The Lives of Processions in Bali and Lombok, Indonesia
Processions serve myriad purposes in Indonesia and beyond and may stand alone or be one public part of a larger event, such as a festival (see Peterson 2007 and Harnish 2006 for examples). Most processions can be considered a moving theater as actors, ritual attendants, clowns, musicians, and others...
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description | Processions serve myriad purposes in Indonesia and beyond and may stand alone or be one public part of a larger event, such as a festival (see Peterson 2007 and Harnish 2006 for examples). Most processions can be considered a moving theater as actors, ritual attendants, clowns, musicians, and others traverse through selected space (Dibia 1985), often wearing varied and colorful costumes and working to promote or to subvert the social order. The sound element—marching or other loud processional music to activate political or spiritual indices―moves groups forward, defines their missions, and announces their significance; in fact, a general rule |
doi_str_mv | 10.7330/9781607326359.c007 |
format | Book Chapter |
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source | eBook Academic Collection - Worldwide |
subjects | Anthropology Applied anthropology Applied arts Architecture Art music Arts Balinese gamelan Behavioral sciences Buildings Cultural anthropology Cultural customs Deities Ethnic groups Ethnology Ethnoreligious groups Festivals Gamelan music High culture Hindus Institutional buildings Music Music genres Natural theology Nonwestern art music Performing arts Pilgrimages Practical theology Processions Religion Religious buildings Religious festivals Religious practices Religious rituals Ritual music Temples Theism Theology |
title | The Lives of Processions in Bali and Lombok, Indonesia |
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