Jazz Endings, Aesthetic Discourse, and Musical Publics
[...]the following pages consider the work-in-progress of musicians who, while talented and engaged, are relatively inexperienced. The foregoing discus- sion suggests that, as musicians work together, their musical and verbal interactions index both the immediate context of performance and a broader...
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| Veröffentlicht in: | Black music research journal 2013-03, Vol.33 (1), p.91-115 |
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| container_issue | 1 |
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| container_title | Black music research journal |
| container_volume | 33 |
| creator | Dueck, Byron |
| description | [...]the following pages consider the work-in-progress of musicians who, while talented and engaged, are relatively inexperienced. The foregoing discus- sion suggests that, as musicians work together, their musical and verbal interactions index both the immediate context of performance and a broader musical public.16 In deploying musical materials, aesthetic discourses, and evocative icons, they simultaneously negotiate their positionality with re- spect to one another and to an imagined public of fellow jazz players. [...]the words "Put your soul into that... like Miles" affirmed the prominent place Davis occupies within the jazz canon and pointed to a stereotypical or iconic association between sounded (black) Americanness and the con- cept of soul. |
| doi_str_mv | 10.5406/blacmusiresej.33.1.0091 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0276-3605 |
| ispartof | Black music research journal, 2013-03, Vol.33 (1), p.91-115 |
| issn | 0276-3605 1946-1615 |
| language | eng |
| recordid | cdi_proquest_journals_1419632109 |
| source | JSTOR |
| subjects | Appreciation Arrangement (Music) Jazz Jazz music Music Music practice Music rehearsal Musical aesthetics Musical performance Musical rhythm Musicians Musicians & conductors Negotiation Pedagogy Rehearsal Stereotypes Trumpets |
| title | Jazz Endings, Aesthetic Discourse, and Musical Publics |
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