The Muse Terpsichore in Pictures and Texts from the 14th to 18th Centuries
The history of the reception and interpretation of the Muse Terpsichore was very complex. Since the Muse was not at all times regarded and identified with the dance, her attributes were often changed (book, scorll of music, small organ, lyre, harp, cetra or tambourine), evoking her different meaning...
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Veröffentlicht in: | Music in art 1998-04, Vol.23 (1/2), p.79-85 |
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description | The history of the reception and interpretation of the Muse Terpsichore was very complex. Since the Muse was not at all times regarded and identified with the dance, her attributes were often changed (book, scorll of music, small organ, lyre, harp, cetra or tambourine), evoking her different meanings. |
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Since the Muse was not at all times regarded and identified with the dance, her attributes were often changed (book, scorll of music, small organ, lyre, harp, cetra or tambourine), evoking her different meanings.</description><subject>Art music</subject><subject>Choirs</subject><subject>Dance</subject><subject>Harps</subject><subject>Muses</subject><subject>Music</subject><subject>Musical aesthetics</subject><subject>Personification</subject><subject>Renaissance art</subject><subject>Renaissance music</subject><issn>1522-7464</issn><issn>2169-9488</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1998</creationdate><recordtype>article</recordtype><sourceid/><recordid>eNqFirEKwjAUAIMoWLSfILwfKDQxjelcFBEEh-4l1FeaYpuSl4L-vRncveWGuxVLBFdlVkqt1yzhhRDZSSq5ZSnRkEdkLqTSCbvVPcJ9IYQa_Uy27Z1HsBM8bBsWjwRmesb2DgSddyOE-HMZeggOuI6ucIqjRdqzTWdehOnPO3a4nOvqmg0UnG9mb0fjP43kheJlXhz_9S-6pTj4</recordid><startdate>19980401</startdate><enddate>19980401</enddate><creator>Salmen, Walter</creator><general>Research Center for Music Iconography of the City University of New York Graduate School</general><scope/></search><sort><creationdate>19980401</creationdate><title>The Muse Terpsichore in Pictures and Texts from the 14th to 18th Centuries</title><author>Salmen, Walter</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-jstor_primary_415619053</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1998</creationdate><topic>Art music</topic><topic>Choirs</topic><topic>Dance</topic><topic>Harps</topic><topic>Muses</topic><topic>Music</topic><topic>Musical aesthetics</topic><topic>Personification</topic><topic>Renaissance art</topic><topic>Renaissance music</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Salmen, Walter</creatorcontrib><jtitle>Music in art</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Salmen, Walter</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>The Muse Terpsichore in Pictures and Texts from the 14th to 18th Centuries</atitle><jtitle>Music in art</jtitle><date>1998-04-01</date><risdate>1998</risdate><volume>23</volume><issue>1/2</issue><spage>79</spage><epage>85</epage><pages>79-85</pages><issn>1522-7464</issn><eissn>2169-9488</eissn><abstract>The history of the reception and interpretation of the Muse Terpsichore was very complex. Since the Muse was not at all times regarded and identified with the dance, her attributes were often changed (book, scorll of music, small organ, lyre, harp, cetra or tambourine), evoking her different meanings.</abstract><pub>Research Center for Music Iconography of the City University of New York Graduate School</pub></addata></record> |
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ispartof | Music in art, 1998-04, Vol.23 (1/2), p.79-85 |
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language | eng |
recordid | cdi_jstor_primary_41561905 |
source | Jstor Complete Legacy |
subjects | Art music Choirs Dance Harps Muses Music Musical aesthetics Personification Renaissance art Renaissance music |
title | The Muse Terpsichore in Pictures and Texts from the 14th to 18th Centuries |
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