Religion and Art in the Renaissance
This Special Issue focuses on intersections of religious faith and artistic production during the Renaissance. Its temporal scope is 1300-1700, or the Renaissance period, as it is broadly defined. Its geographical scope is Europe and European colonies that participated in Renaissance artistic trends...
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| description | This Special Issue focuses on intersections of religious faith and artistic production during the Renaissance. Its temporal scope is 1300-1700, or the Renaissance period, as it is broadly defined. Its geographical scope is Europe and European colonies that participated in Renaissance artistic trends or movements. The Special Issue deepens and broadens our understanding of how images impact faith and in turn faith finds expression in images. It is interdisciplinary in nature, bringing together into one volume some of the most recent work by scholars in iconography, art history and religious studies. |
| doi_str_mv | 10.3390/books978-3-0365-5450-1 |
| format | Book |
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Its temporal scope is 1300-1700, or the Renaissance period, as it is broadly defined. Its geographical scope is Europe and European colonies that participated in Renaissance artistic trends or movements. The Special Issue deepens and broadens our understanding of how images impact faith and in turn faith finds expression in images. It is interdisciplinary in nature, bringing together into one volume some of the most recent work by scholars in iconography, art history and religious studies.</description><identifier>ISBN: 3036554505</identifier><identifier>ISBN: 9783036554501</identifier><identifier>ISBN: 9783036554495</identifier><identifier>ISBN: 3036554491</identifier><identifier>DOI: 10.3390/books978-3-0365-5450-1</identifier><language>eng</language><publisher>Basel: MDPI - Multidisciplinary Digital Publishing Institute</publisher><subject>Abraham ; Alardo de Pompa ; allegory ; altarpiece ; altarpieces ; Andrea della Robbia ; auto-da-fé ; Bernard of Clairvaux ; Bernat Martorell ; biblical bronze serpent ; Book Industry Communication ; breastfeeding ; Catalonia ; Christ ; Christian iconography ; colonial art ; Convent of Saint Agnes ; Corbacho ; Cristóbal de Morales ; Crown of Aragon ; crucifixion nail ; Devotional Art ; Dormition ; Early Modern and Italian Renaissance Art ; Fosmas ; Franciscan ; Goan art ; Hagar ; heritage ; Humanities ; humility ; hybridity ; iconographic type ; iconography ; Incarnation ; Indo-Portuguese art ; inscriptions ; Ishmael ; Jaume Huguet ; La Verna ; last judgement ; Madonna lactans ; martyrs of Japan ; Mary Magdalene ; Master of the Třeboň Altarpiece ; Master Theodoric ; Medieval and Renaissance Art of Central Europe ; misogyny ; musical epigraphy ; Philip IV of Spain ; Philosophy and Religion ; Prague ; purgatory ; Přemyslid dynasty ; Quart ; Reform of Art ; Religion & beliefs ; Religion and beliefs ; Saint Agnes of Bohemia ; Saint John of God ; Salve Regina ; soul ; South India ; the banishment of Hagar and Ishmael ; the Master of Vyšši Brod ; Transit ; virgin ; Virgin Mary ; virtue ; white mensural notation</subject><creationdate>2022</creationdate><tpages>230</tpages><format>230</format><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>306,776,780,782,27902,55285</link.rule.ids></links><search><contributor>Kallendorf, Hilaire</contributor><title>Religion and Art in the Renaissance</title><description>This Special Issue focuses on intersections of religious faith and artistic production during the Renaissance. 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Its temporal scope is 1300-1700, or the Renaissance period, as it is broadly defined. Its geographical scope is Europe and European colonies that participated in Renaissance artistic trends or movements. The Special Issue deepens and broadens our understanding of how images impact faith and in turn faith finds expression in images. It is interdisciplinary in nature, bringing together into one volume some of the most recent work by scholars in iconography, art history and religious studies.</abstract><cop>Basel</cop><pub>MDPI - Multidisciplinary Digital Publishing Institute</pub><doi>10.3390/books978-3-0365-5450-1</doi><tpages>230</tpages><oa>free_for_read</oa></addata></record> |
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| identifier | ISBN: 3036554505 |
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| language | eng |
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| source | DOAB: Directory of Open Access Books |
| subjects | Abraham Alardo de Pompa allegory altarpiece altarpieces Andrea della Robbia auto-da-fé Bernard of Clairvaux Bernat Martorell biblical bronze serpent Book Industry Communication breastfeeding Catalonia Christ Christian iconography colonial art Convent of Saint Agnes Corbacho Cristóbal de Morales Crown of Aragon crucifixion nail Devotional Art Dormition Early Modern and Italian Renaissance Art Fosmas Franciscan Goan art Hagar heritage Humanities humility hybridity iconographic type iconography Incarnation Indo-Portuguese art inscriptions Ishmael Jaume Huguet La Verna last judgement Madonna lactans martyrs of Japan Mary Magdalene Master of the Třeboň Altarpiece Master Theodoric Medieval and Renaissance Art of Central Europe misogyny musical epigraphy Philip IV of Spain Philosophy and Religion Prague purgatory Přemyslid dynasty Quart Reform of Art Religion & beliefs Religion and beliefs Saint Agnes of Bohemia Saint John of God Salve Regina soul South India the banishment of Hagar and Ishmael the Master of Vyšši Brod Transit virgin Virgin Mary virtue white mensural notation |
| title | Religion and Art in the Renaissance |
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