The Lives of Processions in Bali and Lombok, Indonesia

Processions serve myriad purposes in Indonesia and beyond and may stand alone or be one public part of a larger event, such as a festival (see Peterson 2007 and Harnish 2006 for examples). Most processions can be considered a moving theater as actors, ritual attendants, clowns, musicians, and others...

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description Processions serve myriad purposes in Indonesia and beyond and may stand alone or be one public part of a larger event, such as a festival (see Peterson 2007 and Harnish 2006 for examples). Most processions can be considered a moving theater as actors, ritual attendants, clowns, musicians, and others traverse through selected space (Dibia 1985), often wearing varied and colorful costumes and working to promote or to subvert the social order. The sound element—marching or other loud processional music to activate political or spiritual indices―moves groups forward, defines their missions, and announces their significance; in fact, a general rule
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subjects Anthropology
Applied anthropology
Applied arts
Architecture
Art music
Arts
Balinese gamelan
Behavioral sciences
Buildings
Cultural anthropology
Cultural customs
Deities
Ethnic groups
Ethnology
Ethnoreligious groups
Festivals
Gamelan music
High culture
Hindus
Institutional buildings
Music
Music genres
Natural theology
Nonwestern art music
Performing arts
Pilgrimages
Practical theology
Processions
Religion
Religious buildings
Religious festivals
Religious practices
Religious rituals
Ritual music
Temples
Theism
Theology
title The Lives of Processions in Bali and Lombok, Indonesia
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