AFTERWORD: Personal Reflections on the Watts Towers Common Ground Initiative

This afterword is best read as a codicil to both the volume’s introduction and to my own essay, “Sabato Rodia’s Towers in Watts: Art, Migration, and Italian Imaginaries,” allowing me to share some personal reflections on the past decade of involvement with the Watts Towers and its Arts Center. This...

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description This afterword is best read as a codicil to both the volume’s introduction and to my own essay, “Sabato Rodia’s Towers in Watts: Art, Migration, and Italian Imaginaries,” allowing me to share some personal reflections on the past decade of involvement with the Watts Towers and its Arts Center. This decade of activity has included both archival and oral research, public programming and academic conference organization (both the conference held at the University of Genova and especially the Watts Towers Common Ground Initiative in Los Angeles 2010–11), as well as the editing of this volume. In reviewing this recent
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subjects Academic conferences
American minorities
Anthropology
Applied anthropology
Applied arts
Architecture
Art exhibitions
Art festivals
Arts
Arts centers
Arts participation
Behavioral sciences
Buildings
Cities
Communities
Conferences
Cultural anthropology
Cultural customs
Education
Educational institutions
Ethnic groups
Ethnology
Festivals
Formal education
Historical methodology
Historiography
History
Human behavior
Human geography
Human societies
Italian Americans
Meetings
Metropolitan areas
Migration, immigration & emigration
Minor structures
Oral history
Political geography
Public buildings: civic, commercial, industrial, etc
Resource centers
Social behavior
Social groups
Social interaction
Social sciences
Sociology
Towers
title AFTERWORD: Personal Reflections on the Watts Towers Common Ground Initiative
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