Integral Interpretation: Introductory Notes to Beethoven, Kolisch and the Question of the Metronome

Integral Interpretation: Introductory Notes to Beethoven, Kolisch and the Question of the Metronome

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:The Musical quarterly 1993, Vol.77 (1), p.81-89
1. Verfasser: Levin, Thomas Y.
Format: Artikel
Sprache:eng
Schlagworte:
Institutions, Industries, Technologies
Inventions
Metronomes
Music composition
Music practice
Musical aesthetics
Musical forms
Musical performance
Pendulums
Quartets
Tempo
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 89
container_issue 1
container_start_page 81
container_title The Musical quarterly
container_volume 77
creator Levin, Thomas Y.
description
doi_str_mv 10.1093/mq/77.1.81
format Article
fullrecord <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_1290926752</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>742430</jstor_id><sourcerecordid>742430</sourcerecordid><originalsourceid>FETCH-LOGICAL-c317t-990f91d43a8c3f3fd763fc169886ac69925aea42792378165c8fc8f172631d7b3</originalsourceid><addsrcrecordid>eNo9kM1LAzEQxYMoWKsXr14C3sRt87G7SbxpUVtaK6KCeAkxm7Vb202bpGL_e7OuFAYyj_fLm2QAOMWoh5Gg_eW6z1gP9zjeAx3MUpxwKsQ-6CBEWJLmFB-CI-_nUdKMkg7QozqYT6cWsGncypmgQmXrq0Y7W2x0sG4LpzYYD4OFN8aEmf029SUc20Xl9QyquoBhZuDTxvjmKrTln34wMaC2S3MMDkq18Obk_-yC17vbl8EwmTzejwbXk0RTzEIiBCoFLlKquKYlLQuW01LjXHCeK50LQTJlVEqYIJRxnGeal7EwI_FbBfugXXDe5q6cXTePkXO7cXUcKTERSJCcZSRSFy2lnfXemVKuXLVUbisxks0S5XItGZNYchzhsxae-7iHHclSklIU3aR1Kx_Mz85V7kvmjLJMDt_eJX3mKZqMpxLRX7_wfM4</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1290926752</pqid></control><display><type>article</type><title>Integral Interpretation: Introductory Notes to Beethoven, Kolisch and the Question of the Metronome</title><source>Oxford University Press Journals Digital Archive Legacy</source><source>Periodicals Index Online</source><source>Jstor Complete Legacy</source><creator>Levin, Thomas Y.</creator><creatorcontrib>Levin, Thomas Y.</creatorcontrib><identifier>ISSN: 0027-4631</identifier><identifier>EISSN: 1741-8399</identifier><identifier>DOI: 10.1093/mq/77.1.81</identifier><language>eng</language><publisher>Oxford: Oxford University Press</publisher><subject>Institutions, Industries, Technologies ; Inventions ; Metronomes ; Music composition ; Music practice ; Musical aesthetics ; Musical forms ; Musical performance ; Pendulums ; Quartets ; Tempo</subject><ispartof>The Musical quarterly, 1993, Vol.77 (1), p.81-89</ispartof><rights>Copyright 1993 Oxford University Press</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c317t-990f91d43a8c3f3fd763fc169886ac69925aea42792378165c8fc8f172631d7b3</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/742430$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/742430$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,778,782,801,4012,27856,27910,27911,27912,58004,58237</link.rule.ids></links><search><creatorcontrib>Levin, Thomas Y.</creatorcontrib><title>Integral Interpretation: Introductory Notes to Beethoven, Kolisch and the Question of the Metronome</title><title>The Musical quarterly</title><subject>Institutions, Industries, Technologies</subject><subject>Inventions</subject><subject>Metronomes</subject><subject>Music composition</subject><subject>Music practice</subject><subject>Musical aesthetics</subject><subject>Musical forms</subject><subject>Musical performance</subject><subject>Pendulums</subject><subject>Quartets</subject><subject>Tempo</subject><issn>0027-4631</issn><issn>1741-8399</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1993</creationdate><recordtype>article</recordtype><sourceid>K30</sourceid><recordid>eNo9kM1LAzEQxYMoWKsXr14C3sRt87G7SbxpUVtaK6KCeAkxm7Vb202bpGL_e7OuFAYyj_fLm2QAOMWoh5Gg_eW6z1gP9zjeAx3MUpxwKsQ-6CBEWJLmFB-CI-_nUdKMkg7QozqYT6cWsGncypmgQmXrq0Y7W2x0sG4LpzYYD4OFN8aEmf029SUc20Xl9QyquoBhZuDTxvjmKrTln34wMaC2S3MMDkq18Obk_-yC17vbl8EwmTzejwbXk0RTzEIiBCoFLlKquKYlLQuW01LjXHCeK50LQTJlVEqYIJRxnGeal7EwI_FbBfugXXDe5q6cXTePkXO7cXUcKTERSJCcZSRSFy2lnfXemVKuXLVUbisxks0S5XItGZNYchzhsxae-7iHHclSklIU3aR1Kx_Mz85V7kvmjLJMDt_eJX3mKZqMpxLRX7_wfM4</recordid><startdate>1993</startdate><enddate>1993</enddate><creator>Levin, Thomas Y.</creator><general>Oxford University Press</general><scope>BSCLL</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>EGZRM</scope><scope>EOLOZ</scope><scope>FKUCP</scope><scope>HVZBN</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope><scope>~OX</scope><scope>~OY</scope><scope>~P0</scope></search><sort><creationdate>1993</creationdate><title>Integral Interpretation: Introductory Notes to Beethoven, Kolisch and the Question of the Metronome</title><author>Levin, Thomas Y.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c317t-990f91d43a8c3f3fd763fc169886ac69925aea42792378165c8fc8f172631d7b3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1993</creationdate><topic>Institutions, Industries, Technologies</topic><topic>Inventions</topic><topic>Metronomes</topic><topic>Music composition</topic><topic>Music practice</topic><topic>Musical aesthetics</topic><topic>Musical forms</topic><topic>Musical performance</topic><topic>Pendulums</topic><topic>Quartets</topic><topic>Tempo</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Levin, Thomas Y.</creatorcontrib><collection>Istex</collection><collection>CrossRef</collection><collection>Periodicals Archive Online Collection 3.1</collection><collection>Periodicals Index Online Segment 01</collection><collection>Periodicals Index Online Segment 04</collection><collection>Periodicals Index Online Segment 24</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access &amp; Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access &amp; Build (Plan A) - APAC</collection><collection>Primary Sources Access &amp; Build (Plan A) - Canada</collection><collection>Primary Sources Access &amp; Build (Plan A) - West</collection><collection>Primary Sources Access &amp; Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access &amp; Build (Plan A) - Midwest</collection><collection>Primary Sources Access &amp; Build (Plan A) - North Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - Northeast</collection><collection>Primary Sources Access &amp; Build (Plan A) - South Central</collection><collection>Primary Sources Access &amp; Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><collection>PAO Collection 3 (purchase pre Aug/2005)</collection><collection>Periodicals Archive Online Collection 3.4</collection><collection>PAO Collection 3 (purchase pre Aug/2005+extra titles)</collection><jtitle>The Musical quarterly</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Levin, Thomas Y.</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Integral Interpretation: Introductory Notes to Beethoven, Kolisch and the Question of the Metronome</atitle><jtitle>The Musical quarterly</jtitle><date>1993</date><risdate>1993</risdate><volume>77</volume><issue>1</issue><spage>81</spage><epage>89</epage><pages>81-89</pages><issn>0027-4631</issn><eissn>1741-8399</eissn><cop>Oxford</cop><pub>Oxford University Press</pub><doi>10.1093/mq/77.1.81</doi><tpages>9</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0027-4631
ispartof The Musical quarterly, 1993, Vol.77 (1), p.81-89
issn 0027-4631
1741-8399
language eng
recordid cdi_proquest_journals_1290926752
source Oxford University Press Journals Digital Archive Legacy; Periodicals Index Online; Jstor Complete Legacy
subjects Institutions, Industries, Technologies
Inventions
Metronomes
Music composition
Music practice
Musical aesthetics
Musical forms
Musical performance
Pendulums
Quartets
Tempo
title Integral Interpretation: Introductory Notes to Beethoven, Kolisch and the Question of the Metronome
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-15T15%3A47%3A13IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Integral%20Interpretation:%20Introductory%20Notes%20to%20Beethoven,%20Kolisch%20and%20the%20Question%20of%20the%20Metronome&rft.jtitle=The%20Musical%20quarterly&rft.au=Levin,%20Thomas%20Y.&rft.date=1993&rft.volume=77&rft.issue=1&rft.spage=81&rft.epage=89&rft.pages=81-89&rft.issn=0027-4631&rft.eissn=1741-8399&rft_id=info:doi/10.1093/mq/77.1.81&rft_dat=%3Cjstor_proqu%3E742430%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1290926752&rft_id=info:pmid/&rft_jstor_id=742430&rfr_iscdi=true