Silk road heritage: The artistic representation of port trading culture in the images of characters in Qing Dynasty Guangzhou export paintings
As customized artistic commodities, export paintings mirrored Guangzhou's unique overseas trade culture and social power in a microscopic view, nevertheless, few researchers have delved into the cultural relationship between the use of the painting techniques and the characters of the export pa...
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| creator | Liu, Haisa Fu, Changqing Li, Weicong |
| description | As customized artistic commodities, export paintings mirrored Guangzhou's unique overseas trade culture and social power in a microscopic view, nevertheless, few researchers have delved into the cultural relationship between the use of the painting techniques and the characters of the export paintings. Based on an iconographic approach, this article aims to analyze the historical iconography information of the Qing dynasty export paintings from the perspective of the trade development and cultural exchange between the East and West during the 18th century by the study of the export paintings' characters expressions and costumes colors, providing insights into the exploration of the value of tangible cultural heritage. In the process of our research, shows that: 1) the dominant laboring characters in the export paintings present standing postures, and most of them demonstrate negative emotions; 2) many of the characters of the export paintings show high similarities due to the assembly-line mode of painting during manufacture; 3) the portrayal of the characters in the export paintings reflects a return of a sense of humanity. This is evident in the fact that the subject of the paintings abounds in the scenes showing local folklore, working views, and daily life in Guangzhou. Meanwhile, the characters in the painting are vividly portrayed in a realistic style. The use of mixed colors on the costumes of different characters reflects a universal value of having regard for the equality of all men; 4) Guangzhou export painting decorative art evolution of the development of the dual development of Chinese and Western fusion of veins. Guangzhou export paintings of the Qing dynasty satisfied the customers' reverie for 'Oriental Civilization' and their purpose of seeking novelty of foreign cultures. It also revealed the subtle dynamics of the interplay between Guangzhou's social power, trading capital, and blending art. |
| doi_str_mv | 10.1371/journal.pone.0308309 |
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Based on an iconographic approach, this article aims to analyze the historical iconography information of the Qing dynasty export paintings from the perspective of the trade development and cultural exchange between the East and West during the 18th century by the study of the export paintings' characters expressions and costumes colors, providing insights into the exploration of the value of tangible cultural heritage. In the process of our research, shows that: 1) the dominant laboring characters in the export paintings present standing postures, and most of them demonstrate negative emotions; 2) many of the characters of the export paintings show high similarities due to the assembly-line mode of painting during manufacture; 3) the portrayal of the characters in the export paintings reflects a return of a sense of humanity. This is evident in the fact that the subject of the paintings abounds in the scenes showing local folklore, working views, and daily life in Guangzhou. Meanwhile, the characters in the painting are vividly portrayed in a realistic style. The use of mixed colors on the costumes of different characters reflects a universal value of having regard for the equality of all men; 4) Guangzhou export painting decorative art evolution of the development of the dual development of Chinese and Western fusion of veins. Guangzhou export paintings of the Qing dynasty satisfied the customers' reverie for 'Oriental Civilization' and their purpose of seeking novelty of foreign cultures. 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This is an open access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.</rights><rights>COPYRIGHT 2024 Public Library of Science</rights><rights>2024 Liu et al. This is an open access article distributed under the terms of the Creative Commons Attribution License: http://creativecommons.org/licenses/by/4.0/ (the “License”), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.</rights><rights>2024 Liu et al 2024 Liu et al</rights><rights>2024 Liu et al. 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Academic</collection><collection>PubMed Central (Full Participant titles)</collection><jtitle>PloS one</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Liu, Haisa</au><au>Fu, Changqing</au><au>Li, Weicong</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Silk road heritage: The artistic representation of port trading culture in the images of characters in Qing Dynasty Guangzhou export paintings</atitle><jtitle>PloS one</jtitle><addtitle>PLoS One</addtitle><date>2024-10-31</date><risdate>2024</risdate><volume>19</volume><issue>10</issue><spage>e0308309</spage><pages>e0308309-</pages><issn>1932-6203</issn><eissn>1932-6203</eissn><abstract>As customized artistic commodities, export paintings mirrored Guangzhou's unique overseas trade culture and social power in a microscopic view, nevertheless, few researchers have delved into the cultural relationship between the use of the painting techniques and the characters of the export paintings. Based on an iconographic approach, this article aims to analyze the historical iconography information of the Qing dynasty export paintings from the perspective of the trade development and cultural exchange between the East and West during the 18th century by the study of the export paintings' characters expressions and costumes colors, providing insights into the exploration of the value of tangible cultural heritage. In the process of our research, shows that: 1) the dominant laboring characters in the export paintings present standing postures, and most of them demonstrate negative emotions; 2) many of the characters of the export paintings show high similarities due to the assembly-line mode of painting during manufacture; 3) the portrayal of the characters in the export paintings reflects a return of a sense of humanity. This is evident in the fact that the subject of the paintings abounds in the scenes showing local folklore, working views, and daily life in Guangzhou. Meanwhile, the characters in the painting are vividly portrayed in a realistic style. The use of mixed colors on the costumes of different characters reflects a universal value of having regard for the equality of all men; 4) Guangzhou export painting decorative art evolution of the development of the dual development of Chinese and Western fusion of veins. Guangzhou export paintings of the Qing dynasty satisfied the customers' reverie for 'Oriental Civilization' and their purpose of seeking novelty of foreign cultures. It also revealed the subtle dynamics of the interplay between Guangzhou's social power, trading capital, and blending art.</abstract><cop>United States</cop><pub>Public Library of Science</pub><pmid>39480780</pmid><doi>10.1371/journal.pone.0308309</doi><orcidid>https://orcid.org/0009-0008-9003-2642</orcidid><oa>free_for_read</oa></addata></record> |
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| subjects | 17th century 18th century Biology and Life Sciences China Chinese history Commerce - history Commodities Consumers Costumes Cultural heritage Cultural resources Culture Dynasties Equality Evaluation Everyday life Exports Folklore History, 18th Century Humans Innovations International trade Medicine and Health Sciences Paintings - history People and Places Ports Social classes Social dynamics Social power Social Sciences Wallcoverings |
| title | Silk road heritage: The artistic representation of port trading culture in the images of characters in Qing Dynasty Guangzhou export paintings |
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