Making Museum Narratives of Slavery and Anti-Slavery in Olney

Charles Forsdick argues that there are plural memories of transatlantic slavery and ‘it is essential to study the different ways they came about.’¹ This is not only pertinent with regard to differing national traditions of remembrance across Europe, Africa and the Americas but also regarding the dif...

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description Charles Forsdick argues that there are plural memories of transatlantic slavery and ‘it is essential to study the different ways they came about.’¹ This is not only pertinent with regard to differing national traditions of remembrance across Europe, Africa and the Americas but also regarding the differenceswithinnations in specific localities. Further, it is also essential to study the ways memories of transatlantic slavery change over time in localities and how these local remembrances intersect with or challenge emerging national and international discourses. This turn to complexity will illuminate the nuances and textures of the memory of slavery, highlighting
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subjects Abolition
Abolitionism
Anthropology
Applied anthropology
Architectural museums
Autobiographies
Behavioral sciences
Biography
Communications
Cultural anthropology
Cultural institutions
Entertainment
Exhibitions
Global
Historic house museums
Historical methodology
Historiography
History
John Newton
Jurisprudence
Law
Leisure studies
Local
Modern History (1700 to 1945)
Museum exhibits
Museums
Narrative
Narrative history
Narratives
Olney
Philosophy of law
Political movements
Political science
Political sociology
Recreation
Slave narratives
Slave trade
Slavery
Social organization
Social sciences
Sociology
title Making Museum Narratives of Slavery and Anti-Slavery in Olney
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