Past for the Eyes
How do museums and cinema shape the image of the Communist past in today’s Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and...
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creator | Sarkisova, Oksana Apor, Péter Cristea, Gabriela Daković, Nevena Dominková, Petra Horváth, Zsolt K Main, Izabella Mark, James Pobłocki, Kacper Radu-Bucurenci, Simina Rév, István Solomone, Alexandru Uitz, Renáta Varga, Balázs Vukov, Nikolai |
description | How do museums and cinema shape the image of the Communist past in today’s Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society’s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past. "Books on the CEE transformations that deal with media and popular cultures should be welcomed. Past for the Eyes belongs to this extraordinary breed. The book is devoted to the visual representations of the socialist / communist past and the forms they took. The interconnected processes of visualization of the past, and the collective memory sedimentation are the main focus. The book brings together perspectives of linked but still distinctive ways of enquiry: visual studies, cultural studies, area studies, museum studies and contemporary history with its passion for ethnography and oral evidence. |
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This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society’s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past. "Books on the CEE transformations that deal with media and popular cultures should be welcomed. Past for the Eyes belongs to this extraordinary breed. The book is devoted to the visual representations of the socialist / communist past and the forms they took. The interconnected processes of visualization of the past, and the collective memory sedimentation are the main focus. 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This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society’s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past. "Books on the CEE transformations that deal with media and popular cultures should be welcomed. Past for the Eyes belongs to this extraordinary breed. The book is devoted to the visual representations of the socialist / communist past and the forms they took. The interconnected processes of visualization of the past, and the collective memory sedimentation are the main focus. The book brings together perspectives of linked but still distinctive ways of enquiry: visual studies, cultural studies, area studies, museum studies and contemporary history with its passion for ethnography and oral evidence.</description><subject>archives</subject><subject>Balkan wars</subject><subject>Central Europe</subject><subject>communism</subject><subject>culture</subject><subject>Czech cinema</subject><subject>documentary film</subject><subject>Film Radio Television</subject><subject>Hungarian cinema</subject><subject>motion pictures</subject><subject>museums</subject><subject>Paintings and painting</subject><subject>picturing</subject><subject>Polish cinema</subject><subject>post-1989</subject><subject>post-1989 Bulgaria</subject><subject>post-communist period</subject><subject>Russian cinema</subject><subject>Southeastern Europe</subject><subject>The Arts</subject><subject>The Arts: art forms</subject><subject>thema EDItEUR</subject><subject>World War I</subject><subject>World War II</subject><subject>Yugoslav cinema</subject><isbn>9639776033</isbn><isbn>9789639776036</isbn><isbn>6155211434</isbn><isbn>9786155211430</isbn><isbn>6155211434</isbn><isbn>9786155211430</isbn><fulltext>true</fulltext><rsrctype>book</rsrctype><creationdate>2008</creationdate><recordtype>book</recordtype><sourceid>V1H</sourceid><recordid>eNotjDtPwzAUhY0QEjTtwMySPxDJz-t4RFV5SJXKQGfLsa8hUHqjOAz990QKZ_mG851zxVYgjJFCaKWv2cqBctYCV-qWbUr54nOkaI3hd-z-LZSpzjTW0yfWuwuWNbvJ4VRw88-KHZ9279uXZn94ft0-7psoJOimtW3ICqQSkaPNWmaOmmNE7CQml0A4nVKGTibncooG0bUiIXLQSgCqij0svxQGPPtEoSP6Lt4YOxsVg6WNJyQ_jP1PGC-eQu8Xi-YNpn7q6exp_PARfwcPyqo_tyVIHQ</recordid><startdate>2008</startdate><enddate>2008</enddate><creator>Sarkisova, Oksana</creator><creator>Apor, Péter</creator><creator>Cristea, Gabriela</creator><creator>Daković, Nevena</creator><creator>Dominková, Petra</creator><creator>Horváth, Zsolt K</creator><creator>Main, Izabella</creator><creator>Mark, James</creator><creator>Pobłocki, Kacper</creator><creator>Radu-Bucurenci, Simina</creator><creator>Rév, István</creator><creator>Solomone, Alexandru</creator><creator>Uitz, Renáta</creator><creator>Varga, Balázs</creator><creator>Vukov, Nikolai</creator><general>Central European University Press</general><scope>V1H</scope></search><sort><creationdate>2008</creationdate><title>Past for the Eyes</title><author>Sarkisova, Oksana ; 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This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society’s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past. "Books on the CEE transformations that deal with media and popular cultures should be welcomed. Past for the Eyes belongs to this extraordinary breed. The book is devoted to the visual representations of the socialist / communist past and the forms they took. The interconnected processes of visualization of the past, and the collective memory sedimentation are the main focus. The book brings together perspectives of linked but still distinctive ways of enquiry: visual studies, cultural studies, area studies, museum studies and contemporary history with its passion for ethnography and oral evidence.</abstract><pub>Central European University Press</pub><oa>free_for_read</oa></addata></record> |
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subjects | archives Balkan wars Central Europe communism culture Czech cinema documentary film Film Radio Television Hungarian cinema motion pictures museums Paintings and painting picturing Polish cinema post-1989 post-1989 Bulgaria post-communist period Russian cinema Southeastern Europe The Arts The Arts: art forms thema EDItEUR World War I World War II Yugoslav cinema |
title | Past for the Eyes |
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