Rinpa Artists and the Samurai Class
Presents an alternate perspective to the theory that works by the Rinpa school (Sotatsu-Korin School) were created mainly for the merchant class, suggesting that it was connected to, significant for, and patronized by members of the samurai class. Researches records and invoices and focuses on the w...
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| Veröffentlicht in: | Bulletin of the Detroit Institute of Arts 2014-01, Vol.88 (1/4), p.70-85 |
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| Format: | Artikel |
| Sprache: | eng |
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| container_end_page | 85 |
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| container_issue | 1/4 |
| container_start_page | 70 |
| container_title | Bulletin of the Detroit Institute of Arts |
| container_volume | 88 |
| creator | Emura, Tomoko |
| description | Presents an alternate perspective to the theory that works by the Rinpa school (Sotatsu-Korin School) were created mainly for the merchant class, suggesting that it was connected to, significant for, and patronized by members of the samurai class. Researches records and invoices and focuses on the work of several Rinpa artists. |
| doi_str_mv | 10.1086/DIA43493629 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0011-9636 |
| ispartof | Bulletin of the Detroit Institute of Arts, 2014-01, Vol.88 (1/4), p.70-85 |
| issn | 0011-9636 2327-5995 |
| language | eng |
| recordid | cdi_jstor_primary_43493629 |
| source | JSTOR Archive Collection A-Z Listing |
| subjects | Art education Art sketches Inks Merchants National museums Poetry Samurai Scrolls Signatures Text, Image, and Authority |
| title | Rinpa Artists and the Samurai Class |
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