Die Urfassung von Anton Weberns Fahr hin, o Seel’ op. 15/5: Einige Bemerkungen zur Revision dieses Liedes

Anton Webern’s song “Fahr hin, o Seel’,” composed as early as 1917, was not published until 1924 as the last of the Five Sacred Songs, op. 15. Although all fair copies of Webern’s hand basically present the final text, it can be deduced that the printed score is a largely revised version penned afte...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Archiv für Musikwissenschaft 2017-12, Vol.74 (4), p.279-299
1. Verfasser: Asai, Yuta
Format: Artikel
Sprache:ger
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 299
container_issue 4
container_start_page 279
container_title Archiv für Musikwissenschaft
container_volume 74
creator Asai, Yuta
description Anton Webern’s song “Fahr hin, o Seel’,” composed as early as 1917, was not published until 1924 as the last of the Five Sacred Songs, op. 15. Although all fair copies of Webern’s hand basically present the final text, it can be deduced that the printed score is a largely revised version penned after 1921. In this regard, it is revealing that the autograph, archived at the Paul Sacher Stiftung as a “piano reduction (draft),” offers the text stage of the first version. This essay outlines the work’s genesis in addition to discussing the revision and situating it within the context of Webern’s learning process of the twelve-tone technique.
format Article
fullrecord <record><control><sourceid>jstor_franz</sourceid><recordid>TN_cdi_jstor_primary_26379482</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>26379482</jstor_id><sourcerecordid>26379482</sourcerecordid><originalsourceid>FETCH-LOGICAL-f592-ec2c4111f44978ce81803c811f572f11ad509902a2644effbd2a3d8ce99930793</originalsourceid><addsrcrecordid>eNpFUMFKAzEUDKLgWv0EIR_Q1ZeXZHcfeCnVqlDowYrHku4mdkubLcmq6Mnf8Pf8EgMVepmBmWFg5ohlKIsix5LUMcsAQOaEhKfsLMY1AEqNOmM3t63lz8GZGN_8K3_vPB_5PuGLXdrgI5-YVeCr1g95x5-s3fx-__Bud8WFvtbn7MSZTbQX_zxg88ndfPyQT2f3j-PRNHeaMLc11koI4ZSisqptJSqQdZUEXaITwjQaiAANFkpZ55YNGtmkIBFJKEkO2OW-dh37Lix2od2a8LnAQqZtFSZ_uPddMP4r9rb19hAzbvuBIEpQkL4AIf8AtRlO3Q</addsrcrecordid><sourcetype>Publisher</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype></control><display><type>article</type><title>Die Urfassung von Anton Weberns Fahr hin, o Seel’ op. 15/5: Einige Bemerkungen zur Revision dieses Liedes</title><source>Jstor Complete Legacy</source><creator>Asai, Yuta</creator><creatorcontrib>Asai, Yuta</creatorcontrib><description>Anton Webern’s song “Fahr hin, o Seel’,” composed as early as 1917, was not published until 1924 as the last of the Five Sacred Songs, op. 15. Although all fair copies of Webern’s hand basically present the final text, it can be deduced that the printed score is a largely revised version penned after 1921. In this regard, it is revealing that the autograph, archived at the Paul Sacher Stiftung as a “piano reduction (draft),” offers the text stage of the first version. This essay outlines the work’s genesis in addition to discussing the revision and situating it within the context of Webern’s learning process of the twelve-tone technique.</description><identifier>ISSN: 0003-9292</identifier><identifier>EISSN: 2366-2794</identifier><language>ger</language><publisher>Franz Steiner Verlag</publisher><subject>AFMW 2017, 279 ; AUFSÄTZE</subject><ispartof>Archiv für Musikwissenschaft, 2017-12, Vol.74 (4), p.279-299</ispartof><rights>Franz Steiner Verlag 2018</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/26379482$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/26379482$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,777,781,800,57998,58231</link.rule.ids></links><search><creatorcontrib>Asai, Yuta</creatorcontrib><title>Die Urfassung von Anton Weberns Fahr hin, o Seel’ op. 15/5: Einige Bemerkungen zur Revision dieses Liedes</title><title>Archiv für Musikwissenschaft</title><addtitle>AfMw</addtitle><description>Anton Webern’s song “Fahr hin, o Seel’,” composed as early as 1917, was not published until 1924 as the last of the Five Sacred Songs, op. 15. Although all fair copies of Webern’s hand basically present the final text, it can be deduced that the printed score is a largely revised version penned after 1921. In this regard, it is revealing that the autograph, archived at the Paul Sacher Stiftung as a “piano reduction (draft),” offers the text stage of the first version. This essay outlines the work’s genesis in addition to discussing the revision and situating it within the context of Webern’s learning process of the twelve-tone technique.</description><subject>AFMW 2017, 279</subject><subject>AUFSÄTZE</subject><issn>0003-9292</issn><issn>2366-2794</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2017</creationdate><recordtype>article</recordtype><sourceid/><recordid>eNpFUMFKAzEUDKLgWv0EIR_Q1ZeXZHcfeCnVqlDowYrHku4mdkubLcmq6Mnf8Pf8EgMVepmBmWFg5ohlKIsix5LUMcsAQOaEhKfsLMY1AEqNOmM3t63lz8GZGN_8K3_vPB_5PuGLXdrgI5-YVeCr1g95x5-s3fx-__Bud8WFvtbn7MSZTbQX_zxg88ndfPyQT2f3j-PRNHeaMLc11koI4ZSisqptJSqQdZUEXaITwjQaiAANFkpZ55YNGtmkIBFJKEkO2OW-dh37Lix2od2a8LnAQqZtFSZ_uPddMP4r9rb19hAzbvuBIEpQkL4AIf8AtRlO3Q</recordid><startdate>20171201</startdate><enddate>20171201</enddate><creator>Asai, Yuta</creator><general>Franz Steiner Verlag</general><scope/></search><sort><creationdate>20171201</creationdate><title>Die Urfassung von Anton Weberns Fahr hin, o Seel’ op. 15/5</title><author>Asai, Yuta</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-f592-ec2c4111f44978ce81803c811f572f11ad509902a2644effbd2a3d8ce99930793</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>ger</language><creationdate>2017</creationdate><topic>AFMW 2017, 279</topic><topic>AUFSÄTZE</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Asai, Yuta</creatorcontrib><jtitle>Archiv für Musikwissenschaft</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Asai, Yuta</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Die Urfassung von Anton Weberns Fahr hin, o Seel’ op. 15/5: Einige Bemerkungen zur Revision dieses Liedes</atitle><jtitle>Archiv für Musikwissenschaft</jtitle><addtitle>AfMw</addtitle><date>2017-12-01</date><risdate>2017</risdate><volume>74</volume><issue>4</issue><spage>279</spage><epage>299</epage><pages>279-299</pages><issn>0003-9292</issn><eissn>2366-2794</eissn><abstract>Anton Webern’s song “Fahr hin, o Seel’,” composed as early as 1917, was not published until 1924 as the last of the Five Sacred Songs, op. 15. Although all fair copies of Webern’s hand basically present the final text, it can be deduced that the printed score is a largely revised version penned after 1921. In this regard, it is revealing that the autograph, archived at the Paul Sacher Stiftung as a “piano reduction (draft),” offers the text stage of the first version. This essay outlines the work’s genesis in addition to discussing the revision and situating it within the context of Webern’s learning process of the twelve-tone technique.</abstract><pub>Franz Steiner Verlag</pub><tpages>21</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0003-9292
ispartof Archiv für Musikwissenschaft, 2017-12, Vol.74 (4), p.279-299
issn 0003-9292
2366-2794
language ger
recordid cdi_jstor_primary_26379482
source Jstor Complete Legacy
subjects AFMW 2017, 279
AUFSÄTZE
title Die Urfassung von Anton Weberns Fahr hin, o Seel’ op. 15/5: Einige Bemerkungen zur Revision dieses Liedes
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-18T03%3A15%3A46IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_franz&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Die%20Urfassung%20von%20Anton%20Weberns%20Fahr%20hin,%20o%20Seel%E2%80%99%20op.%2015/5:%20Einige%20Bemerkungen%20zur%20Revision%20dieses%20Liedes&rft.jtitle=Archiv%20f%C3%BCr%20Musikwissenschaft&rft.au=Asai,%20Yuta&rft.date=2017-12-01&rft.volume=74&rft.issue=4&rft.spage=279&rft.epage=299&rft.pages=279-299&rft.issn=0003-9292&rft.eissn=2366-2794&rft_id=info:doi/&rft_dat=%3Cjstor_franz%3E26379482%3C/jstor_franz%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_id=info:pmid/&rft_jstor_id=26379482&rfr_iscdi=true