Music-Making and the Concept of henua in an Atoll Environment

Discusses the relationship between the physical and acoustical environment of Manihiki, an atoll in the northern Cook Islands, and how the native peoples' perceptions of their environment shapes their music aesthetics and structure. Examines how the native concept of "henua" (generall...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Yearbook for traditional music 1995-01, Vol.27, p.13-22
1. Verfasser: Lawrence, Helen Reeves
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 22
container_issue
container_start_page 13
container_title Yearbook for traditional music
container_volume 27
creator Lawrence, Helen Reeves
description Discusses the relationship between the physical and acoustical environment of Manihiki, an atoll in the northern Cook Islands, and how the native peoples' perceptions of their environment shapes their music aesthetics and structure. Examines how the native concept of "henua" (generally related to the Manihikians' close identification with their atoll) and how it influences two musical genres--the Manihikian hupahupa drum dance and the himeni tuki polyphonic song.
doi_str_mv 10.2307/768100
format Article
fullrecord <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_1375598</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>768100</jstor_id><sourcerecordid>768100</sourcerecordid><originalsourceid>FETCH-LOGICAL-c263t-4f99ad94395283afc1c265a288cd35bbe26dcabb2599091b65d8787dca0b74b43</originalsourceid><addsrcrecordid>eNp1kE1LAzEYhIMoWKv-hoDibTWfm-TgoZT6AS1e9Lxks1m76zapSVbw3xtp0VNPL-_MwwwMAJcY3RKKxJ0oJUboCEzyxwoquTgGEyQYKjDn8hScxdgjREiJ-QTcr8bYmWKlPzr3DrVrYFpbOPfO2G2CvoVr60YNO5c9OEt-GODCfXXBu4116RyctHqI9mJ_p-DtYfE6fyqWL4_P89myMKSkqWCtUrpRjCpOJNWtwVnnmkhpGsrr2pKyMbquCVcKKVyXvJFCiqyhWrCa0SmAu9xt8J-jjanq_RhcrqwwFZwrmZGrwwgqJWWEk0zd7CgTfIzBttU2dBsdviuMqt_1qt16Gbzex-lo9NAG7UwX_2hKFMOE_rf2MflwKOwH4z12CA</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1306834252</pqid></control><display><type>article</type><title>Music-Making and the Concept of henua in an Atoll Environment</title><source>JSTOR</source><source>Periodicals Index Online</source><creator>Lawrence, Helen Reeves</creator><creatorcontrib>Lawrence, Helen Reeves</creatorcontrib><description>Discusses the relationship between the physical and acoustical environment of Manihiki, an atoll in the northern Cook Islands, and how the native peoples' perceptions of their environment shapes their music aesthetics and structure. Examines how the native concept of "henua" (generally related to the Manihikians' close identification with their atoll) and how it influences two musical genres--the Manihikian hupahupa drum dance and the himeni tuki polyphonic song.</description><identifier>ISSN: 0740-1558</identifier><identifier>EISSN: 2304-3857</identifier><identifier>DOI: 10.2307/768100</identifier><language>eng</language><publisher>New York, NY: International Council for Traditional Music</publisher><subject>Acoustics ; Atolls ; Cognitive problems, arts and sciences, folk traditions, folklore ; Dance ; Dance Music ; Drum Music ; Drums ; Ethnology ; Ethnomusicology ; Himeni Tuki (Polynesian Music) ; Hupahupa (Polynesian Music) ; Land ; Music ; Music Attitudes ; Musical Influences ; Musical instruments ; Musical performance ; Musical rhythm ; Playing Styles ; Polynesian Music ; Polynesian studies ; Sound ; Traditional dance ; Vocal Music</subject><ispartof>Yearbook for traditional music, 1995-01, Vol.27, p.13-22</ispartof><rights>Copyright 1995 International Council for Traditional Music</rights><rights>1996 INIST-CNRS</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c263t-4f99ad94395283afc1c265a288cd35bbe26dcabb2599091b65d8787dca0b74b43</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/768100$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/768100$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,803,4024,27869,27923,27924,27925,58017,58250</link.rule.ids><backlink>$$Uhttp://pascal-francis.inist.fr/vibad/index.php?action=getRecordDetail&amp;idt=3294123$$DView record in Pascal Francis$$Hfree_for_read</backlink></links><search><creatorcontrib>Lawrence, Helen Reeves</creatorcontrib><title>Music-Making and the Concept of henua in an Atoll Environment</title><title>Yearbook for traditional music</title><description>Discusses the relationship between the physical and acoustical environment of Manihiki, an atoll in the northern Cook Islands, and how the native peoples' perceptions of their environment shapes their music aesthetics and structure. Examines how the native concept of "henua" (generally related to the Manihikians' close identification with their atoll) and how it influences two musical genres--the Manihikian hupahupa drum dance and the himeni tuki polyphonic song.</description><subject>Acoustics</subject><subject>Atolls</subject><subject>Cognitive problems, arts and sciences, folk traditions, folklore</subject><subject>Dance</subject><subject>Dance Music</subject><subject>Drum Music</subject><subject>Drums</subject><subject>Ethnology</subject><subject>Ethnomusicology</subject><subject>Himeni Tuki (Polynesian Music)</subject><subject>Hupahupa (Polynesian Music)</subject><subject>Land</subject><subject>Music</subject><subject>Music Attitudes</subject><subject>Musical Influences</subject><subject>Musical instruments</subject><subject>Musical performance</subject><subject>Musical rhythm</subject><subject>Playing Styles</subject><subject>Polynesian Music</subject><subject>Polynesian studies</subject><subject>Sound</subject><subject>Traditional dance</subject><subject>Vocal Music</subject><issn>0740-1558</issn><issn>2304-3857</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1995</creationdate><recordtype>article</recordtype><sourceid>K30</sourceid><recordid>eNp1kE1LAzEYhIMoWKv-hoDibTWfm-TgoZT6AS1e9Lxks1m76zapSVbw3xtp0VNPL-_MwwwMAJcY3RKKxJ0oJUboCEzyxwoquTgGEyQYKjDn8hScxdgjREiJ-QTcr8bYmWKlPzr3DrVrYFpbOPfO2G2CvoVr60YNO5c9OEt-GODCfXXBu4116RyctHqI9mJ_p-DtYfE6fyqWL4_P89myMKSkqWCtUrpRjCpOJNWtwVnnmkhpGsrr2pKyMbquCVcKKVyXvJFCiqyhWrCa0SmAu9xt8J-jjanq_RhcrqwwFZwrmZGrwwgqJWWEk0zd7CgTfIzBttU2dBsdviuMqt_1qt16Gbzex-lo9NAG7UwX_2hKFMOE_rf2MflwKOwH4z12CA</recordid><startdate>19950101</startdate><enddate>19950101</enddate><creator>Lawrence, Helen Reeves</creator><general>International Council for Traditional Music</general><general>Cambridge University Press</general><scope>IQODW</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>HNUUZ</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope><scope>4T-</scope><scope>4U-</scope></search><sort><creationdate>19950101</creationdate><title>Music-Making and the Concept of henua in an Atoll Environment</title><author>Lawrence, Helen Reeves</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c263t-4f99ad94395283afc1c265a288cd35bbe26dcabb2599091b65d8787dca0b74b43</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1995</creationdate><topic>Acoustics</topic><topic>Atolls</topic><topic>Cognitive problems, arts and sciences, folk traditions, folklore</topic><topic>Dance</topic><topic>Dance Music</topic><topic>Drum Music</topic><topic>Drums</topic><topic>Ethnology</topic><topic>Ethnomusicology</topic><topic>Himeni Tuki (Polynesian Music)</topic><topic>Hupahupa (Polynesian Music)</topic><topic>Land</topic><topic>Music</topic><topic>Music Attitudes</topic><topic>Musical Influences</topic><topic>Musical instruments</topic><topic>Musical performance</topic><topic>Musical rhythm</topic><topic>Playing Styles</topic><topic>Polynesian Music</topic><topic>Polynesian studies</topic><topic>Sound</topic><topic>Traditional dance</topic><topic>Vocal Music</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Lawrence, Helen Reeves</creatorcontrib><collection>Pascal-Francis</collection><collection>CrossRef</collection><collection>Periodicals Index Online Segment 21</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access &amp; Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access &amp; Build (Plan A) - APAC</collection><collection>Primary Sources Access &amp; Build (Plan A) - Canada</collection><collection>Primary Sources Access &amp; Build (Plan A) - West</collection><collection>Primary Sources Access &amp; Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access &amp; Build (Plan A) - Midwest</collection><collection>Primary Sources Access &amp; Build (Plan A) - North Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - Northeast</collection><collection>Primary Sources Access &amp; Build (Plan A) - South Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><collection>Docstoc</collection><collection>University Readers</collection><jtitle>Yearbook for traditional music</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Lawrence, Helen Reeves</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Music-Making and the Concept of henua in an Atoll Environment</atitle><jtitle>Yearbook for traditional music</jtitle><date>1995-01-01</date><risdate>1995</risdate><volume>27</volume><spage>13</spage><epage>22</epage><pages>13-22</pages><issn>0740-1558</issn><eissn>2304-3857</eissn><abstract>Discusses the relationship between the physical and acoustical environment of Manihiki, an atoll in the northern Cook Islands, and how the native peoples' perceptions of their environment shapes their music aesthetics and structure. Examines how the native concept of "henua" (generally related to the Manihikians' close identification with their atoll) and how it influences two musical genres--the Manihikian hupahupa drum dance and the himeni tuki polyphonic song.</abstract><cop>New York, NY</cop><pub>International Council for Traditional Music</pub><doi>10.2307/768100</doi><tpages>10</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0740-1558
ispartof Yearbook for traditional music, 1995-01, Vol.27, p.13-22
issn 0740-1558
2304-3857
language eng
recordid cdi_proquest_journals_1375598
source JSTOR; Periodicals Index Online
subjects Acoustics
Atolls
Cognitive problems, arts and sciences, folk traditions, folklore
Dance
Dance Music
Drum Music
Drums
Ethnology
Ethnomusicology
Himeni Tuki (Polynesian Music)
Hupahupa (Polynesian Music)
Land
Music
Music Attitudes
Musical Influences
Musical instruments
Musical performance
Musical rhythm
Playing Styles
Polynesian Music
Polynesian studies
Sound
Traditional dance
Vocal Music
title Music-Making and the Concept of henua in an Atoll Environment
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-28T10%3A23%3A20IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Music-Making%20and%20the%20Concept%20of%20henua%20in%20an%20Atoll%20Environment&rft.jtitle=Yearbook%20for%20traditional%20music&rft.au=Lawrence,%20Helen%20Reeves&rft.date=1995-01-01&rft.volume=27&rft.spage=13&rft.epage=22&rft.pages=13-22&rft.issn=0740-1558&rft.eissn=2304-3857&rft_id=info:doi/10.2307/768100&rft_dat=%3Cjstor_proqu%3E768100%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1306834252&rft_id=info:pmid/&rft_jstor_id=768100&rfr_iscdi=true