Music-Making and the Concept of henua in an Atoll Environment
Discusses the relationship between the physical and acoustical environment of Manihiki, an atoll in the northern Cook Islands, and how the native peoples' perceptions of their environment shapes their music aesthetics and structure. Examines how the native concept of "henua" (generall...
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Veröffentlicht in: | Yearbook for traditional music 1995-01, Vol.27, p.13-22 |
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container_title | Yearbook for traditional music |
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creator | Lawrence, Helen Reeves |
description | Discusses the relationship between the physical and acoustical environment of Manihiki, an atoll in the northern Cook Islands, and how the native peoples' perceptions of their environment shapes their music aesthetics and structure. Examines how the native concept of "henua" (generally related to the Manihikians' close identification with their atoll) and how it influences two musical genres--the Manihikian hupahupa drum dance and the himeni tuki polyphonic song. |
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identifier | ISSN: 0740-1558 |
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issn | 0740-1558 2304-3857 |
language | eng |
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source | JSTOR; Periodicals Index Online |
subjects | Acoustics Atolls Cognitive problems, arts and sciences, folk traditions, folklore Dance Dance Music Drum Music Drums Ethnology Ethnomusicology Himeni Tuki (Polynesian Music) Hupahupa (Polynesian Music) Land Music Music Attitudes Musical Influences Musical instruments Musical performance Musical rhythm Playing Styles Polynesian Music Polynesian studies Sound Traditional dance Vocal Music |
title | Music-Making and the Concept of henua in an Atoll Environment |
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