The Garden of Exile
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| creator | Jolyon Leslie Carolyn Christov-Bakargiev Chus Martínez Bettina Funcke Katrin Sauerländer Cordelia Marten Frauke Schnoor Stefanie Drobnik Sam Frank Gerrit Jackson Leftloft Daniela Weirich |
| description | Journal or Magazine |
| format | Text Resource |
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Like the worn cover of a fieldwork notebook, these walls, too, have suffered the ravages of time. Hands shaped the layers of mud, topped in places by dry thorn brush, that undulate across the landscape. Here and there, festoons of white dog roses, the nastaran of the poets, spill out through rips in the walls. Ruins stand behind the walls, in the dappled shade of tall walnut and plane trees. As in an Islamic miniature, these walls at once conceal, protect, and seduce…</description><language>eng</language><publisher>Hatje Cantz</publisher><subject>Ecology ; Historiography ; Military art and science</subject><creationdate>2012</creationdate><rights>Standard Copyright</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>776,780,25323</link.rule.ids><linktorsrc>$$Uhttps://www.librarystack.org/garden-of-exile-the/?ref=pq$$EView_record_in_Library_Stack$$FView_record_in_$$GLibrary_Stack</linktorsrc><backlink>$$Uhttps://www.librarystack.org/garden-of-exile-the/?ref=pq$$DView record in Library Stack$$Hfree_for_read</backlink></links><search><creatorcontrib>Jolyon Leslie</creatorcontrib><creatorcontrib>Carolyn Christov-Bakargiev</creatorcontrib><creatorcontrib>Chus Martínez</creatorcontrib><creatorcontrib>Bettina Funcke</creatorcontrib><creatorcontrib>Katrin Sauerländer</creatorcontrib><creatorcontrib>Cordelia Marten</creatorcontrib><creatorcontrib>Frauke Schnoor</creatorcontrib><creatorcontrib>Stefanie Drobnik</creatorcontrib><creatorcontrib>Sam Frank</creatorcontrib><creatorcontrib>Gerrit Jackson</creatorcontrib><creatorcontrib>Leftloft</creatorcontrib><creatorcontrib>Daniela Weirich</creatorcontrib><title>The Garden of Exile</title><description>Journal or Magazine</description><description>An organic notebook is as good a way as any to commit events and objects to memory. Fallen leaves, bark, twigs, and decaying branches are records of the past. Glistening water moves through grass-lined channels, emerging in bubbling rivulets that slow and subside over terraces, briefly creating a mirror of the sky that soon tarnishes as the earth drinks. The flow, measured by the shadows, is directed by the gardeners’ long-handled shovels. Imagine it as ink, while fallen leaves and twigs form words, and the earth provides pages around which enclosing mud walls form a robust binding.
Like the worn cover of a fieldwork notebook, these walls, too, have suffered the ravages of time. Hands shaped the layers of mud, topped in places by dry thorn brush, that undulate across the landscape. Here and there, festoons of white dog roses, the nastaran of the poets, spill out through rips in the walls. Ruins stand behind the walls, in the dappled shade of tall walnut and plane trees. As in an Islamic miniature, these walls at once conceal, protect, and seduce…</description><subject>Ecology</subject><subject>Historiography</subject><subject>Military art and science</subject><fulltext>true</fulltext><rsrctype>text_resource</rsrctype><creationdate>2012</creationdate><recordtype>text_resource</recordtype><sourceid>AESLF</sourceid><recordid>eNrjZBAOyUhVcE8sSknNU8hPU3CtyMxJ5WFgTUvMKU7lhdLcDEpuriHOHro5mUlFiUWVxSWJydnxBUWZuUBOvKGBqbmZsTFRigBsGSLo</recordid><startdate>2012</startdate><enddate>2012</enddate><creator>Jolyon Leslie</creator><creator>Carolyn Christov-Bakargiev</creator><creator>Chus Martínez</creator><creator>Bettina Funcke</creator><creator>Katrin Sauerländer</creator><creator>Cordelia Marten</creator><creator>Frauke Schnoor</creator><creator>Stefanie Drobnik</creator><creator>Sam Frank</creator><creator>Gerrit Jackson</creator><creator>Leftloft</creator><creator>Daniela Weirich</creator><general>Hatje Cantz</general><scope>AESLF</scope></search><sort><creationdate>2012</creationdate><title>The Garden of Exile</title><author>Jolyon Leslie ; Carolyn Christov-Bakargiev ; Chus Martínez ; Bettina Funcke ; Katrin Sauerländer ; Cordelia Marten ; Frauke Schnoor ; Stefanie Drobnik ; Sam Frank ; Gerrit Jackson ; Leftloft ; Daniela Weirich</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-librarystack_primary_1057633</frbrgroupid><rsrctype>text_resources</rsrctype><prefilter>text_resources</prefilter><language>eng</language><creationdate>2012</creationdate><topic>Ecology</topic><topic>Historiography</topic><topic>Military art and science</topic><toplevel>online_resources</toplevel><creatorcontrib>Jolyon Leslie</creatorcontrib><creatorcontrib>Carolyn Christov-Bakargiev</creatorcontrib><creatorcontrib>Chus Martínez</creatorcontrib><creatorcontrib>Bettina Funcke</creatorcontrib><creatorcontrib>Katrin Sauerländer</creatorcontrib><creatorcontrib>Cordelia Marten</creatorcontrib><creatorcontrib>Frauke Schnoor</creatorcontrib><creatorcontrib>Stefanie Drobnik</creatorcontrib><creatorcontrib>Sam Frank</creatorcontrib><creatorcontrib>Gerrit Jackson</creatorcontrib><creatorcontrib>Leftloft</creatorcontrib><creatorcontrib>Daniela Weirich</creatorcontrib><collection>Library Stack</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext_linktorsrc</fulltext></delivery><addata><au>Jolyon Leslie</au><au>Carolyn Christov-Bakargiev</au><au>Chus Martínez</au><au>Bettina Funcke</au><au>Katrin Sauerländer</au><au>Cordelia Marten</au><au>Frauke Schnoor</au><au>Stefanie Drobnik</au><au>Sam Frank</au><au>Gerrit Jackson</au><au>Leftloft</au><au>Daniela Weirich</au><format>book</format><genre>document</genre><ristype>GEN</ristype><btitle>The Garden of Exile</btitle><date>2012</date><risdate>2012</risdate><abstract>Journal or Magazine</abstract><abstract>An organic notebook is as good a way as any to commit events and objects to memory. Fallen leaves, bark, twigs, and decaying branches are records of the past. Glistening water moves through grass-lined channels, emerging in bubbling rivulets that slow and subside over terraces, briefly creating a mirror of the sky that soon tarnishes as the earth drinks. The flow, measured by the shadows, is directed by the gardeners’ long-handled shovels. Imagine it as ink, while fallen leaves and twigs form words, and the earth provides pages around which enclosing mud walls form a robust binding.
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| language | eng |
| recordid | cdi_librarystack_primary_105763 |
| source | Library Stack |
| subjects | Ecology Historiography Military art and science |
| title | The Garden of Exile |
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