LOST LANDSCAPES

By drawing on the Heimatfilm heritage, the unification comedies discussed in the previous chapter are able to present a sanitized version of the transition in which genial east Germans overcome various challenges and disappointments. The films typically centre on small communities in the east, which...

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description By drawing on the Heimatfilm heritage, the unification comedies discussed in the previous chapter are able to present a sanitized version of the transition in which genial east Germans overcome various challenges and disappointments. The films typically centre on small communities in the east, which, despite limited means, manage to withstand the vulgar pressures of western commercial interests. Combining aptitude with a sense of collective purpose, the fictional communities stand firm against the corrupt power of anonymous corporations. Though the heroes of the films are east German everyman figures, their east German identity is not inscribed with either the politics
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ispartof Screening the East, 2011, Vol.11, p.65
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subjects Anthropology
Applied anthropology
Art criticism
Art theory
Arts
Behavioral sciences
Communications
Communities
Cultural anthropology
Cultural studies
Earth sciences
Fiction
Film criticism
Film studies
Film theory & criticism
Geography
Human societies
Land
Landscapes
Literary characters
Literary elements
Literary genres
Literature
Movies
Narratives
Performing arts
Personality psychology
Physical sciences
Political ideologies
Political philosophy
Political science
Postwar 20th century history, from c 1945 to c 2000
Prejudices
Protagonists
Psychological attitudes
Psychology
Racism
Social groups
Social sciences
Socialism
Sociology
Theater
Westerns
title LOST LANDSCAPES
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