Making Museum Narratives of Slavery and Anti-Slavery in Olney
Charles Forsdick argues that there are plural memories of transatlantic slavery and ‘it is essential to study the different ways they came about.’¹ This is not only pertinent with regard to differing national traditions of remembrance across Europe, Africa and the Americas but also regarding the dif...
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description | Charles Forsdick argues that there are plural memories of transatlantic slavery and ‘it is essential to study the different ways they came about.’¹ This is not only pertinent with regard to differing national traditions of remembrance across Europe, Africa and the Americas but also regarding the differenceswithinnations in specific localities. Further, it is also essential to study the ways memories of transatlantic slavery change over time in localities and how these local remembrances intersect with or challenge emerging national and international discourses. This turn to complexity will illuminate the nuances and textures of the memory of slavery, highlighting |
doi_str_mv | 10.5949/liverpool/9781781382776.003.0011 |
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Further, it is also essential to study the ways memories of transatlantic slavery change over time in localities and how these local remembrances intersect with or challenge emerging national and international discourses. This turn to complexity will illuminate the nuances and textures of the memory of slavery, highlighting</description><identifier>ISBN: 9781781382776</identifier><identifier>ISBN: 1781382778</identifier><identifier>EISBN: 9781781383551</identifier><identifier>EISBN: 1781383553</identifier><identifier>EISBN: 9781786944009</identifier><identifier>EISBN: 1786944006</identifier><identifier>DOI: 10.5949/liverpool/9781781382776.003.0011</identifier><language>eng</language><publisher>Liverpool University Press</publisher><subject>Abolition ; Abolitionism ; Anthropology ; Applied anthropology ; Architectural museums ; Autobiographies ; Behavioral sciences ; Biography ; Communications ; Cultural anthropology ; Cultural institutions ; Entertainment ; Exhibitions ; Global ; Historic house museums ; Historical methodology ; Historiography ; History ; John Newton ; Jurisprudence ; Law ; Leisure studies ; Local ; Modern History (1700 to 1945) ; Museum exhibits ; Museums ; Narrative ; Narrative history ; Narratives ; Olney ; Philosophy of law ; Political movements ; Political science ; Political sociology ; Recreation ; Slave narratives ; Slave trade ; Slavery ; Social organization ; Social sciences ; Sociology</subject><ispartof>Britain's History and Memory of Transatlantic Slavery, 2016, p.216</ispartof><rights>2016 Liverpool university press</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>776,777,781,790,27906</link.rule.ids></links><search><contributor>Katie Donington</contributor><contributor>Ryan Hanley</contributor><contributor>Jessica Moody</contributor><creatorcontrib>Munroe, Leanne</creatorcontrib><title>Making Museum Narratives of Slavery and Anti-Slavery in Olney</title><title>Britain's History and Memory of Transatlantic Slavery</title><description>Charles Forsdick argues that there are plural memories of transatlantic slavery and ‘it is essential to study the different ways they came about.’¹ This is not only pertinent with regard to differing national traditions of remembrance across Europe, Africa and the Americas but also regarding the differenceswithinnations in specific localities. Further, it is also essential to study the ways memories of transatlantic slavery change over time in localities and how these local remembrances intersect with or challenge emerging national and international discourses. This turn to complexity will illuminate the nuances and textures of the memory of slavery, highlighting</description><subject>Abolition</subject><subject>Abolitionism</subject><subject>Anthropology</subject><subject>Applied anthropology</subject><subject>Architectural museums</subject><subject>Autobiographies</subject><subject>Behavioral sciences</subject><subject>Biography</subject><subject>Communications</subject><subject>Cultural anthropology</subject><subject>Cultural institutions</subject><subject>Entertainment</subject><subject>Exhibitions</subject><subject>Global</subject><subject>Historic house museums</subject><subject>Historical methodology</subject><subject>Historiography</subject><subject>History</subject><subject>John Newton</subject><subject>Jurisprudence</subject><subject>Law</subject><subject>Leisure studies</subject><subject>Local</subject><subject>Modern History (1700 to 1945)</subject><subject>Museum exhibits</subject><subject>Museums</subject><subject>Narrative</subject><subject>Narrative history</subject><subject>Narratives</subject><subject>Olney</subject><subject>Philosophy of law</subject><subject>Political movements</subject><subject>Political science</subject><subject>Political sociology</subject><subject>Recreation</subject><subject>Slave narratives</subject><subject>Slave trade</subject><subject>Slavery</subject><subject>Social organization</subject><subject>Social sciences</subject><subject>Sociology</subject><isbn>9781781382776</isbn><isbn>1781382778</isbn><isbn>9781781383551</isbn><isbn>1781383553</isbn><isbn>9781786944009</isbn><isbn>1786944006</isbn><fulltext>true</fulltext><rsrctype>book_chapter</rsrctype><creationdate>2016</creationdate><recordtype>book_chapter</recordtype><sourceid/><recordid>eNpVUE1PwzAMDUJIoLH_EHHi0i2u0yY5cJgmYEgbOwDnKE1T6FaaqmmR9u8JGiCQ_CHb7_nJJuQa2CxTXM2b-sP1nffNXAkJ0VCmQuQzxjA6wAmZ_g4wy-D0T_0FPCfTEHYsQoWAVPELcrMx-7p9pZsxuPGdPpq-N0NUCdRX9KkxUe9ATVvSRTvUyU-jbum2ad3hkpxVpglu-p0n5OXu9nm5Stbb-4flYp1YAAlJnpbMciYsz3gpmWUyl1WByjlMCyUtVwWaknOBHAWIylUuTQueFRwjVimckNlxrx87PXbBH8O_27R9M93geh3_EAlXR8IuDL7Xhff7oHfaDgN0ARE6DTl-AiA0X54</recordid><startdate>20161027</startdate><enddate>20161027</enddate><creator>Munroe, Leanne</creator><general>Liverpool University Press</general><scope/></search><sort><creationdate>20161027</creationdate><title>Making Museum Narratives of Slavery and Anti-Slavery in Olney</title><author>Munroe, Leanne</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c1181-62d0c407c454d80c0868fb39ee32b98c49b3ad447343717fefe22b45b43c08993</frbrgroupid><rsrctype>book_chapters</rsrctype><prefilter>book_chapters</prefilter><language>eng</language><creationdate>2016</creationdate><topic>Abolition</topic><topic>Abolitionism</topic><topic>Anthropology</topic><topic>Applied anthropology</topic><topic>Architectural museums</topic><topic>Autobiographies</topic><topic>Behavioral sciences</topic><topic>Biography</topic><topic>Communications</topic><topic>Cultural anthropology</topic><topic>Cultural institutions</topic><topic>Entertainment</topic><topic>Exhibitions</topic><topic>Global</topic><topic>Historic house museums</topic><topic>Historical methodology</topic><topic>Historiography</topic><topic>History</topic><topic>John Newton</topic><topic>Jurisprudence</topic><topic>Law</topic><topic>Leisure studies</topic><topic>Local</topic><topic>Modern History (1700 to 1945)</topic><topic>Museum exhibits</topic><topic>Museums</topic><topic>Narrative</topic><topic>Narrative history</topic><topic>Narratives</topic><topic>Olney</topic><topic>Philosophy of law</topic><topic>Political movements</topic><topic>Political science</topic><topic>Political sociology</topic><topic>Recreation</topic><topic>Slave narratives</topic><topic>Slave trade</topic><topic>Slavery</topic><topic>Social organization</topic><topic>Social sciences</topic><topic>Sociology</topic><toplevel>online_resources</toplevel><creatorcontrib>Munroe, Leanne</creatorcontrib></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Munroe, Leanne</au><au>Katie Donington</au><au>Ryan Hanley</au><au>Jessica Moody</au><format>book</format><genre>bookitem</genre><ristype>CHAP</ristype><atitle>Making Museum Narratives of Slavery and Anti-Slavery in Olney</atitle><btitle>Britain's History and Memory of Transatlantic Slavery</btitle><date>2016-10-27</date><risdate>2016</risdate><spage>216</spage><pages>216-</pages><isbn>9781781382776</isbn><isbn>1781382778</isbn><eisbn>9781781383551</eisbn><eisbn>1781383553</eisbn><eisbn>9781786944009</eisbn><eisbn>1786944006</eisbn><abstract>Charles Forsdick argues that there are plural memories of transatlantic slavery and ‘it is essential to study the different ways they came about.’¹ This is not only pertinent with regard to differing national traditions of remembrance across Europe, Africa and the Americas but also regarding the differenceswithinnations in specific localities. Further, it is also essential to study the ways memories of transatlantic slavery change over time in localities and how these local remembrances intersect with or challenge emerging national and international discourses. This turn to complexity will illuminate the nuances and textures of the memory of slavery, highlighting</abstract><pub>Liverpool University Press</pub><doi>10.5949/liverpool/9781781382776.003.0011</doi></addata></record> |
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subjects | Abolition Abolitionism Anthropology Applied anthropology Architectural museums Autobiographies Behavioral sciences Biography Communications Cultural anthropology Cultural institutions Entertainment Exhibitions Global Historic house museums Historical methodology Historiography History John Newton Jurisprudence Law Leisure studies Local Modern History (1700 to 1945) Museum exhibits Museums Narrative Narrative history Narratives Olney Philosophy of law Political movements Political science Political sociology Recreation Slave narratives Slave trade Slavery Social organization Social sciences Sociology |
title | Making Museum Narratives of Slavery and Anti-Slavery in Olney |
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