Get Thrashed: The Story of Thrash Metal/Global Metal/Heavy Metal in Baghdad
Emerging mostly in California, thrash developed in the hands of young metal musicians who loved the classic metal of Black Sabbath and Judas Priest, as well as the faster, punk-influenced sounds of newer British groups like Venom, Iron Maiden and Motörhead. The tribal aspects of rock subgenres in th...
Gespeichert in:
Veröffentlicht in: | Canadian journal for traditional music 2011, Vol.38, p.255 |
---|---|
1. Verfasser: | |
Format: | Review |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | |
---|---|
container_issue | |
container_start_page | 255 |
container_title | Canadian journal for traditional music |
container_volume | 38 |
creator | McDonald, Chris |
description | Emerging mostly in California, thrash developed in the hands of young metal musicians who loved the classic metal of Black Sabbath and Judas Priest, as well as the faster, punk-influenced sounds of newer British groups like Venom, Iron Maiden and Motörhead. The tribal aspects of rock subgenres in the early 1980s is brought out clearly in the description of the thrash metal uniform, which included long hair, rock shirts with three-quarter length sleeves, white sneakers, and cut-off leather jackets with patches and buttons deployed in very particular ways. [...]taken for granted are the vicious politics that existed between underground rock genres in the 1 980s and early 1 990s - an interesting phenomenon, insofar as the hatred between thrash fans, glam metal fans, hardcore punk fans, and a host of other subcultures raged for seemingly trivial reasons. "Where else can we find fun?" asks one Acrassicauda fan, "Nowhere!" The difficulties of working as a metal band in Baghdad are shown: gigs interrupted by rolling power outages, harassment by Iraqis for their metal attire and short goatees (all the members had short hair; long "metal" hair would make them targets for violence), their rehearsal space and much of their equipment was demolished in a mortar attack (fortunately, the band members were elsewhere at the time) . |
format | Review |
fullrecord | <record><control><sourceid>proquest</sourceid><recordid>TN_cdi_proquest_journals_1416788106</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>3034702781</sourcerecordid><originalsourceid>FETCH-proquest_journals_14167881063</originalsourceid><addsrcrecordid>eNpjYuA0tDQy0DUxMjJkgbMNjTkYuIqLswwMTAzMDUw4GbzdU0sUQjKKEoszUlOsgKxUheCS_KJKhfw0qLCCb2pJYo6-e05-UmIOlOORmlhWCWErZOYpOCWmZ6QkpvAwsKYl5hSn8kJpbgZlN9cQZw_dgqL8wtLU4pL4rPzSojygVLyhiaGZuYWFoYGZMXGqABl7PJM</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>review</recordtype><pqid>1416788106</pqid></control><display><type>review</type><title>Get Thrashed: The Story of Thrash Metal/Global Metal/Heavy Metal in Baghdad</title><source>Alma/SFX Local Collection</source><creator>McDonald, Chris</creator><creatorcontrib>McDonald, Chris</creatorcontrib><description>Emerging mostly in California, thrash developed in the hands of young metal musicians who loved the classic metal of Black Sabbath and Judas Priest, as well as the faster, punk-influenced sounds of newer British groups like Venom, Iron Maiden and Motörhead. The tribal aspects of rock subgenres in the early 1980s is brought out clearly in the description of the thrash metal uniform, which included long hair, rock shirts with three-quarter length sleeves, white sneakers, and cut-off leather jackets with patches and buttons deployed in very particular ways. [...]taken for granted are the vicious politics that existed between underground rock genres in the 1 980s and early 1 990s - an interesting phenomenon, insofar as the hatred between thrash fans, glam metal fans, hardcore punk fans, and a host of other subcultures raged for seemingly trivial reasons. "Where else can we find fun?" asks one Acrassicauda fan, "Nowhere!" The difficulties of working as a metal band in Baghdad are shown: gigs interrupted by rolling power outages, harassment by Iraqis for their metal attire and short goatees (all the members had short hair; long "metal" hair would make them targets for violence), their rehearsal space and much of their equipment was demolished in a mortar attack (fortunately, the band members were elsewhere at the time) .</description><identifier>ISSN: 1920-4213</identifier><identifier>EISSN: 1920-4221</identifier><language>eng</language><publisher>Calgary: Canadian Society for Traditional Music</publisher><subject>Hard rock music ; Heavy metal music ; Motion picture directors & producers ; Musicians & conductors ; Violence</subject><ispartof>Canadian journal for traditional music, 2011, Vol.38, p.255</ispartof><rights>Copyright Canadian Society for Traditional Music 2011</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>313,776,780,788</link.rule.ids></links><search><creatorcontrib>McDonald, Chris</creatorcontrib><title>Get Thrashed: The Story of Thrash Metal/Global Metal/Heavy Metal in Baghdad</title><title>Canadian journal for traditional music</title><description>Emerging mostly in California, thrash developed in the hands of young metal musicians who loved the classic metal of Black Sabbath and Judas Priest, as well as the faster, punk-influenced sounds of newer British groups like Venom, Iron Maiden and Motörhead. The tribal aspects of rock subgenres in the early 1980s is brought out clearly in the description of the thrash metal uniform, which included long hair, rock shirts with three-quarter length sleeves, white sneakers, and cut-off leather jackets with patches and buttons deployed in very particular ways. [...]taken for granted are the vicious politics that existed between underground rock genres in the 1 980s and early 1 990s - an interesting phenomenon, insofar as the hatred between thrash fans, glam metal fans, hardcore punk fans, and a host of other subcultures raged for seemingly trivial reasons. "Where else can we find fun?" asks one Acrassicauda fan, "Nowhere!" The difficulties of working as a metal band in Baghdad are shown: gigs interrupted by rolling power outages, harassment by Iraqis for their metal attire and short goatees (all the members had short hair; long "metal" hair would make them targets for violence), their rehearsal space and much of their equipment was demolished in a mortar attack (fortunately, the band members were elsewhere at the time) .</description><subject>Hard rock music</subject><subject>Heavy metal music</subject><subject>Motion picture directors & producers</subject><subject>Musicians & conductors</subject><subject>Violence</subject><issn>1920-4213</issn><issn>1920-4221</issn><fulltext>true</fulltext><rsrctype>review</rsrctype><creationdate>2011</creationdate><recordtype>review</recordtype><sourceid>A3D</sourceid><sourceid>AVQMV</sourceid><sourceid>BENPR</sourceid><sourceid>DJMCT</sourceid><recordid>eNpjYuA0tDQy0DUxMjJkgbMNjTkYuIqLswwMTAzMDUw4GbzdU0sUQjKKEoszUlOsgKxUheCS_KJKhfw0qLCCb2pJYo6-e05-UmIOlOORmlhWCWErZOYpOCWmZ6QkpvAwsKYl5hSn8kJpbgZlN9cQZw_dgqL8wtLU4pL4rPzSojygVLyhiaGZuYWFoYGZMXGqABl7PJM</recordid><startdate>20110101</startdate><enddate>20110101</enddate><creator>McDonald, Chris</creator><general>Canadian Society for Traditional Music</general><scope>3V.</scope><scope>7XB</scope><scope>8FK</scope><scope>8FQ</scope><scope>8FV</scope><scope>A3D</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AVQMV</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>DJMCT</scope><scope>DWQXO</scope><scope>LIQON</scope><scope>M3G</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>Q9U</scope></search><sort><creationdate>20110101</creationdate><title>Get Thrashed: The Story of Thrash Metal/Global Metal/Heavy Metal in Baghdad</title><author>McDonald, Chris</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-proquest_journals_14167881063</frbrgroupid><rsrctype>reviews</rsrctype><prefilter>reviews</prefilter><language>eng</language><creationdate>2011</creationdate><topic>Hard rock music</topic><topic>Heavy metal music</topic><topic>Motion picture directors & producers</topic><topic>Musicians & conductors</topic><topic>Violence</topic><toplevel>online_resources</toplevel><creatorcontrib>McDonald, Chris</creatorcontrib><collection>ProQuest Central (Corporate)</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Canadian Business & Current Affairs Database</collection><collection>Canadian Business & Current Affairs Database (Alumni Edition)</collection><collection>Music Periodicals Database</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>Music & Performing Arts Collection</collection><collection>ProQuest Central Korea</collection><collection>One Literature (ProQuest)</collection><collection>CBCA Reference & Current Events</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>ProQuest Central Basic</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>McDonald, Chris</au><format>journal</format><genre>article</genre><ristype>GEN</ristype><atitle>Get Thrashed: The Story of Thrash Metal/Global Metal/Heavy Metal in Baghdad</atitle><jtitle>Canadian journal for traditional music</jtitle><date>2011-01-01</date><risdate>2011</risdate><volume>38</volume><spage>255</spage><pages>255-</pages><issn>1920-4213</issn><eissn>1920-4221</eissn><abstract>Emerging mostly in California, thrash developed in the hands of young metal musicians who loved the classic metal of Black Sabbath and Judas Priest, as well as the faster, punk-influenced sounds of newer British groups like Venom, Iron Maiden and Motörhead. The tribal aspects of rock subgenres in the early 1980s is brought out clearly in the description of the thrash metal uniform, which included long hair, rock shirts with three-quarter length sleeves, white sneakers, and cut-off leather jackets with patches and buttons deployed in very particular ways. [...]taken for granted are the vicious politics that existed between underground rock genres in the 1 980s and early 1 990s - an interesting phenomenon, insofar as the hatred between thrash fans, glam metal fans, hardcore punk fans, and a host of other subcultures raged for seemingly trivial reasons. "Where else can we find fun?" asks one Acrassicauda fan, "Nowhere!" The difficulties of working as a metal band in Baghdad are shown: gigs interrupted by rolling power outages, harassment by Iraqis for their metal attire and short goatees (all the members had short hair; long "metal" hair would make them targets for violence), their rehearsal space and much of their equipment was demolished in a mortar attack (fortunately, the band members were elsewhere at the time) .</abstract><cop>Calgary</cop><pub>Canadian Society for Traditional Music</pub></addata></record> |
fulltext | fulltext |
identifier | ISSN: 1920-4213 |
ispartof | Canadian journal for traditional music, 2011, Vol.38, p.255 |
issn | 1920-4213 1920-4221 |
language | eng |
recordid | cdi_proquest_journals_1416788106 |
source | Alma/SFX Local Collection |
subjects | Hard rock music Heavy metal music Motion picture directors & producers Musicians & conductors Violence |
title | Get Thrashed: The Story of Thrash Metal/Global Metal/Heavy Metal in Baghdad |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-12T10%3A17%3A41IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Get%20Thrashed:%20The%20Story%20of%20Thrash%20Metal/Global%20Metal/Heavy%20Metal%20in%20Baghdad&rft.jtitle=Canadian%20journal%20for%20traditional%20music&rft.au=McDonald,%20Chris&rft.date=2011-01-01&rft.volume=38&rft.spage=255&rft.pages=255-&rft.issn=1920-4213&rft.eissn=1920-4221&rft_id=info:doi/&rft_dat=%3Cproquest%3E3034702781%3C/proquest%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1416788106&rft_id=info:pmid/&rfr_iscdi=true |