Competition at the Catholic Court of Munich: Italian Musicians and Family Networks
In the seventeenth century, Italian music with its interaction of music, scenery and costumes wasen vogueat European courts. As a result of the breakthrough of Italiandrammi per musica, the phenomenon of Italian musicians spreading all across Europe, from Scandinavia to Spain, from England to Russia...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buchkapitel |
| Sprache: | eng |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
| container_end_page | 90 |
|---|---|
| container_issue | |
| container_start_page | 73 |
| container_title | |
| container_volume | 33 |
| creator | Britta Kägler |
| description | In the seventeenth century, Italian music with its interaction of music, scenery and costumes wasen vogueat European courts. As a result of the breakthrough of Italiandrammi per musica, the phenomenon of Italian musicians spreading all across Europe, from Scandinavia to Spain, from England to Russia, is fairly abundant and well known. On the other hand, systematical approaches referring to micro-historical perspectives on social and artistic integration of foreign musicians are still unexpectedly meagre and poorly researched. This article addresses foreign musicians at the court of Wittelsbach in Munich from as early as mid-seventeenth century up to late |
| doi_str_mv | 10.14361/9783839435045-005 |
| format | Book Chapter |
| fullrecord | <record><control><sourceid>jstor_walte</sourceid><recordid>TN_cdi_jstor_books_j_ctv1wxt49_7</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>j.ctv1wxt49.7</jstor_id><sourcerecordid>j.ctv1wxt49.7</sourcerecordid><originalsourceid>FETCH-LOGICAL-j1175-68ea2aa79f48b0bc1f1d5448418d72525379aad166bd6821eedaa603ee020fce3</originalsourceid><addsrcrecordid>eNpVj09LxDAUxCMiqOt-AU-5S_W95v9RirrCihcFbyFtUtu6bqRNXf321l0VPM3M483Aj5BThHPkTOKFUZppZjgTwEUGIPbI8d9B72-Dkt_h6ZDMh6EDAFRCCQNH5KyIr28htamNa-oSTU2ghUtNXLUVLeLYJxprejeu26o5IQe1Ww1h_qMz8nh99VAssuX9zW1xucw6nHYzqYPLnVOm5rqEssIaveBcc9Re5SIXTBnnPEpZeqlzDME7J4GFADnUVWAzona7G7dKoffhuR8_J2PLGF8Gi2C34PYfuJ3ApybdNbshxd__zlbpHTcfiRur2BevvlWd</addsrcrecordid><sourcetype>Publisher</sourcetype><iscdi>true</iscdi><recordtype>book_chapter</recordtype></control><display><type>book_chapter</type><title>Competition at the Catholic Court of Munich: Italian Musicians and Family Networks</title><source>De Gruyter eBooks</source><source>De Gruyter Open Access Books</source><source>OAPEN</source><source>DOAB: Directory of Open Access Books</source><source>JSTOR eBooks: Open Access</source><creator>Britta Kägler</creator><contributor>Over, Berthold ; Nieden, Gesa zur</contributor><creatorcontrib>Britta Kägler ; Over, Berthold ; Nieden, Gesa zur</creatorcontrib><description>In the seventeenth century, Italian music with its interaction of music, scenery and costumes wasen vogueat European courts. As a result of the breakthrough of Italiandrammi per musica, the phenomenon of Italian musicians spreading all across Europe, from Scandinavia to Spain, from England to Russia, is fairly abundant and well known. On the other hand, systematical approaches referring to micro-historical perspectives on social and artistic integration of foreign musicians are still unexpectedly meagre and poorly researched. This article addresses foreign musicians at the court of Wittelsbach in Munich from as early as mid-seventeenth century up to late</description><identifier>ISBN: 383763504X</identifier><identifier>ISBN: 9783837635041</identifier><identifier>EISBN: 3839435048</identifier><identifier>EISBN: 9783839435045</identifier><identifier>DOI: 10.14361/9783839435045-005</identifier><language>eng</language><publisher>Bielefeld: transcript Verlag</publisher><subject>Art music ; Artists ; Arts ; Behavioral sciences ; Contests ; Economic disciplines ; Economics ; Employment ; High culture ; Human geography ; Human migration ; Human societies ; Instrumental music ; Labor economics ; Music ; Music competitions ; Music theory ; Musical instruments ; Musical pitch ; Musical register ; Musical theater ; Musicians ; Occupations ; Opera ; Performing arts ; Political migration ; Singers ; Social events ; Social life ; Social sciences ; Sociology ; Theater ; Theater history ; Theatrical genres ; Violinists ; Vocal music ; Western art music</subject><ispartof>Musicians' Mobilities and Music Migrations in Early Modern Europe, 2016, Vol.33, p.73-90</ispartof><rights>2016 transcript Verlag</rights><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.degruyter.com/document/doi/10.14361/9783839435045-005/pdf$$EPDF$$P50$$Gwalterdegruyter$$Hfree_for_read</linktopdf><linktohtml>$$Uhttps://www.degruyter.com/document/doi/10.14361/9783839435045-005/html$$EHTML$$P50$$Gwalterdegruyter$$Hfree_for_read</linktohtml><link.rule.ids>775,776,780,789,21600,23358,24340,24760,27902,67317,67356,69101,69140</link.rule.ids></links><search><contributor>Over, Berthold</contributor><contributor>Nieden, Gesa zur</contributor><creatorcontrib>Britta Kägler</creatorcontrib><title>Competition at the Catholic Court of Munich: Italian Musicians and Family Networks</title><title>Musicians' Mobilities and Music Migrations in Early Modern Europe</title><description>In the seventeenth century, Italian music with its interaction of music, scenery and costumes wasen vogueat European courts. As a result of the breakthrough of Italiandrammi per musica, the phenomenon of Italian musicians spreading all across Europe, from Scandinavia to Spain, from England to Russia, is fairly abundant and well known. On the other hand, systematical approaches referring to micro-historical perspectives on social and artistic integration of foreign musicians are still unexpectedly meagre and poorly researched. This article addresses foreign musicians at the court of Wittelsbach in Munich from as early as mid-seventeenth century up to late</description><subject>Art music</subject><subject>Artists</subject><subject>Arts</subject><subject>Behavioral sciences</subject><subject>Contests</subject><subject>Economic disciplines</subject><subject>Economics</subject><subject>Employment</subject><subject>High culture</subject><subject>Human geography</subject><subject>Human migration</subject><subject>Human societies</subject><subject>Instrumental music</subject><subject>Labor economics</subject><subject>Music</subject><subject>Music competitions</subject><subject>Music theory</subject><subject>Musical instruments</subject><subject>Musical pitch</subject><subject>Musical register</subject><subject>Musical theater</subject><subject>Musicians</subject><subject>Occupations</subject><subject>Opera</subject><subject>Performing arts</subject><subject>Political migration</subject><subject>Singers</subject><subject>Social events</subject><subject>Social life</subject><subject>Social sciences</subject><subject>Sociology</subject><subject>Theater</subject><subject>Theater history</subject><subject>Theatrical genres</subject><subject>Violinists</subject><subject>Vocal music</subject><subject>Western art music</subject><isbn>383763504X</isbn><isbn>9783837635041</isbn><isbn>3839435048</isbn><isbn>9783839435045</isbn><fulltext>true</fulltext><rsrctype>book_chapter</rsrctype><creationdate>2016</creationdate><recordtype>book_chapter</recordtype><sourceid>BAHZO</sourceid><recordid>eNpVj09LxDAUxCMiqOt-AU-5S_W95v9RirrCihcFbyFtUtu6bqRNXf321l0VPM3M483Aj5BThHPkTOKFUZppZjgTwEUGIPbI8d9B72-Dkt_h6ZDMh6EDAFRCCQNH5KyIr28htamNa-oSTU2ghUtNXLUVLeLYJxprejeu26o5IQe1Ww1h_qMz8nh99VAssuX9zW1xucw6nHYzqYPLnVOm5rqEssIaveBcc9Re5SIXTBnnPEpZeqlzDME7J4GFADnUVWAzona7G7dKoffhuR8_J2PLGF8Gi2C34PYfuJ3ApybdNbshxd__zlbpHTcfiRur2BevvlWd</recordid><startdate>20161015</startdate><enddate>20161015</enddate><creator>Britta Kägler</creator><general>transcript Verlag</general><scope>BAHZO</scope></search><sort><creationdate>20161015</creationdate><title>Competition at the Catholic Court of Munich</title><author>Britta Kägler</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-j1175-68ea2aa79f48b0bc1f1d5448418d72525379aad166bd6821eedaa603ee020fce3</frbrgroupid><rsrctype>book_chapters</rsrctype><prefilter>book_chapters</prefilter><language>eng</language><creationdate>2016</creationdate><topic>Art music</topic><topic>Artists</topic><topic>Arts</topic><topic>Behavioral sciences</topic><topic>Contests</topic><topic>Economic disciplines</topic><topic>Economics</topic><topic>Employment</topic><topic>High culture</topic><topic>Human geography</topic><topic>Human migration</topic><topic>Human societies</topic><topic>Instrumental music</topic><topic>Labor economics</topic><topic>Music</topic><topic>Music competitions</topic><topic>Music theory</topic><topic>Musical instruments</topic><topic>Musical pitch</topic><topic>Musical register</topic><topic>Musical theater</topic><topic>Musicians</topic><topic>Occupations</topic><topic>Opera</topic><topic>Performing arts</topic><topic>Political migration</topic><topic>Singers</topic><topic>Social events</topic><topic>Social life</topic><topic>Social sciences</topic><topic>Sociology</topic><topic>Theater</topic><topic>Theater history</topic><topic>Theatrical genres</topic><topic>Violinists</topic><topic>Vocal music</topic><topic>Western art music</topic><toplevel>online_resources</toplevel><creatorcontrib>Britta Kägler</creatorcontrib><collection>JSTOR eBooks: Open Access</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Britta Kägler</au><au>Over, Berthold</au><au>Nieden, Gesa zur</au><format>book</format><genre>bookitem</genre><ristype>CHAP</ristype><atitle>Competition at the Catholic Court of Munich: Italian Musicians and Family Networks</atitle><btitle>Musicians' Mobilities and Music Migrations in Early Modern Europe</btitle><date>2016-10-15</date><risdate>2016</risdate><volume>33</volume><spage>73</spage><epage>90</epage><pages>73-90</pages><isbn>383763504X</isbn><isbn>9783837635041</isbn><eisbn>3839435048</eisbn><eisbn>9783839435045</eisbn><abstract>In the seventeenth century, Italian music with its interaction of music, scenery and costumes wasen vogueat European courts. As a result of the breakthrough of Italiandrammi per musica, the phenomenon of Italian musicians spreading all across Europe, from Scandinavia to Spain, from England to Russia, is fairly abundant and well known. On the other hand, systematical approaches referring to micro-historical perspectives on social and artistic integration of foreign musicians are still unexpectedly meagre and poorly researched. This article addresses foreign musicians at the court of Wittelsbach in Munich from as early as mid-seventeenth century up to late</abstract><cop>Bielefeld</cop><pub>transcript Verlag</pub><doi>10.14361/9783839435045-005</doi><tpages>18</tpages><oa>free_for_read</oa></addata></record> |
| fulltext | fulltext |
| identifier | ISBN: 383763504X |
| ispartof | Musicians' Mobilities and Music Migrations in Early Modern Europe, 2016, Vol.33, p.73-90 |
| issn | |
| language | eng |
| recordid | cdi_jstor_books_j_ctv1wxt49_7 |
| source | De Gruyter eBooks; De Gruyter Open Access Books; OAPEN; DOAB: Directory of Open Access Books; JSTOR eBooks: Open Access |
| subjects | Art music Artists Arts Behavioral sciences Contests Economic disciplines Economics Employment High culture Human geography Human migration Human societies Instrumental music Labor economics Music Music competitions Music theory Musical instruments Musical pitch Musical register Musical theater Musicians Occupations Opera Performing arts Political migration Singers Social events Social life Social sciences Sociology Theater Theater history Theatrical genres Violinists Vocal music Western art music |
| title | Competition at the Catholic Court of Munich: Italian Musicians and Family Networks |
| url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-11T23%3A48%3A04IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_walte&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.genre=bookitem&rft.atitle=Competition%20at%20the%20Catholic%20Court%20of%20Munich:%20Italian%20Musicians%20and%20Family%20Networks&rft.btitle=Musicians'%20Mobilities%20and%20Music%20Migrations%20in%20Early%20Modern%20Europe&rft.au=Britta%20K%C3%A4gler&rft.date=2016-10-15&rft.volume=33&rft.spage=73&rft.epage=90&rft.pages=73-90&rft.isbn=383763504X&rft.isbn_list=9783837635041&rft_id=info:doi/10.14361/9783839435045-005&rft_dat=%3Cjstor_walte%3Ej.ctv1wxt49.7%3C/jstor_walte%3E%3Curl%3E%3C/url%3E&rft.eisbn=3839435048&rft.eisbn_list=9783839435045&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_id=info:pmid/&rft_jstor_id=j.ctv1wxt49.7&rfr_iscdi=true |