Stravinsky's "Mass" and Stravinsky Analysis

This study of pitch organization in Stravinsky's Mass takes as point of departure a remark of Schenker's regarding coherence (Zusammenhang) or, in context, "connection" as the basis of tonal and--arguably--post-tonal music. Stravinsky's play with the conventions of cadence,...

Ausführliche Beschreibung

Bibliographische Detailangaben

Veröffentlicht in:	Music theory spectrum 1989-10, Vol.11 (2), p.139-163
1. Verfasser:	Agawu, V. Kofi
Format:	Artikel
Sprache:	eng
Schlagworte:	Cadences Contrapuntal motion Mass settings Music theory Musical consonance Musical dissonance Musical register Sound pitch Tonal theory Voice leading
Online-Zugang:	Volltext
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