Colours, Audiences, and (Dis)Continuity in the 'Cinema of the Second Period'

The essay confronts the issue of the relationship between silent film colour and its audience during the 'second period' of early cinema (approximately 1909 to 1917) by analyzing the practice of producing multiple versions of any given film. It also addresses the overall status of colour w...

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Veröffentlicht in:	Film history (New York, N.Y.) N.Y.), 2009-01, Vol.21 (1), p.7-93
1. Verfasser:	Mazzanti, Nicola
Format:	Artikel
Sprache:	eng
Schlagworte:	Colors Dyes Film archives Film prints Motion picture industry Movies Narrative devices Narratives Negative prints Stencils
Online-Zugang:	Volltext
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