IMITATIO AUGUSTAE: UN RITRATTO SEVERIANO DELLA COLLEZIONE TORLONIA

The marble female bust portrait in the Torlonia Museum, known as ‘Aquilia Severa’ by antiquarian tradition, is in a good state of preservation. Its identification, however, remains purely speculative. Stylistic analysis shows modest similarities to heads of the Severan empresses, which are generally...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Studi classici e orientali 2021-01, Vol.67 (2), p.169-182
1. Verfasser: Micheli, Maria Elisa
Format: Artikel
Sprache:ita
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 182
container_issue 2
container_start_page 169
container_title Studi classici e orientali
container_volume 67
creator Micheli, Maria Elisa
description The marble female bust portrait in the Torlonia Museum, known as ‘Aquilia Severa’ by antiquarian tradition, is in a good state of preservation. Its identification, however, remains purely speculative. Stylistic analysis shows modest similarities to heads of the Severan empresses, which are generally stronger in the coiffure fashion. Where they are alike is in their pleasant and harmonious treatment of their subjects, which makes significant use of geometric shape, according to the linguistic code of the time, which has then been adapted to represent a private domina. The suggestion that the sculpted portrait’s provenance can be identified with Tor Sapienza, near Rome, unfortunately remains hypothetical.
format Article
fullrecord <record><control><sourceid>jstor</sourceid><recordid>TN_cdi_jstor_primary_27136521</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>27136521</jstor_id><sourcerecordid>27136521</sourcerecordid><originalsourceid>FETCH-jstor_primary_271365213</originalsourceid><addsrcrecordid>eNpjYuA0NDcy0TW0MDJgYeA0MLAw1DUzNDLhYOAqLs4yMDAzNjAz5WQQ9PT1DHEM8fRXcAx1Dw0OcXTlYWBNS8wpTuWF0twMsm6uIc4eulnFJflF8QVFmbmJRZXxRuaGxmamRobGhOQBOJ8inA</addsrcrecordid><sourcetype>Publisher</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype></control><display><type>article</type><title>IMITATIO AUGUSTAE: UN RITRATTO SEVERIANO DELLA COLLEZIONE TORLONIA</title><source>JSTOR</source><creator>Micheli, Maria Elisa</creator><creatorcontrib>Micheli, Maria Elisa</creatorcontrib><description>The marble female bust portrait in the Torlonia Museum, known as ‘Aquilia Severa’ by antiquarian tradition, is in a good state of preservation. Its identification, however, remains purely speculative. Stylistic analysis shows modest similarities to heads of the Severan empresses, which are generally stronger in the coiffure fashion. Where they are alike is in their pleasant and harmonious treatment of their subjects, which makes significant use of geometric shape, according to the linguistic code of the time, which has then been adapted to represent a private domina. The suggestion that the sculpted portrait’s provenance can be identified with Tor Sapienza, near Rome, unfortunately remains hypothetical.</description><identifier>ISSN: 0081-6124</identifier><identifier>EISSN: 1724-1820</identifier><language>ita</language><publisher>Pisa University Press S.R.L</publisher><subject>I.2 Scultura greca e romana</subject><ispartof>Studi classici e orientali, 2021-01, Vol.67 (2), p.169-182</ispartof><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/27136521$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/27136521$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,803,58016,58249</link.rule.ids></links><search><creatorcontrib>Micheli, Maria Elisa</creatorcontrib><title>IMITATIO AUGUSTAE: UN RITRATTO SEVERIANO DELLA COLLEZIONE TORLONIA</title><title>Studi classici e orientali</title><description>The marble female bust portrait in the Torlonia Museum, known as ‘Aquilia Severa’ by antiquarian tradition, is in a good state of preservation. Its identification, however, remains purely speculative. Stylistic analysis shows modest similarities to heads of the Severan empresses, which are generally stronger in the coiffure fashion. Where they are alike is in their pleasant and harmonious treatment of their subjects, which makes significant use of geometric shape, according to the linguistic code of the time, which has then been adapted to represent a private domina. The suggestion that the sculpted portrait’s provenance can be identified with Tor Sapienza, near Rome, unfortunately remains hypothetical.</description><subject>I.2 Scultura greca e romana</subject><issn>0081-6124</issn><issn>1724-1820</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2021</creationdate><recordtype>article</recordtype><sourceid/><recordid>eNpjYuA0NDcy0TW0MDJgYeA0MLAw1DUzNDLhYOAqLs4yMDAzNjAz5WQQ9PT1DHEM8fRXcAx1Dw0OcXTlYWBNS8wpTuWF0twMsm6uIc4eulnFJflF8QVFmbmJRZXxRuaGxmamRobGhOQBOJ8inA</recordid><startdate>20210101</startdate><enddate>20210101</enddate><creator>Micheli, Maria Elisa</creator><general>Pisa University Press S.R.L</general><scope/></search><sort><creationdate>20210101</creationdate><title>IMITATIO AUGUSTAE</title><author>Micheli, Maria Elisa</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-jstor_primary_271365213</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>ita</language><creationdate>2021</creationdate><topic>I.2 Scultura greca e romana</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Micheli, Maria Elisa</creatorcontrib><jtitle>Studi classici e orientali</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Micheli, Maria Elisa</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>IMITATIO AUGUSTAE: UN RITRATTO SEVERIANO DELLA COLLEZIONE TORLONIA</atitle><jtitle>Studi classici e orientali</jtitle><date>2021-01-01</date><risdate>2021</risdate><volume>67</volume><issue>2</issue><spage>169</spage><epage>182</epage><pages>169-182</pages><issn>0081-6124</issn><eissn>1724-1820</eissn><abstract>The marble female bust portrait in the Torlonia Museum, known as ‘Aquilia Severa’ by antiquarian tradition, is in a good state of preservation. Its identification, however, remains purely speculative. Stylistic analysis shows modest similarities to heads of the Severan empresses, which are generally stronger in the coiffure fashion. Where they are alike is in their pleasant and harmonious treatment of their subjects, which makes significant use of geometric shape, according to the linguistic code of the time, which has then been adapted to represent a private domina. The suggestion that the sculpted portrait’s provenance can be identified with Tor Sapienza, near Rome, unfortunately remains hypothetical.</abstract><pub>Pisa University Press S.R.L</pub></addata></record>
fulltext fulltext
identifier ISSN: 0081-6124
ispartof Studi classici e orientali, 2021-01, Vol.67 (2), p.169-182
issn 0081-6124
1724-1820
language ita
recordid cdi_jstor_primary_27136521
source JSTOR
subjects I.2 Scultura greca e romana
title IMITATIO AUGUSTAE: UN RITRATTO SEVERIANO DELLA COLLEZIONE TORLONIA
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-10T23%3A54%3A18IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=IMITATIO%20AUGUSTAE:%20UN%20RITRATTO%20SEVERIANO%20DELLA%20COLLEZIONE%20TORLONIA&rft.jtitle=Studi%20classici%20e%20orientali&rft.au=Micheli,%20Maria%20Elisa&rft.date=2021-01-01&rft.volume=67&rft.issue=2&rft.spage=169&rft.epage=182&rft.pages=169-182&rft.issn=0081-6124&rft.eissn=1724-1820&rft_id=info:doi/&rft_dat=%3Cjstor%3E27136521%3C/jstor%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_id=info:pmid/&rft_jstor_id=27136521&rfr_iscdi=true