Pendants and Commercial Ploys: Formal and Informal Relationships in the Work of Nicolas Delaunay
Gespeichert in:
Veröffentlicht in: | Zeitschrift für Kunstgeschichte 1987-01, Vol.50 (4), p.509-538 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 538 |
---|---|
container_issue | 4 |
container_start_page | 509 |
container_title | Zeitschrift für Kunstgeschichte |
container_volume | 50 |
creator | Taylor, Sean J. |
description | |
doi_str_mv | 10.2307/1482421 |
format | Article |
fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_1294013041</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>1482421</jstor_id><sourcerecordid>1482421</sourcerecordid><originalsourceid>FETCH-LOGICAL-c1271-537ca6ec0d0f77020630beefe2a16dbce321b92aebf663d5f80e82c93d8c730a3</originalsourceid><addsrcrecordid>eNp10EFLwzAUB_AcFJxT_AoBBU_Vl6RrWm8yNx0MHaJ4rGn6wlrbpCbdYd_eju7q6fHn_XgP_oRcMbjjAuQ9i1Mec3ZCJgBxHPEs42fkPIQaAFIhkwn53qAtle0DVbakc9e26HWlGrpp3D480KXz7ZAOy5U1Y3jHRvWVs2FbdYFWlvZbpF_O_1Bn6GulXaMCfRrQzqr9BTk1qgl4eZxT8rlcfMxfovXb82r-uI4045JFMyG1SlBDCUZK4JAIKBANcsWSstAoOCsyrrAwSSLKmUkBU64zUaZaClBiSq7Hu513vzsMfV67nbfDy5zxLAYmIGaDuh2V9i4EjybvfNUqv88Z5IfK8mNlg7wZZR165_9lfwyQapE</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1294013041</pqid></control><display><type>article</type><title>Pendants and Commercial Ploys: Formal and Informal Relationships in the Work of Nicolas Delaunay</title><source>Periodicals Index Online</source><source>JSTOR Archive Collection A-Z Listing</source><creator>Taylor, Sean J.</creator><creatorcontrib>Taylor, Sean J.</creatorcontrib><identifier>ISSN: 0044-2992</identifier><identifier>DOI: 10.2307/1482421</identifier><language>eng</language><publisher>Berlin: Deutscher Kunstverlag</publisher><subject>Business orders ; Commerce ; Commercial painting ; English language learners ; Engraving ; Sculpture ; Terms of sale</subject><ispartof>Zeitschrift für Kunstgeschichte, 1987-01, Vol.50 (4), p.509-538</ispartof><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c1271-537ca6ec0d0f77020630beefe2a16dbce321b92aebf663d5f80e82c93d8c730a3</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/1482421$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/1482421$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,803,4022,27868,27922,27923,27924,58016,58249</link.rule.ids></links><search><creatorcontrib>Taylor, Sean J.</creatorcontrib><title>Pendants and Commercial Ploys: Formal and Informal Relationships in the Work of Nicolas Delaunay</title><title>Zeitschrift für Kunstgeschichte</title><subject>Business orders</subject><subject>Commerce</subject><subject>Commercial painting</subject><subject>English language learners</subject><subject>Engraving</subject><subject>Sculpture</subject><subject>Terms of sale</subject><issn>0044-2992</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1987</creationdate><recordtype>article</recordtype><sourceid>K30</sourceid><recordid>eNp10EFLwzAUB_AcFJxT_AoBBU_Vl6RrWm8yNx0MHaJ4rGn6wlrbpCbdYd_eju7q6fHn_XgP_oRcMbjjAuQ9i1Mec3ZCJgBxHPEs42fkPIQaAFIhkwn53qAtle0DVbakc9e26HWlGrpp3D480KXz7ZAOy5U1Y3jHRvWVs2FbdYFWlvZbpF_O_1Bn6GulXaMCfRrQzqr9BTk1qgl4eZxT8rlcfMxfovXb82r-uI4045JFMyG1SlBDCUZK4JAIKBANcsWSstAoOCsyrrAwSSLKmUkBU64zUaZaClBiSq7Hu513vzsMfV67nbfDy5zxLAYmIGaDuh2V9i4EjybvfNUqv88Z5IfK8mNlg7wZZR165_9lfwyQapE</recordid><startdate>19870101</startdate><enddate>19870101</enddate><creator>Taylor, Sean J.</creator><general>Deutscher Kunstverlag</general><scope>AAYXX</scope><scope>CITATION</scope><scope>FBAQO</scope><scope>FUVTR</scope><scope>JILTI</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope></search><sort><creationdate>19870101</creationdate><title>Pendants and Commercial Ploys: Formal and Informal Relationships in the Work of Nicolas Delaunay</title><author>Taylor, Sean J.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c1271-537ca6ec0d0f77020630beefe2a16dbce321b92aebf663d5f80e82c93d8c730a3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1987</creationdate><topic>Business orders</topic><topic>Commerce</topic><topic>Commercial painting</topic><topic>English language learners</topic><topic>Engraving</topic><topic>Sculpture</topic><topic>Terms of sale</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Taylor, Sean J.</creatorcontrib><collection>CrossRef</collection><collection>Periodicals Index Online Segment 02</collection><collection>Periodicals Index Online Segment 06</collection><collection>Periodicals Index Online Segment 32</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access & Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access & Build (Plan A) - APAC</collection><collection>Primary Sources Access & Build (Plan A) - Canada</collection><collection>Primary Sources Access & Build (Plan A) - West</collection><collection>Primary Sources Access & Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - Midwest</collection><collection>Primary Sources Access & Build (Plan A) - North Central</collection><collection>Primary Sources Access & Build (Plan A) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><jtitle>Zeitschrift für Kunstgeschichte</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Taylor, Sean J.</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Pendants and Commercial Ploys: Formal and Informal Relationships in the Work of Nicolas Delaunay</atitle><jtitle>Zeitschrift für Kunstgeschichte</jtitle><date>1987-01-01</date><risdate>1987</risdate><volume>50</volume><issue>4</issue><spage>509</spage><epage>538</epage><pages>509-538</pages><issn>0044-2992</issn><cop>Berlin</cop><pub>Deutscher Kunstverlag</pub><doi>10.2307/1482421</doi><tpages>30</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0044-2992 |
ispartof | Zeitschrift für Kunstgeschichte, 1987-01, Vol.50 (4), p.509-538 |
issn | 0044-2992 |
language | eng |
recordid | cdi_proquest_journals_1294013041 |
source | Periodicals Index Online; JSTOR Archive Collection A-Z Listing |
subjects | Business orders Commerce Commercial painting English language learners Engraving Sculpture Terms of sale |
title | Pendants and Commercial Ploys: Formal and Informal Relationships in the Work of Nicolas Delaunay |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-13T06%3A22%3A29IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Pendants%20and%20Commercial%20Ploys:%20Formal%20and%20Informal%20Relationships%20in%20the%20Work%20of%20Nicolas%20Delaunay&rft.jtitle=Zeitschrift%20f%C3%BCr%20Kunstgeschichte&rft.au=Taylor,%20Sean%20J.&rft.date=1987-01-01&rft.volume=50&rft.issue=4&rft.spage=509&rft.epage=538&rft.pages=509-538&rft.issn=0044-2992&rft_id=info:doi/10.2307/1482421&rft_dat=%3Cjstor_proqu%3E1482421%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1294013041&rft_id=info:pmid/&rft_jstor_id=1482421&rfr_iscdi=true |