Conclusion: Jugoslovenka: a wide-ranging model for feminist performance politics in art and culture
In a 1908 colored etching by Nasta Rojc, titled Žena Spaja Kontinente (Woman Brings Together Continents), a naked woman’s body is shown hovering elegantly above a gap between two landmasses (Figure 6.1). Behind her, we can partially see the Sphinx of Giza, whose powerful static gaze has captivated t...
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