AFTERWORD: Personal Reflections on the Watts Towers Common Ground Initiative
This afterword is best read as a codicil to both the volume’s introduction and to my own essay, “Sabato Rodia’s Towers in Watts: Art, Migration, and Italian Imaginaries,” allowing me to share some personal reflections on the past decade of involvement with the Watts Towers and its Arts Center. This...
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description | This afterword is best read as a codicil to both the volume’s introduction and to my own essay, “Sabato Rodia’s Towers in Watts: Art, Migration, and Italian Imaginaries,” allowing me to share some personal reflections on the past decade of involvement with the Watts Towers and its Arts Center. This decade of activity has included both archival and oral research, public programming and academic conference organization (both the conference held at the University of Genova and especially the Watts Towers Common Ground Initiative in Los Angeles 2010–11), as well as the editing of this volume. In reviewing this recent |
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subjects | Academic conferences American minorities Anthropology Applied anthropology Applied arts Architecture Art exhibitions Art festivals Arts Arts centers Arts participation Behavioral sciences Buildings Cities Communities Conferences Cultural anthropology Cultural customs Education Educational institutions Ethnic groups Ethnology Festivals Formal education Historical methodology Historiography History Human behavior Human geography Human societies Italian Americans Meetings Metropolitan areas Migration, immigration & emigration Minor structures Oral history Political geography Public buildings: civic, commercial, industrial, etc Resource centers Social behavior Social groups Social interaction Social sciences Sociology Towers |
title | AFTERWORD: Personal Reflections on the Watts Towers Common Ground Initiative |
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