The Musical Papyrus: Euripides, Orestes 332–40

The Musical Papyrus: Euripides, Orestes 332–40

The version given above is from Murray's Oxford text: the recent Budé text of Chapouthier concurs in accepting Kirchhoff's transposition. Other editors, such as Paley and Weil, have also given their approval to this proposed alteration, though Biehl regards it as superfluous. Most commenta...

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Veröffentlicht in:Classical quarterly 1962-05, Vol.12 (1), p.61-66
1. Verfasser: Longman, G. A.
Format: Artikel
Sprache:eng
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Ancient Greek music
Consuls
Grammatical clauses
Hades
Musical notation
Papyrus
Phrases
Relative clauses
Verbs
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description The version given above is from Murray's Oxford text: the recent Budé text of Chapouthier concurs in accepting Kirchhoff's transposition. Other editors, such as Paley and Weil, have also given their approval to this proposed alteration, though Biehl regards it as superfluous. Most commentators are agreed, however, in considering that the choice must lie between the traditional line-order and Kirchhoff's transposition: few regard the papyrus line-order as either probable or even possible.
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source Jstor Complete Legacy; Periodicals Index Online; Cambridge University Press Journals Complete
subjects Ancient Greek music
Consuls
Grammatical clauses
Hades
Musical notation
Papyrus
Phrases
Relative clauses
Verbs
title The Musical Papyrus: Euripides, Orestes 332–40
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