Path Models of Vocal Emotion Communication
We propose to use a comprehensive path model of vocal emotion communication, encompassing encoding, transmission, and decoding processes, to empirically model data sets on emotion expression and recognition. The utility of the approach is demonstrated for two data sets from two different cultures an...
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Veröffentlicht in: | PloS one 2015-09, Vol.10 (9), p.e0136675-e0136675 |
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description | We propose to use a comprehensive path model of vocal emotion communication, encompassing encoding, transmission, and decoding processes, to empirically model data sets on emotion expression and recognition. The utility of the approach is demonstrated for two data sets from two different cultures and languages, based on corpora of vocal emotion enactment by professional actors and emotion inference by naïve listeners. Lens model equations, hierarchical regression, and multivariate path analysis are used to compare the relative contributions of objectively measured acoustic cues in the enacted expressions and subjective voice cues as perceived by listeners to the variance in emotion inference from vocal expressions for four emotion families (fear, anger, happiness, and sadness). While the results confirm the central role of arousal in vocal emotion communication, the utility of applying an extended path modeling framework is demonstrated by the identification of unique combinations of distal cues and proximal percepts carrying information about specific emotion families, independent of arousal. The statistical models generated show that more sophisticated acoustic parameters need to be developed to explain the distal underpinnings of subjective voice quality percepts that account for much of the variance in emotion inference, in particular voice instability and roughness. The general approach advocated here, as well as the specific results, open up new research strategies for work in psychology (specifically emotion and social perception research) and engineering and computer science (specifically research and development in the domain of affective computing, particularly on automatic emotion detection and synthetic emotion expression in avatars). |
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The utility of the approach is demonstrated for two data sets from two different cultures and languages, based on corpora of vocal emotion enactment by professional actors and emotion inference by naïve listeners. Lens model equations, hierarchical regression, and multivariate path analysis are used to compare the relative contributions of objectively measured acoustic cues in the enacted expressions and subjective voice cues as perceived by listeners to the variance in emotion inference from vocal expressions for four emotion families (fear, anger, happiness, and sadness). While the results confirm the central role of arousal in vocal emotion communication, the utility of applying an extended path modeling framework is demonstrated by the identification of unique combinations of distal cues and proximal percepts carrying information about specific emotion families, independent of arousal. The statistical models generated show that more sophisticated acoustic parameters need to be developed to explain the distal underpinnings of subjective voice quality percepts that account for much of the variance in emotion inference, in particular voice instability and roughness. The general approach advocated here, as well as the specific results, open up new research strategies for work in psychology (specifically emotion and social perception research) and engineering and computer science (specifically research and development in the domain of affective computing, particularly on automatic emotion detection and synthetic emotion expression in avatars).</description><identifier>ISSN: 1932-6203</identifier><identifier>EISSN: 1932-6203</identifier><identifier>DOI: 10.1371/journal.pone.0136675</identifier><identifier>PMID: 26325076</identifier><language>eng</language><publisher>United States: Public Library of Science</publisher><subject>Acoustic properties ; Acoustics ; Affective computing ; Analysis ; Arousal ; Avatars ; Communication ; Cues ; Datasets ; Decoding ; Emotions ; Expressed Emotion ; Facial expression ; Humans ; Hypothesis testing ; Inference ; Mathematical models ; Models, Statistical ; Nonverbal communication ; Perceptions ; Physiology ; Psychology ; R&D ; Regression analysis ; Regression models ; Research & development ; Speech ; Stability ; Statistical analysis ; Statistical models ; Studies ; Variance ; Voice ; Voice communication</subject><ispartof>PloS one, 2015-09, Vol.10 (9), p.e0136675-e0136675</ispartof><rights>COPYRIGHT 2015 Public Library of Science</rights><rights>2015 Bänziger et al. This is an open access article distributed under the terms of the Creative Commons Attribution License: http://creativecommons.org/licenses/by/4.0/ (the “License”), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.</rights><rights>2015 Bänziger et al 2015 Bänziger et al</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c730t-bc22fe25da5145c471286295bd649f0e99cf9eba10801b1a71f912eb203150023</citedby><cites>FETCH-LOGICAL-c730t-bc22fe25da5145c471286295bd649f0e99cf9eba10801b1a71f912eb203150023</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.ncbi.nlm.nih.gov/pmc/articles/PMC4556609/pdf/$$EPDF$$P50$$Gpubmedcentral$$Hfree_for_read</linktopdf><linktohtml>$$Uhttps://www.ncbi.nlm.nih.gov/pmc/articles/PMC4556609/$$EHTML$$P50$$Gpubmedcentral$$Hfree_for_read</linktohtml><link.rule.ids>230,314,552,727,780,784,864,885,2102,2928,23866,27924,27925,53791,53793,79600,79601</link.rule.ids><backlink>$$Uhttps://www.ncbi.nlm.nih.gov/pubmed/26325076$$D View this record in MEDLINE/PubMed$$Hfree_for_read</backlink><backlink>$$Uhttps://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-26467$$DView record from Swedish Publication Index$$Hfree_for_read</backlink></links><search><contributor>Reby, David</contributor><creatorcontrib>Bänziger, Tanja</creatorcontrib><creatorcontrib>Hosoya, Georg</creatorcontrib><creatorcontrib>Scherer, Klaus R</creatorcontrib><title>Path Models of Vocal Emotion Communication</title><title>PloS one</title><addtitle>PLoS One</addtitle><description>We propose to use a comprehensive path model of vocal emotion communication, encompassing encoding, transmission, and decoding processes, to empirically model data sets on emotion expression and recognition. The utility of the approach is demonstrated for two data sets from two different cultures and languages, based on corpora of vocal emotion enactment by professional actors and emotion inference by naïve listeners. Lens model equations, hierarchical regression, and multivariate path analysis are used to compare the relative contributions of objectively measured acoustic cues in the enacted expressions and subjective voice cues as perceived by listeners to the variance in emotion inference from vocal expressions for four emotion families (fear, anger, happiness, and sadness). While the results confirm the central role of arousal in vocal emotion communication, the utility of applying an extended path modeling framework is demonstrated by the identification of unique combinations of distal cues and proximal percepts carrying information about specific emotion families, independent of arousal. The statistical models generated show that more sophisticated acoustic parameters need to be developed to explain the distal underpinnings of subjective voice quality percepts that account for much of the variance in emotion inference, in particular voice instability and roughness. The general approach advocated here, as well as the specific results, open up new research strategies for work in psychology (specifically emotion and social perception research) and engineering and computer science (specifically research and development in the domain of affective computing, particularly on automatic emotion detection and synthetic emotion expression in avatars).</description><subject>Acoustic properties</subject><subject>Acoustics</subject><subject>Affective computing</subject><subject>Analysis</subject><subject>Arousal</subject><subject>Avatars</subject><subject>Communication</subject><subject>Cues</subject><subject>Datasets</subject><subject>Decoding</subject><subject>Emotions</subject><subject>Expressed Emotion</subject><subject>Facial expression</subject><subject>Humans</subject><subject>Hypothesis testing</subject><subject>Inference</subject><subject>Mathematical models</subject><subject>Models, Statistical</subject><subject>Nonverbal 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The utility of the approach is demonstrated for two data sets from two different cultures and languages, based on corpora of vocal emotion enactment by professional actors and emotion inference by naïve listeners. Lens model equations, hierarchical regression, and multivariate path analysis are used to compare the relative contributions of objectively measured acoustic cues in the enacted expressions and subjective voice cues as perceived by listeners to the variance in emotion inference from vocal expressions for four emotion families (fear, anger, happiness, and sadness). While the results confirm the central role of arousal in vocal emotion communication, the utility of applying an extended path modeling framework is demonstrated by the identification of unique combinations of distal cues and proximal percepts carrying information about specific emotion families, independent of arousal. The statistical models generated show that more sophisticated acoustic parameters need to be developed to explain the distal underpinnings of subjective voice quality percepts that account for much of the variance in emotion inference, in particular voice instability and roughness. The general approach advocated here, as well as the specific results, open up new research strategies for work in psychology (specifically emotion and social perception research) and engineering and computer science (specifically research and development in the domain of affective computing, particularly on automatic emotion detection and synthetic emotion expression in avatars).</abstract><cop>United States</cop><pub>Public Library of Science</pub><pmid>26325076</pmid><doi>10.1371/journal.pone.0136675</doi><oa>free_for_read</oa></addata></record> |
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subjects | Acoustic properties Acoustics Affective computing Analysis Arousal Avatars Communication Cues Datasets Decoding Emotions Expressed Emotion Facial expression Humans Hypothesis testing Inference Mathematical models Models, Statistical Nonverbal communication Perceptions Physiology Psychology R&D Regression analysis Regression models Research & development Speech Stability Statistical analysis Statistical models Studies Variance Voice Voice communication |
title | Path Models of Vocal Emotion Communication |
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