, in his opinion, stifling, Los Angeles became the most ideal urban city in the United States for him to live, initially because of work opportunities (i.e., Hollywood) and social environment, but also he loved the physical setting. Since Los Angeles has been one of most culturally diverse cities in United States, if not the world, since its founding, the city provided a context for him to enlarge the vocabulary of idioms he chose for composi- tions.</description><subject>African American culture</subject><subject>African American market</subject><subject>African music</subject><subject>Art music</subject><subject>Black communities</subject><subject>Cities</subject><subject>Composers</subject><subject>Context</subject><subject>Creativity</subject><subject>Idioms</subject><subject>Multiculturalism &amp; pluralism</subject><subject>Music</subject><subject>Music composition</subject><subject>Musical performance</subject><subject>Musicians</subject><subject>Musicians &amp; conductors</subject><subject>Publishing industry</subject><subject>R&amp;D</subject><subject>Research &amp; development</subject><subject>Still, William Grant (1895-1978)</subject><issn>0276-3605</issn><issn>1946-1615</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2011</creationdate><recordtype>article</recordtype><sourceid>8G5</sourceid><sourceid>A3D</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AIMQZ</sourceid><sourceid>AVQMV</sourceid><sourceid>AZQEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DJMCT</sourceid><sourceid>DWQXO</sourceid><sourceid>GNUQQ</sourceid><sourceid>GUQSH</sourceid><sourceid>LD-</sourceid><sourceid>LD.</sourceid><sourceid>M2O</sourceid><sourceid>QXPDG</sourceid><recordid>eNqNks1qGzEURkVJoE7SZ-hAV13MRHf0N5OdMakTMO3CLV0KWb5jNIw1qSSH5O0r4xBj8CJoISTO0RUfHyFfgVaCU3m7Gozd7qILGLGvGFRQUUrhE5lAy2UJEsQFmdBayZJJKj6Tqxj7DLCmhgm5m40-4UsqjF8Xs4AmuWeXXu-Kv24YnNkW82B8KpYpHwvni8UYi6nf4IDxhlx2Zoj45W2_Jn9-3P-ePZSLX_PH2XRRWsGbVLaUCdUqVA1TlnVYt5Kq2nK6soqjMQoEMim5WalmjXYt0FrWMBCqy3-Ell2Tb4d3n8L4b4cx6X7cBZ9HauC1aBRtgB-pjRlQO9-NKeRgXLR6WktO27qlMlPlGWqDHoMZRo-dy9cnfHWGz2uNW2fPCt9PBHuId2N2MerH5c8Ps818ccqqA2vDGGPATj8FtzXhVQPV-x7okx5oBhr0vgfZ5O_x9WhTZvCYIBc0B6iX-67sqwIA2arFUetjGsOHp_0HHVfGaw</recordid><startdate>20110322</startdate><enddate>20110322</enddate><creator>DjeDje, Jacqueline Cogdell</creator><general>University of Illinois Press</general><general>Center For Black Music Research</general><general>Center for Black Music Research</general><scope>AAYXX</scope><scope>CITATION</scope><scope>8GL</scope><scope>ISN</scope><scope>3V.</scope><scope>7XB</scope><scope>8FK</scope><scope>8G5</scope><scope>A3D</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AVQMV</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>BSCPQ</scope><scope>CCPQU</scope><scope>DJMCT</scope><scope>DWQXO</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>LD-</scope><scope>LD.</scope><scope>LIQON</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PADUT</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>Q9U</scope><scope>QXPDG</scope><scope>UXAQP</scope></search><sort><creationdate>20110322</creationdate><title>Context and Creativity: William Grant Still in Los Angeles</title><author>DjeDje, Jacqueline Cogdell</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c548t-9035797e7837c3fe296072c40bc74eaa715e3664ab78decd5ecc383157f138193</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2011</creationdate><topic>African American culture</topic><topic>African American market</topic><topic>African music</topic><topic>Art music</topic><topic>Black communities</topic><topic>Cities</topic><topic>Composers</topic><topic>Context</topic><topic>Creativity</topic><topic>Idioms</topic><topic>Multiculturalism &amp; pluralism</topic><topic>Music</topic><topic>Music composition</topic><topic>Musical performance</topic><topic>Musicians</topic><topic>Musicians &amp; conductors</topic><topic>Publishing industry</topic><topic>R&amp;D</topic><topic>Research &amp; development</topic><topic>Still, William Grant (1895-1978)</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>DjeDje, Jacqueline Cogdell</creatorcontrib><collection>CrossRef</collection><collection>Gale In Context: High School</collection><collection>Gale In Context: Canada</collection><collection>ProQuest Central (Corporate)</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Research Library (Alumni Edition)</collection><collection>Music Periodicals Database</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>Black Studies Center</collection><collection>ProQuest One Community College</collection><collection>Music &amp; Performing Arts Collection</collection><collection>ProQuest Central Korea</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>Ethnic NewsWatch</collection><collection>Ethnic NewsWatch (Alumni)</collection><collection>ProQuest One Literature - U.S. Customers Only</collection><collection>Research Library</collection><collection>Research Library (Corporate)</collection><collection>Research Library China</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>ProQuest Central Basic</collection><collection>Diversity Collection</collection><collection>ProQuest Black Studies</collection><jtitle>Black music research journal</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>DjeDje, Jacqueline Cogdell</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Context and Creativity: William Grant Still in Los Angeles</atitle><jtitle>Black music research journal</jtitle><date>2011-03-22</date><risdate>2011</risdate><volume>31</volume><issue>1</issue><spage>1</spage><epage>27</epage><pages>1-27</pages><issn>0276-3605</issn><eissn>1946-1615</eissn><abstract>Since New York and the East Coast were, in his opinion, stifling, Los Angeles became the most ideal urban city in the United States for him to live, initially because of work opportunities (i.e., Hollywood) and social environment, but also he loved the physical setting. Since Los Angeles has been one of most culturally diverse cities in United States, if not the world, since its founding, the city provided a context for him to enlarge the vocabulary of idioms he chose for composi- tions.</abstract><cop>Chicago</cop><pub>University of Illinois Press</pub><doi>10.5406/blacmusiresej.31.1.0001</doi><tpages>27</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0276-3605
ispartof Black music research journal, 2011-03, Vol.31 (1), p.1-27
issn 0276-3605
1946-1615
language eng
recordid cdi_proquest_journals_1425870814
source JSTOR Archive Collection A-Z Listing
subjects African American culture
African American market
African music
Art music
Black communities
Cities
Composers
Context
Creativity
Idioms
Multiculturalism & pluralism
Music
Music composition
Musical performance
Musicians
Musicians & conductors
Publishing industry
R&D
Research & development
Still, William Grant (1895-1978)
title Context and Creativity: William Grant Still in Los Angeles
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-11T11%3A58%3A15IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Context%20and%20Creativity:%20William%20Grant%20Still%20in%20Los%20Angeles&rft.jtitle=Black%20music%20research%20journal&rft.au=DjeDje,%20Jacqueline%20Cogdell&rft.date=2011-03-22&rft.volume=31&rft.issue=1&rft.spage=1&rft.epage=27&rft.pages=1-27&rft.issn=0276-3605&rft.eissn=1946-1615&rft_id=info:doi/10.5406/blacmusiresej.31.1.0001&rft_dat=%3Cgale_proqu%3EA264092906%3C/gale_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1425870814&rft_id=info:pmid/&rft_galeid=A264092906&rft_jstor_id=10.5406/blacmusiresej.31.1.0001&rfr_iscdi=true