The Music Festival as Pedagogical Experience
Music festivals exploded in size and number across Central Europe in the decade after 1945. Many hundreds of thousands of people took part through both professional and amateur choirs and other musical ensembles, while millions more encountered party-approved music by attending concerts. Cultural of...
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| creator | David G. Tompkins |
| description | Music festivals exploded in size and number across Central Europe in the decade after 1945. Many hundreds of thousands of people took part through both professional and amateur choirs and other musical ensembles, while millions more encountered party-approved music by attending concerts. Cultural officials made significant and ongoing attempts to include amateur groups in these festivals and also to bring in audience members from all population groups. Musicians and conductors appreciated the festivals, as they heightened audience interest and attracted attention to ensemble activities. For contemporary composers, the festivals provided very welcome and indeed essential opportunities to have their works |
| format | Book Chapter |
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For contemporary composers, the festivals provided very welcome and indeed essential opportunities to have their works</description><identifier>ISBN: 9781557536471</identifier><identifier>ISBN: 1557536473</identifier><identifier>EISBN: 1612492894</identifier><identifier>EISBN: 9781612492896</identifier><language>eng</language><publisher>Purdue University Press</publisher><subject>Anthropology ; Applied anthropology ; Art festivals ; Artists ; Arts ; Audiences ; Behavioral sciences ; Composers ; Consumers ; Cultural anthropology ; Cultural customs ; Economic disciplines ; Economics ; Employment ; Entertainment ; Festivals ; Human populations ; Labor economics ; Leisure studies ; Music ; Music composition ; Music concerts ; Music events ; Music festivals ; Music theory ; Musical performance ; Musicians ; Occupations ; Performing arts ; Performing arts events ; Persons ; Political organizations ; Political parties ; Political science ; Population studies ; Recreation ; Social sciences</subject><ispartof>Composing the Party Line, 2013, p.167</ispartof><rights>2013 Purdue University</rights><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>779,780,784,793,24359</link.rule.ids></links><search><creatorcontrib>David G. 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Tompkins</creator><general>Purdue University Press</general><scope>BAHZO</scope></search><sort><creationdate>20130915</creationdate><title>The Music Festival as Pedagogical Experience</title><author>David G. Tompkins</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-jstor_books_j_ctt6wq3gn_103</frbrgroupid><rsrctype>book_chapters</rsrctype><prefilter>book_chapters</prefilter><language>eng</language><creationdate>2013</creationdate><topic>Anthropology</topic><topic>Applied anthropology</topic><topic>Art festivals</topic><topic>Artists</topic><topic>Arts</topic><topic>Audiences</topic><topic>Behavioral sciences</topic><topic>Composers</topic><topic>Consumers</topic><topic>Cultural anthropology</topic><topic>Cultural customs</topic><topic>Economic disciplines</topic><topic>Economics</topic><topic>Employment</topic><topic>Entertainment</topic><topic>Festivals</topic><topic>Human populations</topic><topic>Labor economics</topic><topic>Leisure studies</topic><topic>Music</topic><topic>Music composition</topic><topic>Music concerts</topic><topic>Music events</topic><topic>Music festivals</topic><topic>Music theory</topic><topic>Musical performance</topic><topic>Musicians</topic><topic>Occupations</topic><topic>Performing arts</topic><topic>Performing arts events</topic><topic>Persons</topic><topic>Political organizations</topic><topic>Political parties</topic><topic>Political science</topic><topic>Population studies</topic><topic>Recreation</topic><topic>Social sciences</topic><toplevel>online_resources</toplevel><creatorcontrib>David G. Tompkins</creatorcontrib><collection>JSTOR eBooks: Open Access</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>David G. Tompkins</au><format>book</format><genre>bookitem</genre><ristype>CHAP</ristype><atitle>The Music Festival as Pedagogical Experience</atitle><btitle>Composing the Party Line</btitle><date>2013-09-15</date><risdate>2013</risdate><spage>167</spage><pages>167-</pages><isbn>9781557536471</isbn><isbn>1557536473</isbn><eisbn>1612492894</eisbn><eisbn>9781612492896</eisbn><abstract>Music festivals exploded in size and number across Central Europe in the decade after 1945. Many hundreds of thousands of people took part through both professional and amateur choirs and other musical ensembles, while millions more encountered party-approved music by attending concerts. Cultural officials made significant and ongoing attempts to include amateur groups in these festivals and also to bring in audience members from all population groups. Musicians and conductors appreciated the festivals, as they heightened audience interest and attracted attention to ensemble activities. For contemporary composers, the festivals provided very welcome and indeed essential opportunities to have their works</abstract><pub>Purdue University Press</pub><oa>free_for_read</oa></addata></record> |
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| identifier | ISBN: 9781557536471 |
| ispartof | Composing the Party Line, 2013, p.167 |
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| language | eng |
| recordid | cdi_jstor_books_j_ctt6wq3gn_10 |
| source | Project MUSE Open Access Books; JSTOR eBooks: Open Access; OAPEN; DOAB: Directory of Open Access Books |
| subjects | Anthropology Applied anthropology Art festivals Artists Arts Audiences Behavioral sciences Composers Consumers Cultural anthropology Cultural customs Economic disciplines Economics Employment Entertainment Festivals Human populations Labor economics Leisure studies Music Music composition Music concerts Music events Music festivals Music theory Musical performance Musicians Occupations Performing arts Performing arts events Persons Political organizations Political parties Political science Population studies Recreation Social sciences |
| title | The Music Festival as Pedagogical Experience |
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