BERG VIOLIN CONCERTO
[...]I am not well emotionally either, which won't surprise you at all in someone who suddenly discovers that he isn't considered a native in his fatherland and is thus completely homeless, all the more since such things cannot be experienced without effects of profound and lasting human d...
Gespeichert in:
| Veröffentlicht in: | Notes (Music Library Association) 2012-06, Vol.68 (4), p.876-879 |
|---|---|
| 1. Verfasser: | |
| Format: | Artikel |
| Sprache: | eng |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
| container_end_page | 879 |
|---|---|
| container_issue | 4 |
| container_start_page | 876 |
| container_title | Notes (Music Library Association) |
| container_volume | 68 |
| creator | Headlam, Dave |
| description | [...]I am not well emotionally either, which won't surprise you at all in someone who suddenly discovers that he isn't considered a native in his fatherland and is thus completely homeless, all the more since such things cannot be experienced without effects of profound and lasting human disillusionment" (The Berg- Schoenberg Correspondence, ed. (See George Perle, The Operas of Alban Berg, vol. 2, Lulu [Berkeley: University of California Press, 1985], 243- 52, on the twelve-tone elements in the concerto; and Perle, "Berg's Style of Freedom," Musical Times 139, no. 1863 [Summer 1998]: 12-31, for a discussion of Berg's mixing of tonal and twelve-tone structures.) The corrections offered in the Bretikopf edition, for the most part, make sense, except for these three: (1) Rhythm in the solo violin, m. 5 beginning of mvt. 2: |
| format | Article |
| fullrecord | <record><control><sourceid>gale_proqu</sourceid><recordid>TN_cdi_proquest_journals_1030344462</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><galeid>A290191882</galeid><jstor_id>23259677</jstor_id><sourcerecordid>A290191882</sourcerecordid><originalsourceid>FETCH-LOGICAL-g3232-5cca835fb9110e3af3ab66cce3f66ec2eed3207330d04b5b59b5b8dc89d158b33</originalsourceid><addsrcrecordid>eNqN0VFLwzAQAOAiCs7pm6_CwCcfKkkv6dLHrcxaKCvMKb6FNL2Wjq6dTQf6741sIIMxlkAOwnd3HHfhDCgH5lJOPi-dASHe2GUgyLVzY8yK2BMwOnDup7NFNPqI0ySej8J0Hs4Wy_TWuSpUbfBuH4fO-8tsGb66SRrF4SRxS_DAc7nWSgAvsoBSgqAKUJnva41Q-D5qDzEHj4wBSE5YxjMe2EfkWgQ55SIDGDqPu7qbrv3aounlqt12jW0pKQECjDHfO60oCMYJZ_-qVDXKqinavlN6XRktJ15AaECF-KvlHlElNtipum2wqOz3gX8-4u3NcV3powlPBwnW9Pjdl2prjIzf5ufbaXS2FVFyasi91W1dY4nSrjBMD_3Dzq9M33Zy01Vr1f1Iu2Ie-OMx_AKo6avG</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1013845054</pqid></control><display><type>article</type><title>BERG VIOLIN CONCERTO</title><source>EBSCOhost Education Source</source><creator>Headlam, Dave</creator><creatorcontrib>Headlam, Dave</creatorcontrib><description>[...]I am not well emotionally either, which won't surprise you at all in someone who suddenly discovers that he isn't considered a native in his fatherland and is thus completely homeless, all the more since such things cannot be experienced without effects of profound and lasting human disillusionment" (The Berg- Schoenberg Correspondence, ed. (See George Perle, The Operas of Alban Berg, vol. 2, Lulu [Berkeley: University of California Press, 1985], 243- 52, on the twelve-tone elements in the concerto; and Perle, "Berg's Style of Freedom," Musical Times 139, no. 1863 [Summer 1998]: 12-31, for a discussion of Berg's mixing of tonal and twelve-tone structures.) The corrections offered in the Bretikopf edition, for the most part, make sense, except for these three: (1) Rhythm in the solo violin, m. 5 beginning of mvt. 2:</description><identifier>ISSN: 0027-4380</identifier><identifier>EISSN: 1534-150X</identifier><language>eng</language><publisher>Philadelphia: Music Library Association</publisher><subject>Berg, Alban ; Classical music ; Editions ; Guitars ; Jarman, Douglas ; Kube, Michael ; MUSIC REVIEWS ; Musical performances ; Rhythm ; Sound recording reviews ; Sound recordings ; String music ; Tone ; Violin Concertos ; Wedekind, Frank (1864-1918)</subject><ispartof>Notes (Music Library Association), 2012-06, Vol.68 (4), p.876-879</ispartof><rights>Copyright 2012 Music Library Association, Inc.</rights><rights>COPYRIGHT 2012 Music Library Association, Inc.</rights><rights>COPYRIGHT 2012 Music Library Association, Inc.</rights><rights>Copyright Music Library Association Jun 2012</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>313,314,776,780,788</link.rule.ids></links><search><creatorcontrib>Headlam, Dave</creatorcontrib><title>BERG VIOLIN CONCERTO</title><title>Notes (Music Library Association)</title><addtitle>Notes</addtitle><description>[...]I am not well emotionally either, which won't surprise you at all in someone who suddenly discovers that he isn't considered a native in his fatherland and is thus completely homeless, all the more since such things cannot be experienced without effects of profound and lasting human disillusionment" (The Berg- Schoenberg Correspondence, ed. (See George Perle, The Operas of Alban Berg, vol. 2, Lulu [Berkeley: University of California Press, 1985], 243- 52, on the twelve-tone elements in the concerto; and Perle, "Berg's Style of Freedom," Musical Times 139, no. 1863 [Summer 1998]: 12-31, for a discussion of Berg's mixing of tonal and twelve-tone structures.) The corrections offered in the Bretikopf edition, for the most part, make sense, except for these three: (1) Rhythm in the solo violin, m. 5 beginning of mvt. 2:</description><subject>Berg, Alban</subject><subject>Classical music</subject><subject>Editions</subject><subject>Guitars</subject><subject>Jarman, Douglas</subject><subject>Kube, Michael</subject><subject>MUSIC REVIEWS</subject><subject>Musical performances</subject><subject>Rhythm</subject><subject>Sound recording reviews</subject><subject>Sound recordings</subject><subject>String music</subject><subject>Tone</subject><subject>Violin Concertos</subject><subject>Wedekind, Frank (1864-1918)</subject><issn>0027-4380</issn><issn>1534-150X</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2012</creationdate><recordtype>article</recordtype><sourceid>8G5</sourceid><sourceid>A3D</sourceid><sourceid>AVQMV</sourceid><sourceid>BENPR</sourceid><sourceid>DJMCT</sourceid><sourceid>GUQSH</sourceid><sourceid>K50</sourceid><sourceid>M1D</sourceid><sourceid>M2O</sourceid><recordid>eNqN0VFLwzAQAOAiCs7pm6_CwCcfKkkv6dLHrcxaKCvMKb6FNL2Wjq6dTQf6741sIIMxlkAOwnd3HHfhDCgH5lJOPi-dASHe2GUgyLVzY8yK2BMwOnDup7NFNPqI0ySej8J0Hs4Wy_TWuSpUbfBuH4fO-8tsGb66SRrF4SRxS_DAc7nWSgAvsoBSgqAKUJnva41Q-D5qDzEHj4wBSE5YxjMe2EfkWgQ55SIDGDqPu7qbrv3aounlqt12jW0pKQECjDHfO60oCMYJZ_-qVDXKqinavlN6XRktJ15AaECF-KvlHlElNtipum2wqOz3gX8-4u3NcV3powlPBwnW9Pjdl2prjIzf5ufbaXS2FVFyasi91W1dY4nSrjBMD_3Dzq9M33Zy01Vr1f1Iu2Ie-OMx_AKo6avG</recordid><startdate>20120601</startdate><enddate>20120601</enddate><creator>Headlam, Dave</creator><general>Music Library Association</general><general>Music Library Association, Inc</general><scope>8GL</scope><scope>IBG</scope><scope>ISN</scope><scope>3V.</scope><scope>4T-</scope><scope>4U-</scope><scope>7XB</scope><scope>8FK</scope><scope>8G5</scope><scope>A3D</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>ALSLI</scope><scope>AVQMV</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>C18</scope><scope>CCPQU</scope><scope>CNYFK</scope><scope>DJMCT</scope><scope>DWQXO</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>K50</scope><scope>LIQON</scope><scope>M1D</scope><scope>M1O</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PEJEM</scope><scope>PHGZM</scope><scope>PHGZT</scope><scope>PKEHL</scope><scope>PMKZF</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRQQA</scope><scope>Q9U</scope></search><sort><creationdate>20120601</creationdate><title>BERG VIOLIN CONCERTO</title><author>Headlam, Dave</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-g3232-5cca835fb9110e3af3ab66cce3f66ec2eed3207330d04b5b59b5b8dc89d158b33</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2012</creationdate><topic>Berg, Alban</topic><topic>Classical music</topic><topic>Editions</topic><topic>Guitars</topic><topic>Jarman, Douglas</topic><topic>Kube, Michael</topic><topic>MUSIC REVIEWS</topic><topic>Musical performances</topic><topic>Rhythm</topic><topic>Sound recording reviews</topic><topic>Sound recordings</topic><topic>String music</topic><topic>Tone</topic><topic>Violin Concertos</topic><topic>Wedekind, Frank (1864-1918)</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Headlam, Dave</creatorcontrib><collection>Gale In Context: High School</collection><collection>Biography (Gale in Context)</collection><collection>Gale In Context: Canada</collection><collection>ProQuest Central (Corporate)</collection><collection>Docstoc</collection><collection>University Readers</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Research Library (Alumni Edition)</collection><collection>ProQuest Music Periodicals Database</collection><collection>ProQuest Central (Alumni)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>Social Science Premium Collection</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>Humanities Index</collection><collection>ProQuest One Community College</collection><collection>Library & Information Science Collection</collection><collection>Music & Performing Arts Collection</collection><collection>ProQuest Central</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>Art, Design and Architecture Collection</collection><collection>One Literature (ProQuest)</collection><collection>Arts & Humanities Database</collection><collection>Library Science Database</collection><collection>ProQuest Research Library</collection><collection>Research Library (Corporate)</collection><collection>ProQuest One Visual Arts & Design</collection><collection>ProQuest Central (New)</collection><collection>ProQuest One Academic (New)</collection><collection>ProQuest One Academic Middle East (New)</collection><collection>ProQuest Digital Collections</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest One Social Sciences</collection><collection>ProQuest Central Basic</collection><jtitle>Notes (Music Library Association)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Headlam, Dave</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>BERG VIOLIN CONCERTO</atitle><jtitle>Notes (Music Library Association)</jtitle><addtitle>Notes</addtitle><date>2012-06-01</date><risdate>2012</risdate><volume>68</volume><issue>4</issue><spage>876</spage><epage>879</epage><pages>876-879</pages><issn>0027-4380</issn><eissn>1534-150X</eissn><abstract>[...]I am not well emotionally either, which won't surprise you at all in someone who suddenly discovers that he isn't considered a native in his fatherland and is thus completely homeless, all the more since such things cannot be experienced without effects of profound and lasting human disillusionment" (The Berg- Schoenberg Correspondence, ed. (See George Perle, The Operas of Alban Berg, vol. 2, Lulu [Berkeley: University of California Press, 1985], 243- 52, on the twelve-tone elements in the concerto; and Perle, "Berg's Style of Freedom," Musical Times 139, no. 1863 [Summer 1998]: 12-31, for a discussion of Berg's mixing of tonal and twelve-tone structures.) The corrections offered in the Bretikopf edition, for the most part, make sense, except for these three: (1) Rhythm in the solo violin, m. 5 beginning of mvt. 2:</abstract><cop>Philadelphia</cop><pub>Music Library Association</pub><tpages>4</tpages></addata></record> |
| fulltext | fulltext |
| identifier | ISSN: 0027-4380 |
| ispartof | Notes (Music Library Association), 2012-06, Vol.68 (4), p.876-879 |
| issn | 0027-4380 1534-150X |
| language | eng |
| recordid | cdi_proquest_journals_1030344462 |
| source | EBSCOhost Education Source |
| subjects | Berg, Alban Classical music Editions Guitars Jarman, Douglas Kube, Michael MUSIC REVIEWS Musical performances Rhythm Sound recording reviews Sound recordings String music Tone Violin Concertos Wedekind, Frank (1864-1918) |
| title | BERG VIOLIN CONCERTO |
| url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-14T17%3A48%3A52IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=BERG%20VIOLIN%20CONCERTO&rft.jtitle=Notes%20(Music%20Library%20Association)&rft.au=Headlam,%20Dave&rft.date=2012-06-01&rft.volume=68&rft.issue=4&rft.spage=876&rft.epage=879&rft.pages=876-879&rft.issn=0027-4380&rft.eissn=1534-150X&rft_id=info:doi/&rft_dat=%3Cgale_proqu%3EA290191882%3C/gale_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1013845054&rft_id=info:pmid/&rft_galeid=A290191882&rft_jstor_id=23259677&rfr_iscdi=true |