Simulated Aesthetics and Evolving Artworks: A Coevolutionary Approach
The application of artificial-life principles for artistic use has its origins in the early works of Sommerer and Mignonneau, Sims and Latham. Most of these works are based on simulated evolution and the determination of fitness according to aesthetics. Of particular interest is the use of evolving...
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Veröffentlicht in: | Leonardo (Oxford) 2002-01, Vol.35 (3), p.283-289 |
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Format: | Artikel |
Sprache: | eng |
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