LOST LANDSCAPES
By drawing on the Heimatfilm heritage, the unification comedies discussed in the previous chapter are able to present a sanitized version of the transition in which genial east Germans overcome various challenges and disappointments. The films typically centre on small communities in the east, which...
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description | By drawing on the Heimatfilm heritage, the unification comedies discussed in the previous chapter are able to present a sanitized version of the transition in which genial east Germans overcome various challenges and disappointments. The films typically centre on small communities in the east, which, despite limited means, manage to withstand the vulgar pressures of western commercial interests. Combining aptitude with a sense of collective purpose, the fictional communities stand firm against the corrupt power of anonymous corporations. Though the heroes of the films are east German everyman figures, their east German identity is not inscribed with either the politics |
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The films typically centre on small communities in the east, which, despite limited means, manage to withstand the vulgar pressures of western commercial interests. Combining aptitude with a sense of collective purpose, the fictional communities stand firm against the corrupt power of anonymous corporations. Though the heroes of the films are east German everyman figures, their east German identity is not inscribed with either the politics</description><edition>NED - New edition, 1</edition><identifier>ISBN: 9781782381341</identifier><identifier>ISBN: 1782381341</identifier><identifier>EISBN: 9780857451293</identifier><identifier>EISBN: 0857451294</identifier><identifier>OCLC: 733040248</identifier><identifier>LCCallNum: PN1993.5.G3H63 2011</identifier><language>eng</language><publisher>United States: Berghahn Books</publisher><subject>Anthropology ; Applied anthropology ; Art criticism ; Art theory ; Arts ; Behavioral sciences ; Communications ; Communities ; Cultural anthropology ; Cultural studies ; Earth sciences ; Fiction ; Film criticism ; Film studies ; Film theory & criticism ; Geography ; Human societies ; Land ; Landscapes ; Literary characters ; Literary elements ; Literary genres ; Literature ; Movies ; Narratives ; Performing arts ; Personality psychology ; Physical sciences ; Political ideologies ; Political philosophy ; Political science ; Postwar 20th century history, from c 1945 to c 2000 ; Prejudices ; Protagonists ; Psychological attitudes ; Psychology ; Racism ; Social groups ; Social sciences ; Socialism ; Sociology ; Theater ; Westerns</subject><ispartof>Screening the East, 2011, Vol.11, p.65</ispartof><rights>2011 Nick Hodgin</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Uhttps://ebookcentral.proquest.com/covers/717909-l.jpg</thumbnail><link.rule.ids>775,776,780,789</link.rule.ids></links><search><creatorcontrib>Hodgin, Nick</creatorcontrib><title>LOST LANDSCAPES</title><title>Screening the East</title><description>By drawing on the Heimatfilm heritage, the unification comedies discussed in the previous chapter are able to present a sanitized version of the transition in which genial east Germans overcome various challenges and disappointments. 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subjects | Anthropology Applied anthropology Art criticism Art theory Arts Behavioral sciences Communications Communities Cultural anthropology Cultural studies Earth sciences Fiction Film criticism Film studies Film theory & criticism Geography Human societies Land Landscapes Literary characters Literary elements Literary genres Literature Movies Narratives Performing arts Personality psychology Physical sciences Political ideologies Political philosophy Political science Postwar 20th century history, from c 1945 to c 2000 Prejudices Protagonists Psychological attitudes Psychology Racism Social groups Social sciences Socialism Sociology Theater Westerns |
title | LOST LANDSCAPES |
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