Nuance and Innovation in Part I of the “48”
This essay offers some addenda, based mostly on my findings as described and illustrated at www. SIM. spk-berlin.de (Lindley 2012), to the information in David Ledbetter’s splendid bookBach’s Well-tempered Clavier:The 48 Preludes and Fugues(2002). Page numbers will refer to his book unless another p...
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| Zusammenfassung: | This essay offers some addenda, based mostly on my findings as described and illustrated at www. SIM. spk-berlin.de (Lindley 2012), to the information in David Ledbetter’s splendid bookBach’s Well-tempered Clavier:The 48 Preludes and Fugues(2002). Page numbers will refer to his book unless another publication is indicated. For efficiency I will call him “David” and will use the abbreviationWTCfor Part I of the 48. When I refer to “the nuanced tuning” I will mean the style of temperament that I have argued (at the SIM website and elsewhere¹) that Bach had in mind forWTC.When |
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