Africa
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| creator | Esame Bassey Sefi Atta Okwuje Israel Chukwuemeka Brian Bwesigye Lara Daniels Sylva Nze Ifedigbo Tosin Akingbulu Richard Ali Keguro Macharia Pius Adesanmi Kenneth W. Harrow Miriam Jerotich Godspower Oboido Peter Akinlabi Okoroafor Chibuzor Ikeogu Oke Dike Chukwumerije Akumbu Uche Donald Molosi Brendan Bannon Mike Pflanz Jeroen Evers Némo Tral Dillon Marsh Serubiri Moses Francesco Poroli Emmanuel Iduma Dami Ajayi Adaudo Anyiam-Osigwe Adebiyi Olusolape Arthur Anyaduba Adedamola R. Mogaji Yemi Soneye Illa Amudi |
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| fullrecord | <record><control><sourceid>librarystack_AESLF</sourceid><recordid>TN_cdi_librarystack_primary_11555</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>11555</sourcerecordid><originalsourceid>FETCH-librarystack_primary_115553</originalsourceid><addsrcrecordid>eNrjZGBzTCvKTE7kYWBNS8wpTuWF0twMim6uIc4eujmZSUWJRZXFJYnJ2fEFRZm5QE68oaGpqakxMWoAbL0eFw</addsrcrecordid><sourcetype>Publisher</sourcetype><iscdi>true</iscdi><recordtype>text_resource</recordtype></control><display><type>text_resource</type><title>Africa</title><source>Library Stack</source><creator>Esame Bassey ; Sefi Atta ; Okwuje Israel Chukwuemeka ; Brian Bwesigye ; Lara Daniels ; Sylva Nze Ifedigbo ; Tosin Akingbulu ; Richard Ali ; Keguro Macharia ; Pius Adesanmi ; Kenneth W. Harrow ; Miriam Jerotich ; Godspower Oboido ; Peter Akinlabi ; Okoroafor Chibuzor ; Ikeogu Oke ; Dike Chukwumerije ; Akumbu Uche ; Donald Molosi ; Brendan Bannon ; Mike Pflanz ; Jeroen Evers ; Némo Tral ; Dillon Marsh ; Serubiri Moses ; Francesco Poroli ; Emmanuel Iduma ; Dami Ajayi ; Adaudo Anyiam-Osigwe ; Adebiyi Olusolape ; Arthur Anyaduba ; Adedamola R. Mogaji ; Yemi Soneye ; Illa Amudi</creator><creatorcontrib>Esame Bassey ; Sefi Atta ; Okwuje Israel Chukwuemeka ; Brian Bwesigye ; Lara Daniels ; Sylva Nze Ifedigbo ; Tosin Akingbulu ; Richard Ali ; Keguro Macharia ; Pius Adesanmi ; Kenneth W. Harrow ; Miriam Jerotich ; Godspower Oboido ; Peter Akinlabi ; Okoroafor Chibuzor ; Ikeogu Oke ; Dike Chukwumerije ; Akumbu Uche ; Donald Molosi ; Brendan Bannon ; Mike Pflanz ; Jeroen Evers ; Némo Tral ; Dillon Marsh ; Serubiri Moses ; Francesco Poroli ; Emmanuel Iduma ; Dami Ajayi ; Adaudo Anyiam-Osigwe ; Adebiyi Olusolape ; Arthur Anyaduba ; Adedamola R. Mogaji ; Yemi Soneye ; Illa Amudi</creatorcontrib><description>Journal or Magazine</description><description>There is a statement, “Africa is a country,” used to satirize Western‘ preconceptions about Africa. With billions of people, thousands of ethnicities, several colonial histories and varied post-independence struggles, the continent is spoken of as a single plane that is beset by bad leadership, unending poverty, and the odd scenery. Yes, the continent has these, and yes, there really are some similarities across the different countries and cultures. But, the question remains: Is that all that can be said? And there is another question: How can you represent what truly is Africa?
For us at Saraba, we set out to have the issue explore the complex narrative that is Africa.
But, reading through the writings, and the art, of this issue, I became aware of the mundane in the stories that were told. Africa, like Europe, like Latin America, etc, is a place where some people are living out their existence.
In this issue, a boy takes a girl out in Richard Ali’s The Attempted Killing of Faruk; two girls have a conversation while riding a bus in Tosin Akingbulu’s Thirteen; and two grown-ups talk about having sex in Sefi Atta’s A Safe Indiscretion. And, yes, these stories come with their own unique spin, because Africa has undergone its own speciation.
This issue, in some way, answers the questions I raised at the beginning. We take a glimpse at some of the different happenings of, and in, life, which the setting may have played a part.
The setting is Africa.</description><language>eng</language><publisher>Saraba</publisher><subject>Art and literature</subject><creationdate>2012</creationdate><rights>Standard Copyright</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>776,780,25323</link.rule.ids><linktorsrc>$$Uhttps://www.librarystack.org/africa/?ref=pq$$EView_record_in_Library_Stack$$FView_record_in_$$GLibrary_Stack</linktorsrc><backlink>$$Uhttps://www.librarystack.org/africa/?ref=pq$$DView record in Library Stack$$Hfree_for_read</backlink></links><search><creatorcontrib>Esame Bassey</creatorcontrib><creatorcontrib>Sefi Atta</creatorcontrib><creatorcontrib>Okwuje Israel Chukwuemeka</creatorcontrib><creatorcontrib>Brian Bwesigye</creatorcontrib><creatorcontrib>Lara Daniels</creatorcontrib><creatorcontrib>Sylva Nze Ifedigbo</creatorcontrib><creatorcontrib>Tosin Akingbulu</creatorcontrib><creatorcontrib>Richard Ali</creatorcontrib><creatorcontrib>Keguro Macharia</creatorcontrib><creatorcontrib>Pius Adesanmi</creatorcontrib><creatorcontrib>Kenneth W. Harrow</creatorcontrib><creatorcontrib>Miriam Jerotich</creatorcontrib><creatorcontrib>Godspower Oboido</creatorcontrib><creatorcontrib>Peter Akinlabi</creatorcontrib><creatorcontrib>Okoroafor Chibuzor</creatorcontrib><creatorcontrib>Ikeogu Oke</creatorcontrib><creatorcontrib>Dike Chukwumerije</creatorcontrib><creatorcontrib>Akumbu Uche</creatorcontrib><creatorcontrib>Donald Molosi</creatorcontrib><creatorcontrib>Brendan Bannon</creatorcontrib><creatorcontrib>Mike Pflanz</creatorcontrib><creatorcontrib>Jeroen Evers</creatorcontrib><creatorcontrib>Némo Tral</creatorcontrib><creatorcontrib>Dillon Marsh</creatorcontrib><creatorcontrib>Serubiri Moses</creatorcontrib><creatorcontrib>Francesco Poroli</creatorcontrib><creatorcontrib>Emmanuel Iduma</creatorcontrib><creatorcontrib>Dami Ajayi</creatorcontrib><creatorcontrib>Adaudo Anyiam-Osigwe</creatorcontrib><creatorcontrib>Adebiyi Olusolape</creatorcontrib><creatorcontrib>Arthur Anyaduba</creatorcontrib><creatorcontrib>Adedamola R. Mogaji</creatorcontrib><creatorcontrib>Yemi Soneye</creatorcontrib><creatorcontrib>Illa Amudi</creatorcontrib><title>Africa</title><description>Journal or Magazine</description><description>There is a statement, “Africa is a country,” used to satirize Western‘ preconceptions about Africa. With billions of people, thousands of ethnicities, several colonial histories and varied post-independence struggles, the continent is spoken of as a single plane that is beset by bad leadership, unending poverty, and the odd scenery. Yes, the continent has these, and yes, there really are some similarities across the different countries and cultures. But, the question remains: Is that all that can be said? And there is another question: How can you represent what truly is Africa?
For us at Saraba, we set out to have the issue explore the complex narrative that is Africa.
But, reading through the writings, and the art, of this issue, I became aware of the mundane in the stories that were told. Africa, like Europe, like Latin America, etc, is a place where some people are living out their existence.
In this issue, a boy takes a girl out in Richard Ali’s The Attempted Killing of Faruk; two girls have a conversation while riding a bus in Tosin Akingbulu’s Thirteen; and two grown-ups talk about having sex in Sefi Atta’s A Safe Indiscretion. And, yes, these stories come with their own unique spin, because Africa has undergone its own speciation.
This issue, in some way, answers the questions I raised at the beginning. We take a glimpse at some of the different happenings of, and in, life, which the setting may have played a part.
The setting is Africa.</description><subject>Art and literature</subject><fulltext>true</fulltext><rsrctype>text_resource</rsrctype><creationdate>2012</creationdate><recordtype>text_resource</recordtype><sourceid>AESLF</sourceid><recordid>eNrjZGBzTCvKTE7kYWBNS8wpTuWF0twMim6uIc4eujmZSUWJRZXFJYnJ2fEFRZm5QE68oaGpqakxMWoAbL0eFw</recordid><startdate>2012</startdate><enddate>2012</enddate><creator>Esame Bassey</creator><creator>Sefi Atta</creator><creator>Okwuje Israel Chukwuemeka</creator><creator>Brian Bwesigye</creator><creator>Lara Daniels</creator><creator>Sylva Nze Ifedigbo</creator><creator>Tosin Akingbulu</creator><creator>Richard Ali</creator><creator>Keguro Macharia</creator><creator>Pius Adesanmi</creator><creator>Kenneth W. Harrow</creator><creator>Miriam Jerotich</creator><creator>Godspower Oboido</creator><creator>Peter Akinlabi</creator><creator>Okoroafor Chibuzor</creator><creator>Ikeogu Oke</creator><creator>Dike Chukwumerije</creator><creator>Akumbu Uche</creator><creator>Donald Molosi</creator><creator>Brendan Bannon</creator><creator>Mike Pflanz</creator><creator>Jeroen Evers</creator><creator>Némo Tral</creator><creator>Dillon Marsh</creator><creator>Serubiri Moses</creator><creator>Francesco Poroli</creator><creator>Emmanuel Iduma</creator><creator>Dami Ajayi</creator><creator>Adaudo Anyiam-Osigwe</creator><creator>Adebiyi Olusolape</creator><creator>Arthur Anyaduba</creator><creator>Adedamola R. 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Harrow</au><au>Miriam Jerotich</au><au>Godspower Oboido</au><au>Peter Akinlabi</au><au>Okoroafor Chibuzor</au><au>Ikeogu Oke</au><au>Dike Chukwumerije</au><au>Akumbu Uche</au><au>Donald Molosi</au><au>Brendan Bannon</au><au>Mike Pflanz</au><au>Jeroen Evers</au><au>Némo Tral</au><au>Dillon Marsh</au><au>Serubiri Moses</au><au>Francesco Poroli</au><au>Emmanuel Iduma</au><au>Dami Ajayi</au><au>Adaudo Anyiam-Osigwe</au><au>Adebiyi Olusolape</au><au>Arthur Anyaduba</au><au>Adedamola R. Mogaji</au><au>Yemi Soneye</au><au>Illa Amudi</au><format>book</format><genre>document</genre><ristype>GEN</ristype><btitle>Africa</btitle><date>2012</date><risdate>2012</risdate><abstract>Journal or Magazine</abstract><abstract>There is a statement, “Africa is a country,” used to satirize Western‘ preconceptions about Africa. With billions of people, thousands of ethnicities, several colonial histories and varied post-independence struggles, the continent is spoken of as a single plane that is beset by bad leadership, unending poverty, and the odd scenery. Yes, the continent has these, and yes, there really are some similarities across the different countries and cultures. But, the question remains: Is that all that can be said? And there is another question: How can you represent what truly is Africa?
For us at Saraba, we set out to have the issue explore the complex narrative that is Africa.
But, reading through the writings, and the art, of this issue, I became aware of the mundane in the stories that were told. Africa, like Europe, like Latin America, etc, is a place where some people are living out their existence.
In this issue, a boy takes a girl out in Richard Ali’s The Attempted Killing of Faruk; two girls have a conversation while riding a bus in Tosin Akingbulu’s Thirteen; and two grown-ups talk about having sex in Sefi Atta’s A Safe Indiscretion. And, yes, these stories come with their own unique spin, because Africa has undergone its own speciation.
This issue, in some way, answers the questions I raised at the beginning. We take a glimpse at some of the different happenings of, and in, life, which the setting may have played a part.
The setting is Africa.</abstract><pub>Saraba</pub></addata></record> |
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| title | Africa |
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