Sam Selvon's "The Lonely Londoners" (1956), White Sexual Desire and the Calypso Aesthetic

[...]I will use discussions about the Mighty Sparrow's controversial song, "Congo Man" (1965) to highlight a gap in existing debates about the influence of calypso on Selvon's work, making a case that the subversive elements of this musical tradition feed into the author's p...

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Veröffentlicht in:	Journal of West Indian literature 2012-04, Vol.20 (2), p.24-37
1. Verfasser:	Houlden, Kate
Format:	Artikel
Sprache:	eng
Schlagworte:	Black people Calypso music Desire Essays Females Literary criticism Loneliness Masculinity Men Novels Postcolonialism Stereotypes White people
Online-Zugang:	Volltext
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