Zu einer Bedeutungsgeschichte des Lauten: das Crescendo in Beethovens Leonoren-Ouvertüren

Zu einer Bedeutungsgeschichte des Lauten: das Crescendo in Beethovens Leonoren-Ouvertüren

Examines the peculiarities in building the effects of the 20-measure long crescendo passage at the beginning of the Allegro part of Beethoven's second and third "Leonora" overtures from the point of history and meaning of the concept for loudness. Discusses the social and aesthetic fo...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:International review of the aesthetics and sociology of music 1997-06, Vol.28 (1), p.19-36
1. Verfasser: Haug, Andreas
Format: Artikel
Sprache:ger
Schlagworte:
Beethoven, Ludwig van
Overtures
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
Beschreibung
Zusammenfassung:Examines the peculiarities in building the effects of the 20-measure long crescendo passage at the beginning of the Allegro part of Beethoven's second and third "Leonora" overtures from the point of history and meaning of the concept for loudness. Discusses the social and aesthetic foundation of the loudness in the music around 1800.
ISSN:0351-5796
1848-6924