Repetition and Alterity: Geoffrey Squires's 'texts for screen'

This essay examines a number of Geoffrey Squires's recent digital texts which were released in various forms online and later standardised and published together in the Kindle Book Abstract Lyrics and other poems: 2006-2012 . It is contended that Squires embraces computer technology to compose...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Irish university review 2016-05, Vol.46 (1), p.145-157
1. Verfasser: Keating, Kenneth
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 157
container_issue 1
container_start_page 145
container_title Irish university review
container_volume 46
creator Keating, Kenneth
description This essay examines a number of Geoffrey Squires's recent digital texts which were released in various forms online and later standardised and published together in the Kindle Book Abstract Lyrics and other poems: 2006-2012 . It is contended that Squires embraces computer technology to compose texts which inhabit the screen, but which refuse to adhere to the recently established norms of any of the recognised forms of electronic literature while simultaneously representing something more than the digital conversion of a print text to an ebook. It is argued that these 'texts for screen' thus hold an uneasy position in relation to emerging electronic literature and the more conventional ebook, occupying a problematizing middle ground which at the same time promotes and undermines stability and the author's control over the text. Close readings of a number of these texts reveal that this challenging destabilisation is supported through Squires's utilisation of techniques of repetition which complicates the nature of reproduction and disrupts the critical location of singular meaning in favour of embracing the progressively troubling force of indeterminacy.
doi_str_mv 10.3366/iur.2016.0207
format Article
fullrecord <record><control><sourceid>jstor_cross</sourceid><recordid>TN_cdi_jstor_primary_45129021</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>45129021</jstor_id><sourcerecordid>45129021</sourcerecordid><originalsourceid>FETCH-LOGICAL-c288t-14040cc0bfc15f491ad04ddc555d4cdbdf4043ca12834da463094bdbefcc9013</originalsourceid><addsrcrecordid>eNqFkEtLAzEURoMoWKtLl8KAi66m3rzm4UIoRatQELT7MJOHptTJNMmA_femjLh1dbncw_ddDkLXGOaUFsWdHfycAC7mQKA8QRMCrMwJ5vQUTQAIzjEj5Tm6CGGbVlLRaoIe3nSvo43WdVnTqWyxi9rbeLjPVtoZ4_Uhe98P1uswC9ks6u8YMuN8FqTXuptdojPT7IK--p1TtHl63Cyf8_Xr6mW5WOeSVFVMxcBASmiNxNywGjcKmFKSc66YVK0yCaCywekpphpWUKhZq1ptpKwB0ym6HWN77_aDDlFs3eC71CgIL0soSF3RROUjJb0LwWsjem-_Gn8QGMTRkEiGxNGQOBpK_M3Ib0N0_g9mHJM66Up3Nt61sl07-I_PoU8iwj-xP9CcdBQ</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2577062983</pqid></control><display><type>article</type><title>Repetition and Alterity: Geoffrey Squires's 'texts for screen'</title><source>JSTOR Archive Collection A-Z Listing</source><creator>Keating, Kenneth</creator><creatorcontrib>Keating, Kenneth</creatorcontrib><description>This essay examines a number of Geoffrey Squires's recent digital texts which were released in various forms online and later standardised and published together in the Kindle Book Abstract Lyrics and other poems: 2006-2012 . It is contended that Squires embraces computer technology to compose texts which inhabit the screen, but which refuse to adhere to the recently established norms of any of the recognised forms of electronic literature while simultaneously representing something more than the digital conversion of a print text to an ebook. It is argued that these 'texts for screen' thus hold an uneasy position in relation to emerging electronic literature and the more conventional ebook, occupying a problematizing middle ground which at the same time promotes and undermines stability and the author's control over the text. Close readings of a number of these texts reveal that this challenging destabilisation is supported through Squires's utilisation of techniques of repetition which complicates the nature of reproduction and disrupts the critical location of singular meaning in favour of embracing the progressively troubling force of indeterminacy.</description><identifier>ISSN: 0021-1427</identifier><identifier>EISSN: 2047-2153</identifier><identifier>DOI: 10.3366/iur.2016.0207</identifier><language>eng</language><publisher>UK: Edinburgh University Press</publisher><subject>E-books ; Literary Studies</subject><ispartof>Irish university review, 2016-05, Vol.46 (1), p.145-157</ispartof><rights>Edinburgh University Press, 2016</rights><rights>Copyright Edinburgh University Press May 2016</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/45129021$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/45129021$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>315,781,785,804,27929,27930,58022,58255</link.rule.ids></links><search><creatorcontrib>Keating, Kenneth</creatorcontrib><title>Repetition and Alterity: Geoffrey Squires's 'texts for screen'</title><title>Irish university review</title><description>This essay examines a number of Geoffrey Squires's recent digital texts which were released in various forms online and later standardised and published together in the Kindle Book Abstract Lyrics and other poems: 2006-2012 . It is contended that Squires embraces computer technology to compose texts which inhabit the screen, but which refuse to adhere to the recently established norms of any of the recognised forms of electronic literature while simultaneously representing something more than the digital conversion of a print text to an ebook. It is argued that these 'texts for screen' thus hold an uneasy position in relation to emerging electronic literature and the more conventional ebook, occupying a problematizing middle ground which at the same time promotes and undermines stability and the author's control over the text. Close readings of a number of these texts reveal that this challenging destabilisation is supported through Squires's utilisation of techniques of repetition which complicates the nature of reproduction and disrupts the critical location of singular meaning in favour of embracing the progressively troubling force of indeterminacy.</description><subject>E-books</subject><subject>Literary Studies</subject><issn>0021-1427</issn><issn>2047-2153</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2016</creationdate><recordtype>article</recordtype><recordid>eNqFkEtLAzEURoMoWKtLl8KAi66m3rzm4UIoRatQELT7MJOHptTJNMmA_femjLh1dbncw_ddDkLXGOaUFsWdHfycAC7mQKA8QRMCrMwJ5vQUTQAIzjEj5Tm6CGGbVlLRaoIe3nSvo43WdVnTqWyxi9rbeLjPVtoZ4_Uhe98P1uswC9ks6u8YMuN8FqTXuptdojPT7IK--p1TtHl63Cyf8_Xr6mW5WOeSVFVMxcBASmiNxNywGjcKmFKSc66YVK0yCaCywekpphpWUKhZq1ptpKwB0ym6HWN77_aDDlFs3eC71CgIL0soSF3RROUjJb0LwWsjem-_Gn8QGMTRkEiGxNGQOBpK_M3Ib0N0_g9mHJM66Up3Nt61sl07-I_PoU8iwj-xP9CcdBQ</recordid><startdate>20160501</startdate><enddate>20160501</enddate><creator>Keating, Kenneth</creator><general>Edinburgh University Press</general><general>Edinburgh University Press Ltd</general><scope>AAYXX</scope><scope>CITATION</scope><scope>C18</scope></search><sort><creationdate>20160501</creationdate><title>Repetition and Alterity: Geoffrey Squires's 'texts for screen'</title><author>Keating, Kenneth</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c288t-14040cc0bfc15f491ad04ddc555d4cdbdf4043ca12834da463094bdbefcc9013</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2016</creationdate><topic>E-books</topic><topic>Literary Studies</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Keating, Kenneth</creatorcontrib><collection>CrossRef</collection><collection>Humanities Index</collection><jtitle>Irish university review</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Keating, Kenneth</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Repetition and Alterity: Geoffrey Squires's 'texts for screen'</atitle><jtitle>Irish university review</jtitle><date>2016-05-01</date><risdate>2016</risdate><volume>46</volume><issue>1</issue><spage>145</spage><epage>157</epage><pages>145-157</pages><issn>0021-1427</issn><eissn>2047-2153</eissn><abstract>This essay examines a number of Geoffrey Squires's recent digital texts which were released in various forms online and later standardised and published together in the Kindle Book Abstract Lyrics and other poems: 2006-2012 . It is contended that Squires embraces computer technology to compose texts which inhabit the screen, but which refuse to adhere to the recently established norms of any of the recognised forms of electronic literature while simultaneously representing something more than the digital conversion of a print text to an ebook. It is argued that these 'texts for screen' thus hold an uneasy position in relation to emerging electronic literature and the more conventional ebook, occupying a problematizing middle ground which at the same time promotes and undermines stability and the author's control over the text. Close readings of a number of these texts reveal that this challenging destabilisation is supported through Squires's utilisation of techniques of repetition which complicates the nature of reproduction and disrupts the critical location of singular meaning in favour of embracing the progressively troubling force of indeterminacy.</abstract><cop>UK</cop><pub>Edinburgh University Press</pub><doi>10.3366/iur.2016.0207</doi><tpages>13</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0021-1427
ispartof Irish university review, 2016-05, Vol.46 (1), p.145-157
issn 0021-1427
2047-2153
language eng
recordid cdi_jstor_primary_45129021
source JSTOR Archive Collection A-Z Listing
subjects E-books
Literary Studies
title Repetition and Alterity: Geoffrey Squires's 'texts for screen'
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-13T09%3A56%3A45IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Repetition%20and%20Alterity:%20Geoffrey%20Squires's%20'texts%20for%20screen'&rft.jtitle=Irish%20university%20review&rft.au=Keating,%20Kenneth&rft.date=2016-05-01&rft.volume=46&rft.issue=1&rft.spage=145&rft.epage=157&rft.pages=145-157&rft.issn=0021-1427&rft.eissn=2047-2153&rft_id=info:doi/10.3366/iur.2016.0207&rft_dat=%3Cjstor_cross%3E45129021%3C/jstor_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2577062983&rft_id=info:pmid/&rft_jstor_id=45129021&rfr_iscdi=true